HE HAD COUNTRY NO. 1 HITS STACKING UP IN NASHVILLE. THEN EARL THOMAS CONLEY WALKED ONTO SOUL TRAIN WITH ANITA POINTER — AND COUNTRY MUSIC DIDN’T KNOW WHERE TO PUT HIM. Earl Thomas Conley was not built like the clean middle of country radio. He came out of Ohio, served in the Army, wrote songs before the spotlight found him, and spent years fighting for a place where his voice made sense. By the early 1980s, it finally started breaking open. “Fire and Smoke.” “Somewhere Between Right and Wrong.” “Your Love’s on the Line.” One No. 1 after another, but there was always something a little different in the way he sang — country words with soul phrasing underneath. Then came “Too Many Times.” In 1986, Conley cut the duet with Anita Pointer from The Pointer Sisters. That alone made the record strange in the best way. A country hitmaker and an R&B/pop star standing inside the same heartbreak song, neither one turning it into a gimmick. The single climbed the country chart and crossed onto adult contemporary radio. Then they performed it on *Soul Train*, one of the last places most Nashville men of that era would have been expected to appear. That should have made him easier to remember. Instead, it made him harder to file. Conley kept winning on country radio. In 1984 alone, he became the first artist in any genre to have four No. 1 singles from the same album. By the time the run was over, he had eighteen No. 1 country hits. But his name never settled into legend the way the numbers say it should have. Country music knew Earl Thomas Conley could sing hits. *Soul Train* proved he could stand somewhere stranger — and still sound like himself.
admin EARL THOMAS CONLEY HAD COUNTRY NO. 1 HITS STACKING UP — THEN HE WALKED ONTO SOUL TRAIN WITH ANITA POINTER AND PROVED NASHVILLE NEVER KNEW HOW TO FILE HIM. Some…