The Greatest Oldies Music

Oldies Musics

Eagles – Desperado

About the Song

Desperado is a song by American rock band the Eagles. It was written by Glenn Frey and Don Henley, and released in 1973 as the third single from their album of the same name. The song is a seven-minute country-rock ballad, with lyrics that tell the story of a disillusioned outlaw on the run.

The song has been covered by many artists, including Linda Ronstadt, Don Henley, and Johnny Cash. It has also been used in several films and television shows, including “The Big Lebowski” and “The Sopranos.”

“Desperado” is one of the Eagles’ most popular songs, and it has been praised for its haunting melody, evocative lyrics, and Henley’s powerful vocals. It is considered a classic of country-rock music, and it has been inducted into the Grammy Hall of Fame.

The song’s title character is a complex and enigmatic figure. He is a desperado, a man who is outside the law and on the run from his past. He is also a romantic figure, a man who is searching for love and redemption.

The song’s lyrics are full of vivid imagery and symbolism. The desperado is described as a “man with a dusty face” who is “riding down the highway.” He is also compared to a “lonely sparrow” and a “starving coyote.”

The song’s melody is haunting and atmospheric. It is built around a simple guitar riff that is repeated throughout the song. The song’s tempo is slow and deliberate, which creates a sense of tension and suspense.

Henley’s vocals are powerful and emotive. He sings with a sense of urgency and conviction that brings the song’s lyrics to life. His voice is perfectly suited to the song’s dark and dramatic tone.

“Desperado” is a classic of country-rock music. It is a song that is full of vivid imagery, evocative lyrics, and powerful vocals. It is a song that has stood the test of time, and it continues to be enjoyed by fans of all ages.

Here are some additional details about the song:

  • The song was inspired by the Eagles’ time spent in Mexico.
  • The song’s lyrics were written by Glenn Frey and Don Henley.
  • The song’s melody was written by Glenn Frey.
  • The song was recorded in 1973.
  • The song was released as the third single from the Eagles’ album of the same name.
  • The song reached number one on the Billboard Hot 100 chart.
  • The song has been covered by many artists, including Linda Ronstadt, Don Henley, and Johnny Cash.
  • The song has been used in several films and television shows, including “The Big Lebowski” and “The Sopranos.”
  • “Desperado” is one of the Eagles’ most popular songs.
  • The song is considered a classic of country-rock music.
  • The song has been inducted into the Grammy Hall of Fame.

Video 

Lyrics: Desperado

Desperado, why don’t you come to your senses?
You’ve been out ridin’ fences for so long now
Oh, you’re a hard one
I know that you got your reasons
These things that are pleasin’ you
Can hurt you somehowDon’t you draw the queen of diamonds, boy
She’ll beat you if she’s able
You know the queen of hearts is always your best bet
Now it seems to me, some fine things
Have been laid upon your table
But you only want the ones that you can’t getDesperado, oh, you ain’t gettin’ no younger
Your pain and your hunger, they’re drivin’ you home
And freedom, oh freedom well, that’s just some people talkin’
Your prison is walking through this world all aloneDon’t your feet get cold in the winter time?
The sky won’t snow and the sun won’t shine
It’s hard to tell the night time from the day
You’re losin’ all your highs and lows
Ain’t it funny how the feeling goes away?Desperado, why don’t you come to your senses?
Come down from your fences, open the gate
It may be rainin’, but there’s a rainbow above you
You better let somebody love you
(Let somebody love you)
You better let somebody love you before it’s too late

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Tucked away in a private drawer, far from the polished sets of her television show, lay a bundle of 341 letters. These were not press clippings or scripts; they were brittle, handwritten testimonies from servicemen stationed in remote barracks, deep in war-torn tunnels, and across desolate battlefields. During the long years of the Second World War, as Hollywood presented a glossy, curated image of American life, Donna Reed spent her nights reading these letters and, more remarkably, personally answering them. This was the quiet, invisible work that defined her, long before the public labeled her the quintessential television mother. Behind the camera during her production years, Reed was a different person entirely. She was rarely seen holding a script for a scene; she was more likely to be found hunched over lighting diagrams or studying the intricacies of cinematography. She possessed an uncredited producer’s mind, constantly analyzing how the frame could better reflect the reality of the family she was trying to depict. The studio environment was frequently cold and high-pressured, but she moved through it with a meticulous attention to detail that frustrated those who wanted to treat her as merely another pretty face in the cast. These tactile remnants—the stacks of ink-stained paper and the forgotten notes on camera angles—tell the story of a woman who never truly fit the box Hollywood built for her. While the world remembers the steady, comforting image of a television home, she lived a life carved out of hard labor and deep empathy. She carried the weight of those soldiers’ stories and the technical burdens of the studio floor until her final days, forever balancing the fragility of her public image against the demanding, gritty reality of her actual life.