Introduction

“If” by Perry Como is a timeless ballad that resonates with its heartfelt lyrics and soothing melody. Released in 1951, the song showcases Perry Como’s velvety voice and impeccable phrasing, captivating listeners with its tender sentiment and romantic allure. With its evocative lyrics and gentle orchestration, “If” continues to touch the hearts of audiences, reaffirming Perry Como’s status as one of the most beloved crooners of his time. Join us as we explore the enchanting world of Perry Como’s “If.”

Did You Know?

  • “If” was written by Tolchard Evans and Robert Hargreaves, with lyrics by Stanley Damerell. It was first recorded by British crooner Al Bowlly in 1934 before Perry Como’s rendition popularized the song in the United States.
  • Perry Como’s recording of “If” reached No. 1 on the Billboard charts, solidifying his reputation as a chart-topping artist.
  • The song’s poignant lyrics and Como’s emotive delivery struck a chord with listeners, earning it widespread acclaim and enduring popularity.
  • “If” remains a staple in Perry Como’s repertoire and continues to be cherished by fans of classic vocal music for its timeless beauty and romantic charm.

Video

Lyrics: If

If they made me a king
I’d be but a slave to you
If I had everything
I’d still be a slave to you
If I ruled the night
Stars and moon so bright
Still I’d turn for light to youIf the world to me bowed
Yet, humbly I’d flee to you
If my friends were a crowd
I’d turn in my need to you
If I ruled the earth
What would life be worth
If I hadn’t the right to you

[Instrumental Interlude]

If I ruled the night
Stars and moon so bright
Still I’d turn for light to you
If the world to me bowed
Yet, humbly I’d flee to you
If my friends were a crowd
I’d turn in my need to you
If I ruled the earth
What would life be worth
If I hadn’t the right to you

You Missed

SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?