About the SongForty Hour Week (For A Livin')

“Forty Hour Week (For A Livin’)” by Alabama is a heartfelt tribute to the hardworking men and women who keep America running, celebrating those who put in their time and effort to support their families and communities. Released in 1985 as the title track and single from Alabama’s album 40-Hour Week, this song struck a chord with listeners across the country, particularly those in blue-collar professions who rarely received recognition. Written by Dave Loggins, Don Schlitz, and Lisa Silver, “Forty Hour Week (For A Livin’)” became an anthem for the working class and one of Alabama’s most memorable hits, reaching the top of the Billboard Hot Country Songs chart.

The lyrics of “Forty Hour Week” paint a vivid picture of everyday heroes—factory workers, truck drivers, miners, and office clerks—all contributing their part to keep the wheels of society turning. The song opens by addressing different professions, acknowledging those often-overlooked roles that are crucial to daily life. It pays homage to people from all walks of life, from “steel mills” to “auto workers,” and expresses deep appreciation for their commitment and labor. With lines like “Hello America, let me thank you for your time,” Alabama emphasizes that these workers deserve respect and gratitude for the essential roles they play in the country’s economy and infrastructure.

Musically, “Forty Hour Week” is both patriotic and reflective, with a steady rhythm and stirring melody that feels as grounded and steadfast as the people it celebrates. Alabama’s vocal harmonies lend warmth and sincerity to the song, capturing the pride and dignity of the working class. The instrumentation includes electric and acoustic guitars, supported by a driving beat that mirrors the persistence of a long workday. The song’s mix of country and rock elements gives it a broad appeal, making it a favorite not just among country fans but also anyone who resonates with its message of hard work and resilience.

This song was a significant release for Alabama, known for their ability to blend country music with Southern rock and appeal to a wide audience. With “Forty Hour Week,” they tapped into a theme that went beyond just music—it was a tribute, a thank-you note, and a reminder of the sacrifices made by millions of Americans. The song’s popularity helped solidify Alabama’s role as a voice for the everyday American, an image that would become central to their identity as one of country music’s most successful bands.

Decades later, “Forty Hour Week (For A Livin’)” continues to resonate, particularly with those who see themselves reflected in its lyrics. Its timeless message reminds us of the value of hard work and the importance of showing gratitude to those who make daily life possible. Through this song, Alabama not only created a hit but also a lasting tribute to the backbone of America—the working men and women who devote their lives to building and sustaining the nation, one week at a time.Picture background

Video

Lyrics: “Forty Hour Week (For A Livin’)”

 

There are people in this country
Who work hard every day
Not for fame or fortune do they strive
But the fruits of their labor
Are worth more than their pay
And it’s time a few of them were recognized.Hello Detroit auto workers,
Let me thank you for your time
You work a forty hour week for a livin’,
Just to send it on down the line
Hello Pittsburgh steel mill workers,
Let me thank you for your time
You work a forty hour week for a livin’,
Just to send it on down the line.This is for the one who swings the hammer,
Driving home the nail
Or the one behind the counter,
Ringing up the sale
Or the one who fights the fires,
The one who brings the mail
For everyone who works behind the scenes.You can see them every morning
In the factories and the fields
In the city streets and the quiet country towns
Working together like spokes inside a wheel
They keep this country turning around.Hello Kansas wheat field farmer,
Let me thank you for your time
You work a forty hour week for a livin’,
Just to send it on down the line
Hello West Virginia coal miner,
Let me thank you for your time
You work a forty hour week for a livin’,
Just to send it on down the line.This is for the one who drives the big rig,
Up and down the road
Or the one out in the warehouse,
Bringing in the load
Or the waitress, the mechanic,
The policeman on patrol
For everyone who works behind the scenes.

With a spirit you can’t replace with no machine
Hello America, let me thank you for your time…

 

You Missed

Dolly Parton turned a simple handmade coat into one of the most powerful songs of her life because to her, it was never really about the fabric. “Coat of Many Colors” sprang directly from Dolly’s growing-up years in East Tennessee. Her mother, Avie Lee, pieced the jacket together by sewing colorful rags the family already owned. Cash was mighty tight, so there was no running down to the store for brand-new clothes. Instead, Avie Lee took what was on hand and stitched together something warm for her little girl to wear. While the needle flew, she shared the Bible story of Joseph and his coat of many colors, turning an ordinary piece of clothing into something special in Dolly’s eyes. Proudly wearing that coat to school, Dolly felt rich, but the other kids saw it differently. They laughed at the patches and teased her for having so little. Years down the road, Dolly penned those childhood memories into “Coat of Many Colors.” Released in 1971, the tune became a shining example of why her songwriting touched so many souls. She never tried to hide hard times or dress up her youth to look prettier than it was. She simply laid the sting of teasing side-by-side with the deep love that stitched the coat together, letting that honest truth speak for itself. The song eventually grew far beyond that original vinyl record. Its spirit inspired the 2015 television movie Dolly Parton’s Coat of Many Colors, followed by Christmas of Many Colors: Circle of Love the very next year. Those films opened a window into Dolly’s mountain home, introducing folks to the hardworking parents and siblings who shaped her long before the bright lights found her. By then, Dolly had worn glittering stage gowns worth more than her family could ever have dreamed. Yet the garment folks remember best remains that humble little coat stitched by a mother’s loving hands when buying something new simply wasn’t in the cards. That is why the memory stayed alive. The scraps faded away, but the lesson underneath never did.

Don Williams nearly walked away from the business altogether when his old harmony group dissolved, working regular jobs outside of music and wondering if a solo career was even in the cards. Back in the sixties, the Pozo-Seco Singers gave him his initial taste of the charts. Once that chapter closed, his path forward looked completely cloudy. He spent time trying out non-musical work before taking a chance on Nashville one more time. That is when producer Cowboy Jack Clement stepped into the picture. Clement signed Williams to a publishing deal to write tunes. Don started laying down simple demo tracks with Clement and producer Allen Reynolds, hoping other popular artists would pick up his material. Yet major singers just weren’t biting. So the trio made a straightforward choice: if no one else wanted to record those numbers, Don would step up and sing them himself. That single choice altered country music history forever. “The Shelter of Your Eyes” climbed to number fourteen, and “Come Early Morning” soon followed closely behind. Then “We Should Be Together” broke into the top five, paving the way for 1974 when “I Wouldn’t Want to Live If You Didn’t Love Me” gave Williams his very first chart-topping hit. He went on to rack up seventeen number-one songs in total. Looking back, that legendary solo career started almost by pure chance—simply because those heartfelt songs sounded best when delivered in that calm, steady voice meant only to guide the demos.