Friends - song and lyrics by David Essex | Spotify

About the Song

Ah, “Oh What a Circus”! This track, from the musical Gatsby, offers a completely different flavor of David Essex. While many remember him for the rock anthems like “Rock On” or the tender ballads like “Hold Me Close,” “Oh What a Circus” showcases his versatility and theatrical flair. It’s a vibrant, energetic, and slightly manic piece that perfectly captures the frenetic energy of the Roaring Twenties, the backdrop for F. Scott Fitzgerald’s iconic novel, The Great Gatsby.

David Essex wasn’t just a pop star; he was a true performer, comfortable on stage as well as in the recording studio. 1 His background in musical theater shines through in “Oh What a Circus.” It’s not just a song; it’s a performance. He embodies the character, throwing himself into the role with gusto. You can almost picture him on stage, strutting and swaggering, surrounded by flapper girls and jazz musicians.

The song itself is a whirlwind of musical styles. It’s got elements of jazz, ragtime, and even a touch of vaudeville. It’s a chaotic, yet carefully orchestrated, explosion of sound that perfectly mirrors the decadent and often reckless atmosphere of the Jazz Age. The lyrics, full of colorful imagery and witty observations, paint a vivid picture of a society obsessed with pleasure and excess. It’s a world of champagne, parties, and fleeting romances, where appearances are everything and reality is often blurred.

What makes “Oh What a Circus” so captivating is its sheer exuberance. It’s a celebration of life, albeit a slightly狂乱 celebration. Essex’s performance is infectious; you can’t help but get caught up in the energy of the song. It’s a reminder that life, like a circus, can be full of surprises, thrills, and maybe even a little bit of danger. So, if you’re looking for a David Essex track that’s a little bit different, a little bit theatrical, and a whole lot of fun, then “Oh What a Circus” is definitely worth a listen. It’s a testament to his talent as a performer and his ability to inhabit a song completely. It’s a musical journey back to a bygone era, a time of glamour, extravagance, and a whole lot of razzmatazz.David Essex on the emotional turmoil being a 70s pin-up caused | Daily Mail  Online

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Lyrics: Oh What A Circus 

Oh what a circus! Oh what a show!
Argentina has gone to town
Over the death of an actress called Eva Peron
We’ve all gone crazy
Mourning all day and mourning all night
Falling over ourselves to get all, of the misery right

Oh what an exit! That’s how to go!
When they’re ringing your curtain down
Demand to be buried like Eva Peron
It’s quite a sunset
And good for the country in a roundabout way
We’ve made the front pages of all, the world’s papers today

But who is this Santa Evita?
Why all this howling hysterical sorrow?
What kind of goddess has lived among us?
How will we ever get by without her?

She had her moments–she had some style
The best show in town was the crowd
Outside the Casa Rosada crying, “Eva Peron”
But that’s all gone now
As soon as the smoke from the funeral clears
We’re all gonna see and howl, she did nothing for years!

Salve regina mater misericordiae
Vita dulcedo et spes nostra
Salve salve regina
Ad te clamamus exules filii Eva
Ad te suspiramus gementes et flentes
O clemens o pia

You let down your people Evita
You were supposed to have been immortal
That’s all they wanted
Not much to ask for
But in the end you could not deliver

Salve regina mater misericordiae
Vita dulcedo et spes nostra
Salve salve regina Peron
Ad te clamamus exules filii Eva
Ad te suspiramus gementes et flentes
O clemens o pia

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MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?