Introduction

Elvis Presley, the King of Rock ‘n’ Roll, left an indelible mark on the world of music with his iconic songs. Among his numerous hits, “Rip It Up” stands out as a timeless classic that continues to captivate audiences worldwide. In this article, we’ll delve into the captivating story behind the song and the artist who brought it to life.

Did You Know?

  • “Rip It Up” was originally recorded by Little Richard in 1956 before Elvis Presley covered it the same year. The song was initially released by Little Richard, but it was Elvis’s version that became a massive success.
  • This rock and roll anthem was a part of Elvis’s legendary television appearances, including “The Ed Sullivan Show” and “The Milton Berle Show,” helping catapult him to superstardom.
  • Elvis’s rendition of “Rip It Up” showcased his electrifying stage presence and vocal prowess, making it an integral part of his live performances.
  • The song is characterized by its upbeat tempo, catchy lyrics, and energetic rhythm, which perfectly encapsulated the spirit of the rock and roll era.
  • Elvis Presley, born in Tupelo, Mississippi, in 1935, became one of the most influential and celebrated musicians in history. He not only revolutionized music but also left an enduring legacy that continues to inspire generations of artists.

Video

Lyrics: Rip It Up

‘Cause it’s Saturday nite and I just got paid
Fool about my money don’t try to save
My heart says go, go
Have a time ’cause it’s Saturday nite
And I’m feelin’ fineI’m gonna rip it up
I’m gonna rock it up
I’m gonna shake it up
I’m gonna ball it up
I’m gonna rip it up
And ball tonite

I got a date and I won’t be late
Pick her up in my ’88’
Shag it on down to the union hall
When the music starts jumpin’
I’ll have a ball

Along about 10 I’ll be flying high
Rocking on out into the sky
I don’t care if I spend my gold
‘Cause tonite I’m gonna be one happy soul

 

You Missed

HE SOLD 40 MILLION RECORDS. BUT SOME OF HIS MOST IMPORTANT WORDS WERE NEVER HEARD BY THE PUBLIC. For three decades, Toby Keith was everywhere. On the radio. On stage. Halfway across the world, standing in front of soldiers who needed something that sounded like home. He didn’t just build a career. He built a presence. But near the end, while he was quietly fighting stomach cancer… something changed. The spotlight got smaller. The room got quieter. And instead of singing to crowds, he started calling people. Not the famous ones. Not the ones already established. Young artists. Some he barely knew. No cameras. No announcements. Just a phone call. And on the other end— a voice that had nothing left to prove… still choosing to give something back. He didn’t talk about success. He talked about the sound. What it meant. What it used to be. What it shouldn’t lose. The kind of things you don’t write in a hit song… but carry for the rest of your life. Some of the artists who got those calls said the same thing— They didn’t expect it. And they’ll never forget it. Because it didn’t feel like advice. It felt like something being passed down. Not fame. Not status. Something deeper. — “I don’t need people to remember my name. I need them to remember what country music is supposed to sound like.” — And maybe that’s the part most people never saw. Not the records. Not the crowds. But a man, near the end, making sure the music would outlive him. —