Los Bravos - Wikipedia

About the Song

Los Bravos, a Spanish rock band formed in the early 1960s, made a global impact with their breakthrough single “Black Is Black” in 1966. The song, with its catchy melody and soulful lyrics, became an anthem of the garage rock era, continuing to captivate listeners of all ages to this day.

Los Bravos, formed in Barcelona, originally consisted of Mike Kogel (lead vocals), Manuel and Antonio García (guitars), Óscar Avellaneda (bass), and Johnny Forrester (drums). Their music was heavily influenced by British and American rock and roll bands like The Beatles, The Rolling Stones, and The Animals, infused with a vibrant Latin flair.

“Black Is Black” is a prime example of Los Bravos’ garage rock style. The song opens with a driving electric guitar riff, leading into a rousing chorus with simple yet effective lyrics: “Black is black / I said black is black / And white is white / I said white is white.”

Mike Kogel’s soulful vocals are the centerpiece of the song, conveying a powerful message of self-assertion and self-acceptance. The song’s lyrics, though simple, are highly metaphorical, open to various interpretations.

“Black Is Black” became a global hit, reaching number 2 on the UK Singles Chart and number 4 on the Billboard Hot 100. The song has also been covered by numerous artists, including The Carpenters, Santana, and Van Halen.

“Black Is Black” is a lasting legacy of Los Bravos and the garage rock era. It is a testament to the power of simple yet effective music, capable of connecting with people of all ages and cultures.

Los Bravos had a relatively short career, but they left an indelible mark on rock and roll history. “Black Is Black” will forever remain one of the most iconic rock and roll anthems of all time.

Los Bravos - Black is Black (Cover Audio) - YouTube

Video

Lyrics: Black Is Black

Black is black
I want my baby back
It’s gray, it’s gray
Since she went away, ooh-ooh
What can I do
‘Cause I-I-I-I-I’m feelin’ blue

If I had my way
She’d be back today
But she don’t intend
To see me again, ooh-ooh
What can I do
‘Cause I-I-I-I-I’m feelin’ blue

I can’t choose
It’s too much to lose
My love’s too strong
Wow! Maybe if she
Would come back to me
Then it can’t go wrong

Bad is bad
That I feel so sad
It’s time, it’s time
That I found peace of mind, ooh-ooh
What can I do
‘Cause I-I-I-I-I’m feelin’ blue

I can’t choose
It’s too much to lose
My love’s too strong
Wow! Maybe if she
Would come back to me
Then it can’t go wrong

Black is black
I want my baby back
It’s gray, it’s gray
Since she went away, ooh-ooh
What can I do
‘Cause I-I-I-I-I’m feelin’ blue
‘Cause I-I-I-I-I’m feelin’ blue

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.