Sometimes a great  country song begins with heartbreak. Sometimes it begins with a memory. But one of Merle Haggard’s most beloved  Christmas songs began with a surprisingly ordinary question about a friend’s sixth marriage.

It happened during a coffee break at a recording session in the early 1970s. Merle Haggard was talking with Roy Nichols, the brilliant lead guitarist who had helped shape the sound of Merle Haggard and the Strangers.

Roy Nichols had recently married for the sixth time, and Merle Haggard couldn’t resist asking whether this marriage had a better chance of lasting.

Roy Nichols gave an answer that Merle Haggard would never forget.

“If we make it through December, I think we’ll be all right.”

At first, it sounded like a simple comment about marriage. But when Merle Haggard asked Roy Nichols what he meant, the conversation took an unexpected turn.

The Conversation That Changed Everything

Roy Nichols explained that December could be one of the hardest months of the year for ordinary working families.

Christmas brought happiness, but it also brought expenses. There were presents to buy, bills to pay, and expectations to meet. For families living from one paycheck to the next, the holidays could become a season of worry.

Merle Haggard had become a successful recording artist by then, but Roy Nichols reminded Merle Haggard that success could make it easy to forget what those struggles felt like.

Years later, in a 2004 interview with the Los Angeles Times, Merle Haggard recalled that conversation and explained how Roy Nichols’s words brought back memories from Merle Haggard’s own life.

Merle Haggard remembered having a young daughter, being without work, and struggling to find employment because of his criminal record.

Merle Haggard knew what it meant to want something better for a child while having almost nothing to offer.

Those memories gave Roy Nichols’s passing remark an entirely different meaning.

From a Sixth Marriage to “If We Make It Through December”

That conversation became the inspiration for “If We Make It Through December,” a song Merle Haggard wrote and recorded in 1973.

Instead of writing about Roy Nichols’s marriage, Merle Haggard imagined a father who had lost his job just before Christmas.

The man in the song wants to give his little daughter a happy holiday, but there simply isn’t enough money. He knows that his child cannot fully understand why Christmas will be different that year.

There is no dramatic villain in the story. No betrayal, no bitter argument, and no grand tragedy.

There is only a father who loves his daughter, feels the weight of his circumstances, and hopes the family can survive a difficult winter.

That simplicity is what makes the song so powerful.

Merle Haggard wasn’t trying to create another cheerful Christmas recording. Merle Haggard was giving a voice to parents who had experienced the painful difference between what they wanted to provide and what they could actually afford.

A Christmas Song That Reached Number One

Released as a single in October 1973, “If We Make It Through December” appeared on the album Merle Haggard’s Christmas Present.

The recording struck a chord with American listeners. It reached No. 1 on Billboard’s country singles chart and remained there for four weeks across December 1973 and January 1974.

The song also crossed over to the pop charts, reaching No. 28 on the Billboard Hot 100. Its popularity was so enduring that it became the title track of another Merle Haggard album released in February 1974.

Over the years, other artists recorded the song, including Alan Jackson, introducing its story to another generation of country music listeners.

Why the Story Still Matters

There is something remarkable about the distance between the conversation that inspired the song and the finished recording.

Roy Nichols was talking about whether a sixth marriage could survive the financial pressures of December. Merle Haggard heard something larger: the struggles of working people, the sacrifices parents make, and the quiet hope that tomorrow might be easier than today.

That is why “If We Make It Through December” remains more than a  Christmas song.

For listeners who have ever struggled to pay bills, worried about disappointing their children, or simply wished for a better year ahead, the feeling is familiar.

And it all began during a coffee break, when Merle Haggard asked Roy Nichols a question about marriage and received an answer that became part of  country music history.

You Missed

Backstage in Las Vegas, Toby Keith found Merle Haggard resting on his bus and receiving oxygen. Merle was 78, weakened by recurring pneumonia, and had already canceled numerous dates. Toby wondered why he was attempting another concert. Merle’s answer concerned the people who traveled with him. The February 6, 2016, performance at the Mandalay Bay Ballroom would help keep his band paid while he recovered. Another cancellation meant more lost income for musicians and crew who depended on those shows. Toby had come to town with family for Super Bowl weekend. Hearing that Merle was performing nearby, he stopped in to visit. Before the evening ended, that visit would become an unexpected working partnership. Actor and musician W. Earl Brown later shared the story of Merle’s determination to perform. For a singer who had spent decades on the road with the Strangers, supporting his touring family mattered even when his own health made the work difficult. Toby understood both the responsibility and the music. He and Merle were longtime friends who had recorded “Some of Us Fly” together in 2005. Their connection extended beyond that collaboration, and Toby knew the older singer’s catalog well. According to Brown’s account, Merle asked how many of his songs Toby could sing. “All of ’em,” came the answer. He wouldn’t need a teleprompter, either. Merle asked him to stay close in case he needed help. They made the arrangement backstage, without turning it into an announcement or a special attraction. Once the concert began, Merle tried to carry on as planned. His determination was intact, but singing demanded strength his illness had depleted. Toby later recalled that Merle got through roughly eight songs before calling on him. Toby stepped out and helped with the remaining performance. The set stayed centered on Merle’s songs, with his friend supplying the support needed to keep the evening going. An audience expecting to hear one country legend now watched another help him finish the job. The clearest glimpse of their partnership survives in footage of “Okie from Muskogee.” Merle begins the familiar 1969 hit, then restarts after questioning the opening words. Toby stays beside him, singing along and following his lead. Eventually, Merle gestures for him to take over. It is a brief exchange, but it explains much about the night. Merle could acknowledge that he needed assistance, and Toby was ready to give it without making the moment about himself. A song associated with Merle for almost half a century became the setting for an act of friendship. There was no elaborate handoff. Toby watched, listened, and stepped forward when Merle asked. The performance continued because both men understood what the other needed. Although the Las Vegas appearance has sometimes been described as Merle’s final concert, he performed again afterward. His February 13 show at Oakland’s Paramount Theatre is recognized as his last public concert. The distinction matters: Las Vegas was one difficult evening during his final months, rather than a farewell anyone had formally planned. Exactly two months after the Mandalay Bay performance, Merle died on April 6, 2016, his 79th birthday. Toby subsequently called him the greatest singer-songwriter of his lifetime, speaking with gratitude about both his work and their friendship. When Toby himself died on February 5, 2024, fans returned to the Las Vegas footage with the knowledge that both voices were now gone. What remains moving about the recording is how practical the kindness was. Merle wanted his musicians and crew to have their paycheck. Toby had arrived to see a friend and stayed to help him meet that commitment. Neither needed to explain those intentions to the crowd. They were visible in the way Toby remained attentive beside Merle and in the ease with which Merle turned to him when his strength faltered. For listeners, “Okie from Muskogee” already held decades of associations. That night added another: two friends sharing the responsibility of a performance when one could no longer manage it alone. Merle had spent his career giving audiences songs they could depend on. In Las Vegas, with his health failing and his band counting on the work, he had someone he could depend on, too.