Introduction

“I’ve Got You Under My Skin” is a musical masterpiece that transcends generations. This unforgettable song features a remarkable collaboration between two musical icons, Tony Bennett and Lady Gaga. Released in 2014, this rendition of the classic tune has been capturing hearts and igniting the passion of music lovers around the world. In this article, we’ll delve into the fascinating journey of this song, explore the extraordinary artists behind it, and uncover some intriguing facts in our ‘Did You Know?’ section.Tony Bennett & Lady Gaga glow as they sing 'I've Got You Under My Skin' –  Madly Odd!

Did You Know?

  • The Original Composition: “I’ve Got You Under My Skin” was originally written by the legendary composer and lyricist Cole Porter in 1936. It has since become a timeless classic, covered by numerous artists.
  • The Magical Collaboration: The rendition by Tony Bennett and Lady Gaga is part of their collaborative album, “Cheek to Cheek,” released in 2014. This album, featuring a collection of jazz and vocal standards, received critical acclaim and showcased the incredible synergy between the two artists.
  • A Match Made in Musical Heaven: Tony Bennett, known for his rich, velvety voice, and Lady Gaga, celebrated for her powerhouse vocals, may seem like an unexpected pair, but their shared passion for music and their genuine chemistry shine through in this song.
  • Awards and Recognition: “I’ve Got You Under My Skin” by Tony Bennett and Lady Gaga received Grammy Awards, including the Grammy Award for Best Traditional Pop Vocal Album, further solidifying its place in music history.
  • A Timeless Classic: Despite the years since its original composition, the song’s enduring appeal continues to captivate audiences, making it a staple in the world of jazz and pop music.

Lady Gaga, Tony Bennett drop jazz duet 'I Get A Kick Out Of You' on  singer's 95th birthday, announce album | Fox News

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Lyrics: I’ve Got You Under My Skin

[Verse 1: Tony Bennett, Lady Gaga, Both]
I’ve got you under my skin
I’ve got you deep in the heart of me
You’re so deep in my heart, you’re really a part of me
I’ve got you, yes, I do, under my skin

[Verse 2: Lady Gaga, Tony Bennett, Both]
I’ve tried so not to give in
I’ve said to myself this affair never will go so well
But why should I try to resist? When all that I know so well

I’ve got you under my skin

[Bridge: Lady Gaga]
I’d sacrifice anything, come what might
For the sake of having you near
In spite of a warning voice that comes in the night
And repeats and repeats in my ear

[Verse 3: Tony Bennett, Tony Bennett & Lady Gaga]
“Don’t you know, little fool, you never can win
Use your mentality, wake up to reality”
But each time I do, just the thought of you makes me stop before I begin
‘Cause I’ve got you under my skin

[Verse 4: Tony Bennett, Lady Gaga, Both]
“Don’t you know, little fool, you never can win
Use your mentality, wake up to reality
But each time that I do, just the thought of you makes me stop before I begin
‘Cause I’ve got you under my skin
And I’ll love you like a tattoo under my skin, under my skin
Yes, I’ve got you under my skin

You Missed

DOLLY PARTON LIVED UNDER THE BRIGHTEST STAGE LIGHTS IN THE WORLD WHILE KEEPING THE ONLY MAN SHE EVER TRULY LOVED IN THE SHADOWS. The world knew the rhinestones, the towering wigs, and the impossible high notes that defined a career spanning nearly six decades. But the woman who broadcast her heartbreak across every radio station in America carefully shielded the one thing she refused to share: Carl Dean. He was the quiet anchor, a man who rarely appeared at an awards show or stepped into the glare of her fame. While the public consumed her songs, they never saw the man who had been her partner since the beginning, the one who existed entirely outside of the fame that defined her. When Carl passed away in March 2025, the quiet space he left behind proved more daunting than any crowded arena or packed concert hall. It stripped away the last remaining boundary between the performer and the private woman, revealing a devotion that had quietly outlasted every record label deal and global tour. There was a profound stillness in that realization, a stark contrast to the noise of the industry she had navigated with such grace and calculated wit for so many years. She joined him only seventeen months later, passing away at eighty. By then, the stage lights had long since dimmed, leaving only the truth of a life held fast by a promise made in youth. The awards gathered dust, the costumes lost their luster, and all that remained of the international icon was the simple, private history of a long and steady love.

DOTTIE WEST WON THE FIRST GRAMMY EVER AWARDED TO A FEMALE COUNTRY ARTIST WHILE CARRYING THE WEIGHT OF A CHILDHOOD DEFINED BY SURVIVAL. Twelve-year-old Dottie didn’t have much, but she had a guitar bought with hard-earned school fundraiser change. It was a simple, hollow-bodied instrument, yet it served as the only barricade against a home environment shattered by her father’s cruelty. She spent those early years learning the precise art of staying invisible, turning her voice inward to survive the terror that unfolded behind closed doors in their rural Tennessee home. It was a brutal education in silence and endurance that most Nashville stars never had to master. When she finally stood in the spotlight, draped in the rhinestones and glamour that defined her later career, the world saw only the polished performer. They heard the crystal clarity of her voice on the airwaves, not the echoes of a courtroom where she once testified against the man who had stolen her childhood. She didn’t just sing songs about heartbreak; she understood it with a chilling, lived-in authority. The leap from the trauma of those domestic shadows to the stage of the Grand Ole Opry was a distance measured in more than just miles or musical scales. Success arrived as a mask she wore with impeccable grace. She replaced the fear of her early life with the absolute command of the recording studio, proving that a voice could serve as both a shield and a bridge. There was a quiet, heavy truth remaining in the way she held a microphone, as if she knew that once a song ended, the real work of living started all over again.

WILLIE NELSON SPENT SIX DECADES CLINGING TO THE ONLY PERSON WHO REMEMBERED THE COTTON FIELDS BEFORE THE FAME AND THE OUTLAW LEGEND. Most of the world knows the image: the long braids, the battered Martin guitar, and the haze of smoke circling the stage. But beneath the layers of myth, there was always the sister. When Bobbie Nelson sat at the piano, she wasn’t just a musician in the Family band. She was a silent anchor, tethered to the days in Abbott when their parents vanished and they were left with nothing but a keyboard and a guitar to survive the Texas heat. They walked through rows of cotton with bleeding fingers, learning music from laborers who had no idea they were helping forge a sound that would eventually define a nation. Success never widened the distance between them; it only narrowed their focus. Willie’s phrasing could drift into the ether, floating loose and wild, yet Bobbie was always there to catch him. She anticipated his movements before he even knew where the song was going, turning a disorganized, rambling performance into something solid and undeniable. Her piano was as essential to the band’s heartbeat as Trigger’s nylon strings. When she passed in 2022, the music didn’t just lose a player. It lost the only living witness to the quiet, desperate promise two orphans made in the dirt long before the world cared about their names. The stage went quiet, leaving a void that no amount of accolades or platinum records could ever hope to fill.