Introduction

Elvis Presley, the undisputed King of Rock ‘n’ Roll, left an indelible mark on the world with his timeless music. One such gem is the soul-stirring ballad, “Any Way You Want Me (That’s How I Will Be).” This iconic song showcases the raw emotion and vocal prowess that made Elvis a legend in the music industry.Elvis Presley – Anyway You Want Me – Vinyl (7", 45 RPM, EP), 1962  [r12577997] | Discogs

Did You Know?

1. Origin and Release

“Any Way You Want Me (That’s How I Will Be)” was originally released in 1956 as the B-side to “Love Me Tender,” one of Elvis’s chart-topping hits. The song was later featured on the album “Elvis.”

2. Songwriting Collaboration

The song is a collaborative effort between Aaron Schroeder and Cliff Owens, who crafted lyrics that perfectly complemented Elvis’s emotive delivery. This partnership resulted in a track that continues to resonate with listeners across generations.

3. Elvis’s Interpretation

Elvis’s rendition of the song is a testament to his versatility as an artist. His ability to infuse sincerity into the lyrics, coupled with the stirring melody, solidified “Any Way You Want Me” as a classic in the Elvis Presley repertoire.

4. Chart Success

While the song may not have received the same commercial success as some of Elvis’s other hits, its enduring appeal is evident in its continued presence on playlists and in the hearts of fans worldwide.Pin on When ELVIS was happy

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Lyrics: Any Way You Want Me (That’s How I Will Be) 

I’ll be a strong as a mountain,
Or weak as a willow tree,
Anyway you want me,
That’s how I will be.I’ll be a tame as a baby,
Or wild as the raging sea,
Anyway you want me,
That’s how I will be.

In your hand my heart is clay,
To take a mold as you may.
I’m what you make me, you’ve only to take me,
And in your arms I will stay.

I’ll be a fool or a wise man,
My darling you hold the key,
Yes, anyway you want me,
That’s how I will be,
I will be.

 

You Missed

Willie Nelson stood in front of Faron Young with a heavy heart and empty pockets, clutching a song he knew was good but couldn’t afford to keep. Nashville in 1961 was a brutal environment for a young songwriter trying to pay rent while chasing a dream. He laid the offer out plainly: five hundred dollars for the publishing rights to ‘Hello Walls.’ It was a desperate act of survival, a way to keep the lights on for another month, even if it meant surrendering the ownership of a composition that felt like a piece of his own skin. Faron Young, already a heavyweight in the country scene, looked at the young man and the song draft, then made a choice that went against the grain of Music Row business. Instead of pulling out his checkbook to claim the rights, Young refused to buy the song. He pushed the cash across the table as a simple loan, insisting that Willie keep the publishing for himself. It was a rare moment of integrity in a town that usually chewed up hungry songwriters, ensuring that Willie would retain control over the work that would eventually define his early career. The impact of that afternoon rippled through decades of music history. ‘Hello Walls’ spent nine weeks at number one, crossing over into the pop charts and putting Willie’s name on the map as a formidable songwriter. When the royalties began to flow, the debt was cleared, but the gratitude lasted forever. A spontaneous, tearful embrace at Tootsie’s Orchid Lounge cemented a brotherhood born from a moment where one man chose to lift another up rather than exploit his hunger.