Ballroom Blitz: Live in Berlin 1976 by SWEET by : Amazon.co.uk: CDs & Vinyl

About the Song

Released in 1973, “The Ballroom Blitz” by Sweet became a defining moment in glam rock, catapulting the band to international stardom. This high-energy track, with its infectious melody and driving beat, remains a beloved classic of the genre.

The song’s lyrics, while somewhat nonsensical, perfectly capture the chaotic and exuberant spirit of glam rock. The rapid-fire delivery and playful wordplay create a sense of energy and excitement that is infectious. The iconic opening line, “Bang bang, I shot you down, babe,” immediately grabs the listener’s attention and sets the stage for a wild ride.

“The Ballroom Blitz” is not just about the lyrics; it’s a sonic assault that showcases Sweet’s musical prowess. The driving guitar riff, the pounding drums, and the soaring vocals create a wall of sound that is both exhilarating and exhilarating. The song’s production, with its emphasis on crisp, powerful instrumentation, perfectly captures the raw energy of the band’s live performances.

“The Ballroom Blitz” remains a staple of classic rock radio and continues to be a fan favorite to this day. It’s a testament to the enduring power of glam rock and a reminder of the importance of embracing the spirit of fun and rebellion.Sweet Ballroom Blitz: Live In Berlin 1976 Vinyl Record

Video 

Lyrics: The Ballroom Blitz 

Are you ready, Steve? Uh-ha!
Andy? Yeah!
Mick? Okay.
All right, fellows, let’s go!

Oh, it’s been getting so hard
Livin’ with the things you do to me, ah-ha
My dreams are getting so strange
I’d like to tell you everything I see, mm

Oh, I see a man at the back as a matter of fact
His eyes are red as the sun
And a girl in the corner, let no one ignore her
‘Cause she thinks she’s the passionate one

Oh yeah, it was like lightning
Everybody was frightening
And the music was soothing
And they all started grooving
Yeah, yeah, yeah, yeah, yeah

And the man at the back said: “Everyone attack”
And it turned into a ballroom blitz
And the girl in the corner said: “Boy, I wanna warn ya”
It’ll turn into a ballroom blitz
Ballroom blitz
Ballroom blitz
Ballroom blitz
Ballroom blitz

Oh, I’m reaching out for something
Touching nothing’s all I ever do
Oh, I softly call you over
When you appear, there’s nothing left of you, ah-ha

Now the man at the back is ready to crack
As he raises his hands to the sky
And the girl in the corner is everyone’s mourner
She could kill you with a wink of her eye

Oh yeah, it was electric
So frantically hectic
And the band started leaving
‘Cause they all stopped breathing
Yeah, yeah, yeah, yeah, yeah

And the man at the back said: “Everyone attack”
And it turned into a ballroom blitz
And the girl in the corner said: “Boy, I wanna warn ya”
It’ll turn into a ballroom blitz
Ballroom blitz

Oh yeah, it was like lightning
Everybody was frightening
And the music was soothing
‘Cause they all started grooving
Yeah, yeah, yeah, yeah, yeah

And the man at the back said: “Everyone attack”
And it turned into a ballroom blitz
And the girl in the corner said: “Boy, I wanna warn ya”
It’ll turn into a ballroom blitz
Ballroom blitz
Ballroom blitz
Ballroom blitz
Ballroom blitz

It’s, it’s a ballroom blitz
It’s, it’s a ballroom blitz
It’s, it’s a ballroom blitz
Yeah, it’s a ballroom blitz

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HE WROTE THESE WORDS AS A LIGHTHEARTED TRIBUTE TO A FRIEND — BUT NO ONE KNEW IT WOULD BECOME THE ANTHEM OF HIS FINAL BATTLE. Back in 2017, during a charity golf event at Pebble Beach, Toby Keith found himself sharing a cart with the legendary Clint Eastwood. Clint was nearing his 88th birthday, yet he was still working, still directing, and still full of life. Toby, curious about how the Hollywood icon stayed so sharp, asked for his secret. Clint’s answer was simple but profound: “I just don’t let the old man in.” Toby was so moved by that philosophy that he went straight home and turned those words into a song. When he recorded the first demo, Toby actually had a bad cold. His voice was unusually gravelly, tired, and raw. Clint heard that “imperfect” version and insisted it stay exactly that way for his 2018 movie, The Mule. Back then, it was just a quiet, soulful track that most of the world barely noticed. Everything changed in 2021 when Toby received his stomach cancer diagnosis. Suddenly, the song he wrote for Clint became the story of his own life. Those lyrics were no longer just a tribute—they became a daily prayer for strength. The world finally felt the true weight of that song in September 2023. Toby stepped onto the People’s Choice Country Awards stage to accept the Icon Award. He was visibly thinner, and his hands trembled slightly, but his spirit was unbroken. He joked about his “skinny jeans,” then he began to sing. There wasn’t a dry eye in the house. Overnight, a song from five years prior surged to the top of the charts. After playing his final trio of shows in Las Vegas that December, Toby peacefully passed away on February 5, 2024, at age 62. Clint Eastwood later shared a photo of them together, a final salute to his friend. Time eventually catches up to everyone, but Toby Keith showed us all how to face it with dignity, courage, and a guitar in hand. Do you remember the title of this final, powerful masterpiece by Toby Keith?

HE WAS 70, STRUGGLING TO STAND, AND THE INDUSTRY HAD ALREADY WRITTEN HIM OFF — UNTIL HE COVERED A TRACK BY A ROCK STAR HALF HIS AGE AND BROKE THE WORLD’S HEART. By 2002, Johnny Cash was a man surviving on memories. He had outlived most of his peers. His record label of nearly three decades had abandoned him. His health was a wreckage of diabetes, pneumonia, and failing nerves. There were moments in the recording booth when his producer, Rick Rubin, could hear the literal sound of a voice breaking. Then Rubin presented him with a raw, industrial rock song about the depths of depression and self-harm. Cash made one simple change — replacing a profane lyric with “crown of thorns” — and transformed a young man’s angst into his own final testament. The music video was shot inside his shuttered museum in Nashville, a place crumbling under the weight of dust and silence. June Carter was there, looking at him with an expression of profound, tragic realization. She would be gone in three months. He would follow her just four months later. When the original songwriter finally saw the footage alone one morning, he broke down. He later admitted that the song no longer belonged to him. The video went on to win a Grammy and was hailed by critics as the greatest music video ever filmed. It has been streamed hundreds of millions of times since. But its true power isn’t in the numbers or the awards. It continues to haunt us two decades later because it is the sound of a man who has stopped running from the end — a man who sat down in the fading light and finally told the absolute truth.

NO ONE KNEW WHY TOBY KEITH KEPT VISITING THE OK KIDS KORRAL EVERY WEEK DURING HIS FINAL 2 YEARS — EVEN AS HIS OWN CANCER WAS TAKING OVER… UNTIL A NURSE FINALLY TOLD THE TRUTH In 2006, Toby Keith launched a foundation for children battling cancer, inspired by the loss of his lead guitarist’s 2-year-old daughter to a tumor in 2003. By 2014, he turned that vision into reality, opening the OK Kids Korral in Oklahoma City—a sanctuary where families of pediatric patients could stay for free. Then, in 2021, the world stopped when Toby was diagnosed with stomach cancer. Yet, instead of retreating into his own pain, Toby began appearing at the Korral every week. He wasn’t there to sign autographs or put on a show. He would simply stand in the quiet hallways, watching the children go about their days. Outsiders assumed he was inspecting the building. The staff figured he was there to lift spirits. But following Toby’s passing in February 2024, a veteran nurse finally shared what really happened. She had asked him why he pushed himself to come when he was so exhausted. Toby leaned heavily against the wall and whispered: “These kids showed me how to be a warrior long before I ever had to fight for my own life. I’m just here to pay my respects—while time still allows.” The world believed Toby Keith built the Korral to rescue those children. In reality, it was those children who were quietly holding him together at the end. What remained a secret until his very last visit—just 11 days before he slipped away—was how Toby stopped in front of a single name on the memorial wall: the little girl whose story began it all two decades earlier. He stood there in total silence, longer than anyone had ever seen him stay in one place.