Friends - song and lyrics by David Essex | Spotify

About the Song

Ah, “Oh What a Circus”! This track, from the musical Gatsby, offers a completely different flavor of David Essex. While many remember him for the rock anthems like “Rock On” or the tender ballads like “Hold Me Close,” “Oh What a Circus” showcases his versatility and theatrical flair. It’s a vibrant, energetic, and slightly manic piece that perfectly captures the frenetic energy of the Roaring Twenties, the backdrop for F. Scott Fitzgerald’s iconic novel, The Great Gatsby.

David Essex wasn’t just a pop star; he was a true performer, comfortable on stage as well as in the recording studio. 1 His background in musical theater shines through in “Oh What a Circus.” It’s not just a song; it’s a performance. He embodies the character, throwing himself into the role with gusto. You can almost picture him on stage, strutting and swaggering, surrounded by flapper girls and jazz musicians.

The song itself is a whirlwind of musical styles. It’s got elements of jazz, ragtime, and even a touch of vaudeville. It’s a chaotic, yet carefully orchestrated, explosion of sound that perfectly mirrors the decadent and often reckless atmosphere of the Jazz Age. The lyrics, full of colorful imagery and witty observations, paint a vivid picture of a society obsessed with pleasure and excess. It’s a world of champagne, parties, and fleeting romances, where appearances are everything and reality is often blurred.

What makes “Oh What a Circus” so captivating is its sheer exuberance. It’s a celebration of life, albeit a slightly狂乱 celebration. Essex’s performance is infectious; you can’t help but get caught up in the energy of the song. It’s a reminder that life, like a circus, can be full of surprises, thrills, and maybe even a little bit of danger. So, if you’re looking for a David Essex track that’s a little bit different, a little bit theatrical, and a whole lot of fun, then “Oh What a Circus” is definitely worth a listen. It’s a testament to his talent as a performer and his ability to inhabit a song completely. It’s a musical journey back to a bygone era, a time of glamour, extravagance, and a whole lot of razzmatazz.David Essex on the emotional turmoil being a 70s pin-up caused | Daily Mail  Online

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Lyrics: Oh What A Circus 

Oh what a circus! Oh what a show!
Argentina has gone to town
Over the death of an actress called Eva Peron
We’ve all gone crazy
Mourning all day and mourning all night
Falling over ourselves to get all, of the misery right

Oh what an exit! That’s how to go!
When they’re ringing your curtain down
Demand to be buried like Eva Peron
It’s quite a sunset
And good for the country in a roundabout way
We’ve made the front pages of all, the world’s papers today

But who is this Santa Evita?
Why all this howling hysterical sorrow?
What kind of goddess has lived among us?
How will we ever get by without her?

She had her moments–she had some style
The best show in town was the crowd
Outside the Casa Rosada crying, “Eva Peron”
But that’s all gone now
As soon as the smoke from the funeral clears
We’re all gonna see and howl, she did nothing for years!

Salve regina mater misericordiae
Vita dulcedo et spes nostra
Salve salve regina
Ad te clamamus exules filii Eva
Ad te suspiramus gementes et flentes
O clemens o pia

You let down your people Evita
You were supposed to have been immortal
That’s all they wanted
Not much to ask for
But in the end you could not deliver

Salve regina mater misericordiae
Vita dulcedo et spes nostra
Salve salve regina Peron
Ad te clamamus exules filii Eva
Ad te suspiramus gementes et flentes
O clemens o pia

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HE WAS 70, STRUGGLING TO STAND, AND THE INDUSTRY HAD ALREADY WRITTEN HIM OFF — UNTIL HE COVERED A TRACK BY A ROCK STAR HALF HIS AGE AND BROKE THE WORLD’S HEART. By 2002, Johnny Cash was a man surviving on memories. He had outlived most of his peers. His record label of nearly three decades had abandoned him. His health was a wreckage of diabetes, pneumonia, and failing nerves. There were moments in the recording booth when his producer, Rick Rubin, could hear the literal sound of a voice breaking. Then Rubin presented him with a raw, industrial rock song about the depths of depression and self-harm. Cash made one simple change — replacing a profane lyric with “crown of thorns” — and transformed a young man’s angst into his own final testament. The music video was shot inside his shuttered museum in Nashville, a place crumbling under the weight of dust and silence. June Carter was there, looking at him with an expression of profound, tragic realization. She would be gone in three months. He would follow her just four months later. When the original songwriter finally saw the footage alone one morning, he broke down. He later admitted that the song no longer belonged to him. The video went on to win a Grammy and was hailed by critics as the greatest music video ever filmed. It has been streamed hundreds of millions of times since. But its true power isn’t in the numbers or the awards. It continues to haunt us two decades later because it is the sound of a man who has stopped running from the end — a man who sat down in the fading light and finally told the absolute truth.

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