5 Everly Brothers Covers That Show the Duo's Eerie, Enduring Influence | Pitchfork

About the Song

The Everly Brothers were one of the most influential and popular rock and roll duos of all time. Their close harmonies and infectious energy helped to define the sound of early rock and roll, and their songs have been covered by countless artists.

“This Little Girl of Mine” is one of The Everly Brothers’ most beloved songs. It was written by Ray Charles and released in 1958. The song is a sweet and tender ballad about a young man’s love for his girlfriend. The Everly Brothers’ harmonies are simply beautiful, and their vocals are full of emotion.

The song was a commercial success, reaching number one on the Billboard Hot 100 chart. It has also been covered by many other artists, including Roy Orbison, The Beatles, and The Beach Boys.

“This Little Girl of Mine” is a classic example of the Everly Brothers’ sound. It is a beautiful and timeless song that will continue to be enjoyed by music lovers for generations to come.

Here are some interesting facts about the song:

  • The song was originally written by Ray Charles for his daughter, Ray Charles Jr.
  • The Everly Brothers’ version of the song was produced by Archie Bleyer.
  • The song was featured in the 1964 film “The Beatles Come to America”.
  • The song was inducted into the Grammy Hall of Fame in 2004.

The Everly Brothers: Rolling Stone Interview

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Lyrics: This Little Girl Of Mine

This little girl of mine,
I want you people to know
This little girl of mine,
I take her everywhere I goOne day I looked at my suit, my suit was new
I looked at my shoes and they were too
And that’s why, why, why, why I oh yeah,
Love that little girl of mineThis little girl of mine,
Makes me happy when I’m sad
This little girl of mine,
Love’s me even when I’m badShe knows how to love me right down to her teeth
If she does any wrong, you know she keeps it from me
And that’s why, why, why, why I, oh yeah,
Love that little girl of mineAnd that’s why, why, why, why I, oh yeah,
Love that little girl of mine

This little girl of mine,
Called me last night about eight
This little girl of mine,
Told me that we had a date

She said that she’d meet me at a-quarter to nine,
Believe or not but she was right on time
And that’s why, why, why, why I, oh yeah,
Love that little girl of mine

This little girl of mine,
Knows how to dress so neat
This little girl of mine,
Stops the traffic on the street

And when a fella starts a-whistlin’, I don’t mind
I can’t blame him, ’cause she is fine
And that’s why, why, why, why I, oh yeah,
Love that little girl of mine

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JERRY JEFF WALKER SPENT A NIGHT IN A NEW ORLEANS JAIL CELL WITH A BROKEN DANCER — AND TURNED HIS UNKNOWN STORY INTO AN AMERICAN MASTERPIECE.Back in 1965, Jerry Jeff Walker was still a drifting troubadour—having skipped out on the National Guard, changed his name, and hitchhiked across the country with a guitar. Then a night out in New Orleans went sideways, landing him locked up for public intoxication in the First Precinct jail.Inside that tank was an older Black man with silver hair and worn-out shoes, swept up by police during a local sweep. When the cops demanded his name, he kept his mouth shut, saying only that folks called him “Bojangles.” As the hours dragged on, the men in the cell started swapping talk. The old man spun stories of minstrel shows, endless miles on the road, and a beloved dog that had long since passed.At one point, the jailer barked an order for him to dance. The old man stood up and cut a soft-shoe right there on the concrete floor, jumping high among a room full of drunks before sinking back down to quietly speak of his dog—the one memory that made the whole room go dead silent.Jerry Jeff never forgot it. A few years later, he bottled that single night into “Mr. Bojangles.” When the song dropped in 1968, it became a phenomenon. The Nitty Gritty Dirt Band rode it into the Top 10, while icons like Nina Simone, Sammy Davis Jr., and Bob Dylan made it their own.More than a hundred artists would eventually record it, carrying the ghost of a nameless old dancer out of a New Orleans lockup and straight into the history books.