About the Song

In the annals of rock and roll history, The Kinks stand as one of the most influential and groundbreaking bands of all time. Fronted by the enigmatic and charismatic Ray Davies, the group crafted a unique sound that blended British Invasion sensibilities with a distinctly English flair, pioneering genres like power pop and proto-punk along the way. Among their extensive and celebrated discography, one song stands out as a true gem, a raucous and infectious anthem of forbidden love and youthful rebellion: “Lola.”

Released in 1970, “Lola” marked a turning point for The Kinks, both musically and commercially. The band’s previous albums had explored themes of social commentary and disillusionment, but “Lola” injected a dose of raw energy and unbridled fun into their sound. The song’s opening riff, a simple yet irresistible guitar line, immediately sets the tone for the rollicking adventure that lies ahead.

Lola, the song’s titular character, is a captivating and enigmatic figure, a femme fatale who lures the narrator into a whirlwind of illicit romance. Davies’ lyrics are a masterclass in storytelling, painting vivid pictures of seedy nightclubs, stolen moments, and the thrill of the forbidden. The song’s narrator is caught in a whirlwind of conflicting emotions, torn between his desire for Lola and his fear of societal consequences.

“Lola” is not just a catchy rock and roll tune; it’s a social commentary on the double standards of the time. The song’s protagonist is judged and ostracized for his relationship with Lola, who is seen as a deviant and a threat to the established order. Davies challenges these societal norms, exposing the hypocrisy and judgment that often cloud our perceptions of others.

The song’s infectious energy and catchy melody have made it a staple of The Kinks’ live performances, and it has been covered by numerous artists over the years. However, no one has quite captured the raw energy and emotional intensity of Davies’ original rendition.

“Lola” is a timeless classic, a rock and roll anthem that captures the essence of youthful rebellion, forbidden love, and the thrill of defying societal norms. With its infectious melodies, clever lyrics, and raw energy, “Lola” is a song that will continue to be enjoyed by music lovers for generations to come.

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Lyrics: Lola

I met her in a club down in old Soho
Where you drink champagne and it tastes just like cherry-cola [LP version – Coca-Cola:]
C O L A cola
She walked up to me and she asked me to dance
I asked her her name and in a dark brown voice she said Lola
L O L A Lola la-la-la-la LolaWell I’m not the world’s most physical guy
But when she squeezed me tight she nearly broke my spine
Oh my Lola la-la-la-la Lola
Well I’m not dumb but I can’t understand
Why she walked like a woman and talked like a man
Oh my Lola la-la-la-la Lola la-la-la-la LolaWell we drank champagne and danced all night
Under electric candlelight
She picked me up and sat me on her knee
And said little boy won’t you come home with me
Well I’m not the world’s most passionate guy
But when I looked in her eyes well I almost fell for my Lola
La-la-la-la Lola la-la-la-la Lola
Lola la-la-la-la Lola la-la-la-la Lola
I pushed her away
I walked to the door
I fell to the floor
I got down on my knees
Then I looked at her and she at meWell that’s the way that I want it to stay
And I always want it to be that way for my Lola
La-la-la-la Lola
Girls will be boys and boys will be girls
It’s a mixed up muddled up shook up world except for Lola
La-la-la-la LolaWell I left home just a week before
And I’d never ever kissed a woman before
But Lola smiled and took me by the hand
And said dear boy I’m gonna make you a man

Well I’m not the world’s most masculine man
But I know what I am and I’m glad I’m a man
And so is Lola
La-la-la-la Lola la-la-la-la Lola
Lola la-la-la-la Lola la-la-la-la Lola

 

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HE WAS 70, STRUGGLING TO STAND, AND THE INDUSTRY HAD ALREADY WRITTEN HIM OFF — UNTIL HE COVERED A TRACK BY A ROCK STAR HALF HIS AGE AND BROKE THE WORLD’S HEART. By 2002, Johnny Cash was a man surviving on memories. He had outlived most of his peers. His record label of nearly three decades had abandoned him. His health was a wreckage of diabetes, pneumonia, and failing nerves. There were moments in the recording booth when his producer, Rick Rubin, could hear the literal sound of a voice breaking. Then Rubin presented him with a raw, industrial rock song about the depths of depression and self-harm. Cash made one simple change — replacing a profane lyric with “crown of thorns” — and transformed a young man’s angst into his own final testament. The music video was shot inside his shuttered museum in Nashville, a place crumbling under the weight of dust and silence. June Carter was there, looking at him with an expression of profound, tragic realization. She would be gone in three months. He would follow her just four months later. When the original songwriter finally saw the footage alone one morning, he broke down. He later admitted that the song no longer belonged to him. The video went on to win a Grammy and was hailed by critics as the greatest music video ever filmed. It has been streamed hundreds of millions of times since. But its true power isn’t in the numbers or the awards. It continues to haunt us two decades later because it is the sound of a man who has stopped running from the end — a man who sat down in the fading light and finally told the absolute truth.

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