The Greatest Oldies Music

Oldies Musics

“Fever” – Peggy Lee

About the Song

Peggy Lee, the sultry-voiced jazz singer, left an indelible mark on the music world with her timeless classics. Among her most iconic songs is “Fever,” a sizzling track that has captivated audiences for decades. Released in 1954, “Fever” quickly became a chart-topping hit, showcasing Lee’s vocal prowess and her ability to convey emotion through her music.

“Fever” is a sultry and infectious song that captures the feeling of intense desire and longing. Lee’s vocals are smooth and seductive, as she delivers the lyrics with a hint of vulnerability and passion. The song’s arrangement is simple yet effective, featuring a driving rhythm and a memorable saxophone solo.

The lyrics of “Fever” are suggestive and evocative, hinting at a forbidden love and a burning desire. Lee’s delivery is both playful and provocative, as she sings about the intoxicating effects of passion. The song’s chorus, “I’ve got fever, fever, fever/That’s a real hot number/I’ve got fever, fever, fever/Can’t you hear me calling?” is instantly recognizable and has become a classic in its own right.

“Fever” has been covered by countless artists over the years, but Lee’s original version remains the definitive recording. Her performance is a masterclass in vocal delivery, as she effortlessly conveys the song’s emotional intensity. The song’s enduring popularity is a testament to Lee’s talent and the timeless appeal of its message.

“Fever” is more than just a catchy tune; it’s a sultry and seductive masterpiece that has captured the hearts of millions. Lee’s performance is a testament to her artistry and her ability to connect with listeners on a deep emotional level. Whether you’re a fan of jazz or simply appreciate great music, “Fever” is a song that is sure to leave a lasting impression.

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Lyrics: Fever

Never know how much I love you
Never know how much I care
When you put your arms around me
I get a fever that’s so hard to bearYou give me fever
When you kiss me
Fever when you hold me tight
Fever! in the morning
Fever all through the night

Sun lights up the daytime
Moon lights up the night
I light up when you call my name
And you know I’m gonna treat you right

You give me fever
When you kiss me
Fever when you hold me tight
Fever! in the morning
Fever all through the night

Everybody’s got the fever
That is something you all know
Fever isn’t such a new thing
Fever started long ago

Romeo loved Juliet
Juliet, she felt the same
When he put his arms around her
He said, “Julie, baby, you’re my flame

“Thou giveth fever
“When we kisseth
“Fever with thy flaming youth
“Fever! I’m afire
“Fever, yea, I burn, forsooth.”

Cap’n Smith and Pocahontas
Had a very mad affair
When her daddy tried to kill him
She said, “Daddy, oh, don’t you dare!

“He gives me fever
“With his kisses
“Fever when he holds me tight
“Fever! I’m his missus
“Daddy, won’t you treat him right?”

Now you’ve listened to my story
Here’s the point that I have made
Chicks were born to give you fever
Be it Fahrenheit or Centigrade

They give you fever
When you kiss them
Fever if you live and learn
Fever! till you sizzle
What a lovely way to burn
What a lovely way to burn
What a lovely way to burn
What a lovely way to burn

 

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THIRTEEN YEARS AFTER THE WORLD WENT SILENT, THE VOICE IS BACK—AND IT STARTED WITH THE KIDS WHO NEEDED TO HEAR IT MOST. For over a decade, those recordings existed only in the dark—captured in studio sessions before the 2013 stroke that nearly took Randy Travis from us, then locked away in a vault. It would have been easy for those songs to remain lost, but his longtime producer, Kyle Lehning, has spent years meticulously bringing them back to life. This isn’t a digital recreation; it isn’t an AI-generated imitation. It is the real, unvarnished sound of a country icon in his prime. But the real story isn’t the technology or the return of the music—it’s the choice of where that music debuted. Before a single radio station played the track, before the critics were sent copies, and before the public could weigh in, Randy and his wife, Mary, walked into St. Jude Children’s Research Hospital in Memphis. They played the new music for the patients and their families. Think about the weight of that. You have a room full of children fighting for their lives, listening to a man who was once given a one-percent chance of survival. When Randy shared that “gratitude and appreciation welled up as emotions I didn’t expect,” it wasn’t just a PR statement. It was a recognition of a shared struggle. He didn’t just walk in as a star; he walked in as a fellow survivor, offering a song—and a sense of hope—to those who understand the fight better than anyone else. With the release of “Fish On,” the bridge has finally been crossed. After thirteen years of silence, the voice that defined a generation of country music has found its way home. Some things in this life are simply too strong to stay quiet. And as it turns out, Randy Travis’s legacy isn’t just in the hits he recorded—it’s in the fact that even after everything he’s been through, he still knows exactly who needs to hear his voice first.

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