KC & The Sunshine Band - IMDb

About the Song

1. The Birth of a Groove:

“Give It Up” was released by KC & The Sunshine Band in 1982. This dance anthem quickly became a sensation, topping the charts in multiple countries. The band’s founder, Harry Wayne Casey, known as KC, brought his signature blend of funk and disco to the track, creating a sound that was instantly recognizable and impossible to resist.

2. A Global Hit:

Not only did “Give It Up” dominate the charts in the United States, but it also achieved international acclaim. It reached the number one spot on the UK Singles Chart and remained there for three weeks, solidifying its status as a worldwide hit. The song’s catchy lyrics and infectious rhythm had people dancing from Miami to London.

3. Grammy Recognition:

The success of “Give It Up” didn’t go unnoticed by the music industry. The song earned KC & The Sunshine Band a Grammy Award nomination for Best R&B Vocal Performance by a Duo or Group. This recognition highlighted the band’s ability to create music that transcended boundaries and captured the hearts of music lovers of all genres.

4. A Timeless Classic:

Over the years, “Give It Up” has stood the test of time. Its funky bassline, soulful vocals, and irresistible groove continue to make it a staple at dance parties and retro-themed events. KC & The Sunshine Band’s contribution to the world of music is undeniable, and “Give It Up” remains one of their most enduring hits.

5. Sampling and Remixes:

The influence of “Give It Up” extends beyond its original release. Numerous artists have sampled and remixed this iconic track, introducing it to new generations of music enthusiasts. Its presence in contemporary pop culture is a testament to its enduring popularity.

KC and The Sunshine Band - Agua Caliente Casinos

Video 

Lyrics: Give It Up

Everybody wants you
Everybody wants your love
I’d just like to make you mine all nightNa, na, na, na, na, na, na, na, na, na, na
Baby give it up
Give it up
Baby give it up
Na, na, na, na, na, na, na, na, na, na, na
Baby give it up
Give it up
Baby give it upEverybody sees you
Everybody looks and stares
I’d just like to make you mine all mineNa, na, na, na, na, na, na, na, na, na, na
Baby give it up
Give it up
Baby give it up
Na, na, na, na, na, na, na, na, na, na, na
Baby give it up
Give it up
Baby give it up
Can you give it
Can you give it
Give it up

Na, na, na, na, na, na, na, na, na, na, na
Baby give it up
Give it up
Baby give it up
Na, na, na, na, na, na, na, na, na, na, na
Baby give it up
Give it up
Baby give it up

Everybody wants you
Everybody wants your love
I’d just like to make you mine all night

Na, na, na, na, na, na, na, na, na, na, na
Baby give it up
Give it up
Baby give it up
Na, na, na, na, na, na, na, na, na, na, na
Baby give it up
Give it up
Baby give it up

Come on baby I need your love
Do you know I want it baby
Come on baby I want your love
Give it up, some of your love
Come on and play the game of love

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.