About the Song

In the realm of country music, Toby Keith stands as a towering figure, a true American icon. His music, infused with a rugged patriotism and a deep appreciation for the simple pleasures of life, has resonated with millions of listeners worldwide. Among his vast repertoire of hits, “Good To Go To Mexico” holds a special place, capturing the spirit of wanderlust and the allure of sun-kissed shores.

Released in 2002, “Good To Go To Mexico” is an upbeat, infectiously catchy tune that paints a vivid picture of escape to a tropical paradise. Keith’s signature twangy vocals intertwine seamlessly with the lively guitar riffs and mariachi-inspired instrumentation, creating an irresistible soundscape that transports listeners to a land of warm breezes, margaritas, and endless possibilities.

The song’s lyrics, penned by Keith and Chuck Cannon, are a testament to the power of music to transport us beyond our daily routines and into a world of carefree revelry. Keith paints a picture of a world weary individual, yearning for a respite from the drudgery of everyday life. The chorus, a simple yet powerful declaration of liberation, serves as an anthem for anyone seeking to escape the confines of their routine and embrace the joys of adventure:

“I’m packin’ my bags, I’m headin’ south Good to go to Mexico Where the tequila flows and the music’s loud Good to go to Mexico”

“Good To Go To Mexico” is more than just a catchy tune; it’s an invitation to shed our worries and embrace the spirit of adventure. It’s a reminder that life is too short to be spent bogged down by the mundane, and that sometimes, the best medicine is a change of scenery and a margarita on the beach.

So, the next time you find yourself feeling weighed down by the cares of the world, crank up the volume on “Good To Go To Mexico” and let Toby Keith transport you to a place where worries melt away and the only thing that matters is the next sip of your margarita. After all, as Keith so eloquently reminds us, “It’s always a good time to go to Mexico.”

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Lyrics: Good To Go To Mexico

I can feel a chill of a cold November wind
Here in Oklahoma that means it is wintertime again
Every time I think about the rain and sleet and snow
I start dreamin’ about siestas underneath this sombrero[Chorus 1:]
Baby if you’re good to go we’ll go down to Mexico
Get a place in Cabo, kick back in the sand
It’ll be just you and me and moonlight dancing on the sea
To Spanish guitar melody of a mariachi bandI got two tickets bought
There won’t be no second thought
Weather’s always nice down there in paradise
We’ll find that little man who owns that taco stand
We’ll be drinkin’ margaritas while we’re workin’ on our tan[Chorus 2:]
Baby if you’re good to go we’ll go down to Mexico
Get a place in Cabo, kick back in the sand
If you’ll get off that telephone and put your shorts and sandals on
Tomorrow we’ll be dancing to a mariachi bandCancun don’t get me high
That’s where the snow birds fly
They like to winter there
Then they come from everywhere
I’ll take the Baja sun
It ain’t overrun
With the gringos and the touristas
We might be the only ones

[Repeat Chorus 1 (x2)]

You Missed

MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?