Creedence Clearwater Revival Featuring John Fogerty – I Heard It Through The Grapevine (1976, Vinyl) - Discogs

About the Song

Creedence Clearwater Revival, often abbreviated as CCR, wasn’t known for sugary sweet love songs. Their signature sound was a swampy blend of rock and roll with roots in blues and country, often infused with a touch of rebellion. However, in 1969, they surprised audiences with the energetic and infectious “Good Golly Miss Molly.”

This wasn’t a ballad about heartbreak or social injustice. “Good Golly Miss Molly” is a pure celebration of the joy of rock and roll. The song explodes from the speakers with John Fogerty’s instantly recognizable, gravel-tinged vocals declaring his love for “Miss Molly,” a clear metaphor for the music itself.

The driving rhythm section, anchored by Doug Clifford’s pounding drums and Stu Cook’s thumping bass line, lays the foundation for Tom Fogerty’s scorching rhythm guitar work. John Fogerty’s lead guitar adds punctuating riffs and fills, keeping the energy high throughout.

The lyrics are simple but effective. Fogerty sings about being unable to resist the urge to dance when the music hits, even if it means tuning out his parents’ disapproval (“Momma, poppa told me: ‘son, you better watch your step'”). He’s determined to find Miss Molly, even if it means going to the “house of blue lights,” a not-so-subtle reference to a nightclub.

“Good Golly Miss Molly” is a testament to CCR’s ability to take a simple idea and turn it into a musical powerhouse. It’s a song that makes you want to tap your feet, clap your hands, and maybe even sing along (in your best Fogerty growl, of course). It’s a timeless reminder of the pure, unadulterated joy that rock and roll can bring.Good Golly Miss Molly by Creedence Clearwater Revival - Samples, Covers and Remixes | WhoSampled

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Lyrics: Good Golly Miss Molly

Good golly, Miss Molly
Sure like to ball
Good golly, Miss Molly
Sure like to ball
When you’re rockin’ and a-rollin’
Can’t hear your momma callFrom the early early mornin’ ’til the early early night
You can see Miss Molly rockin’ at the house of blue lightsGood golly, Miss Molly
Sure like to ball
When you’re rockin’ and a-rollin’
Can’t hear your momma callWell, now momma, poppa told me, “Son, you better watch your step.”
If I knew my momma, poppa, have to watch my pop myselfGood golly, Miss Molly
Sure like to ball
When you’re rockin’ and a-rollin’
Can’t hear your momma callWe’re going to the corner, gonna buy a diamond ring
Would you pardon me if it’s a nineteen-carat golden thing?

Good golly, Miss Molly
Sure like to ball
When you’re rockin’ and a-rollin’
Can’t hear your momma call

Good golly, Miss Molly
Sure like to ball
Good golly, Miss Molly
Sure like to ball
When you’re rockin’ and a-rollin’
Can’t hear your momma call

You Missed

For Vince Gill, the memory of singing with Dolly Parton came down to their final note together at the 1995 CMA Awards. Thirty-one years later, on the day she died, he shared that performance again. “We are all crushed here at our house,” he wrote. He called the closing note of their duet one of the most beautiful sounds he had ever heard. Their recording of “I Will Always Love You” began with Dolly’s album *Something Special*. That summer, she revisited three of her classics, including the farewell she had written for Porter Wagoner in 1973. It had already topped the country chart twice in her own voice, and Whitney Houston’s 1992 recording had brought it to listeners worldwide. For this version, Dolly invited Vince to join her. They performed it on the Grand Ole Opry on August 26, 1995, during a TNN broadcast. Radio programmers began playing the duet before Columbia officially issued it as a single. That unsolicited airplay carried it onto Billboard’s country chart at No. 53. On October 4, they sang it again at the CMA Awards. Vince, then 38, was hosting the broadcast at the Grand Ole Opry House. He stepped away from those duties to sing beside the woman who had written the song when he was sixteen. As the performance ended, their voices met on one sustained note. Decades later, that was the moment he singled out. Released as a single that November, the duet reached No. 15, received a Grammy nomination and won the 1996 CMA award for Vocal Event of the Year. But Vince’s remembrance centered on what he had heard standing beside her. Dolly died in Nashville on August 25, 2026, at 80, after a brief battle with cancer. Two days later, Vince appeared at the Midland Theatre in Kansas City. He told the audience how deeply his family was hurting, then began “I Will Always Love You.” This time, he sang it alone. Fan footage captured him struggling with his emotions throughout the performance. When he stepped back to compose himself, people in the audience carried the words. Musicians behind him wiped their eyes. He reached the closing note without Dolly’s voice beside his. After finishing, he moved away from the microphone, placed a hand over his chest and lowered his head.