The Sweet – Teenage Rampage – Vinyl (7", 45 RPM + 2 more), 1974 [r5484168] | Discogs

About the Song

There are rock songs that ignite a fire in the hearts of their listeners, and then there are anthems—tracks so full of energy and attitude that they define a generation. “Teenage Rampage” by Sweet is one such anthem, a high-voltage, foot-stomping call to arms that encapsulates the rebellious spirit of the 1970s.

Released in 1974, “Teenage Rampage” came at the height of Sweet’s glam rock dominance, a period when they were churning out hit after hit with their signature mix of raw power, catchy hooks, and flamboyant showmanship. Written by the iconic songwriting duo Nicky Chinn and Mike Chapman, the song perfectly captures the youthful defiance and uncontainable energy that fueled the glam rock movement.

From the very first pounding drumbeat, “Teenage Rampage” explodes with urgency. The track is built on a driving, almost militaristic rhythm, layered with crunching guitar riffs and soaring vocal harmonies. Brian Connolly’s powerful, raspy voice delivers the lyrics with an electrifying mix of swagger and conviction, rallying young people to rise up, take control, and embrace their generation’s unstoppable force.

Lyrically, the song taps into the rebellious nature of youth culture, with lines like “Come join the revolution, get yourself a constitution” serving as an electrifying battle cry. It’s not a protest song in the traditional sense, but rather an exuberant celebration of teenage power—loud, proud, and unfiltered. In an era where youth movements were reshaping society, Sweet captured the energy of the time in a way that felt both exhilarating and undeniably cool.

Though it didn’t reach the same legendary status as “Ballroom Blitz” or “Fox on the Run,” “Teenage Rampage” remains a fan favorite and a testament to Sweet’s ability to craft infectious, larger-than-life rock anthems. The song’s relentless energy and gang-vocal chorus make it an enduring classic, one that still has the power to get fists pumping and heads banging nearly five decades later.

Whether you were there in the ‘70s, blasting it on vinyl, or you’re discovering it for the first time, “Teenage Rampage” is a reminder of what rock and roll is all about—youthful rebellion, uncontainable energy, and a sound that demands to be played at full volume.THE SWEET

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Lyrics: Teenage Rampage

We want Sweet!
We want Sweet!
We want Sweet!All over the land, the kids have finally startin’ to get the upper hand
They’re out on the streets, they turn on the heat
And soon they could be completely in command

Imagine the sensation of teenage occupation
At thirteen they’ll be learning
And at fourteen they’ll be burning
But there’s something in the air of which we all will be aware
But they don’t care! No! No! No! No! So!

Come and join the revolution
Get yourself the constitution
And join the revolution now
And recognise your age, it’s a teenage rampage
Turn another page on the teenage rampage now
So recognise your age, it’s a teenage rampage
Turn another page on the teenage rampage now, now, now…

They’re getting it on, ain’t doing it wrong, but they’re gonna do it, it won’t be long
They’ve gotta be heard, they’ve got the word, they really belong
And now they’re coming on strong

Imagine the formation of teenage legislation
At thirteen they were fooling
But at sixteen they’ll be ruling
And there’s something in the air of which we all will be aware
But they don’t care! No! No! No! No! So!

Come and join the revolution
Get yourself a constitution
And join the revolution now
And recognise your age, it’s a teenage rampage
Turn another page on the teenage rampage now
So recognise your age, it’s a teenage rampage
Turn another page on the teenage rampage now

There’s something in the air of which we all will be aware
Yeah! Yeah! Yeah, yeah, yeah, so!

Come join the revolution
Get yourself a constitution
And join the revolution now
And recognise your age, it’s a teenage rampage
Turn another page on the teenage rampage now
So recognise your age, it’s a teenage rampage
Turn another page on the teenage rampage now
Recognise your age, it’s a teenage rampage now (We want Sweet!)
And recognise your age, it’s a teenage rampage now, now, now…

You Missed

For Vince Gill, the memory of singing with Dolly Parton came down to their final note together at the 1995 CMA Awards. Thirty-one years later, on the day she died, he shared that performance again. “We are all crushed here at our house,” he wrote. He called the closing note of their duet one of the most beautiful sounds he had ever heard. Their recording of “I Will Always Love You” began with Dolly’s album *Something Special*. That summer, she revisited three of her classics, including the farewell she had written for Porter Wagoner in 1973. It had already topped the country chart twice in her own voice, and Whitney Houston’s 1992 recording had brought it to listeners worldwide. For this version, Dolly invited Vince to join her. They performed it on the Grand Ole Opry on August 26, 1995, during a TNN broadcast. Radio programmers began playing the duet before Columbia officially issued it as a single. That unsolicited airplay carried it onto Billboard’s country chart at No. 53. On October 4, they sang it again at the CMA Awards. Vince, then 38, was hosting the broadcast at the Grand Ole Opry House. He stepped away from those duties to sing beside the woman who had written the song when he was sixteen. As the performance ended, their voices met on one sustained note. Decades later, that was the moment he singled out. Released as a single that November, the duet reached No. 15, received a Grammy nomination and won the 1996 CMA award for Vocal Event of the Year. But Vince’s remembrance centered on what he had heard standing beside her. Dolly died in Nashville on August 25, 2026, at 80, after a brief battle with cancer. Two days later, Vince appeared at the Midland Theatre in Kansas City. He told the audience how deeply his family was hurting, then began “I Will Always Love You.” This time, he sang it alone. Fan footage captured him struggling with his emotions throughout the performance. When he stepped back to compose himself, people in the audience carried the words. Musicians behind him wiped their eyes. He reached the closing note without Dolly’s voice beside his. After finishing, he moved away from the microphone, placed a hand over his chest and lowered his head.