Introduction

Jackie DeShannon’s iconic song, “What The World Needs Now,” is a timeless classic that has captured the hearts of music lovers for generations. With its soulful melody and profound lyrics, this song continues to resonate with listeners worldwide. In this article, we will delve into the history of this remarkable composition, explore interesting facts about the artist behind it, and even provide you with a video link to enjoy this musical masterpiece.Jackie DeShannon | Spotify

Did You Know?

  • Song Origins: “What The World Needs Now” was written by Burt Bacharach and Hal David in 1965. It was initially intended for the Shirelles, but Jackie DeShannon’s rendition became the most famous and enduring version.
  • Jackie DeShannon: Jackie DeShannon, born Sharon Lee Myers, is an American singer-songwriter with a prolific career in the music industry. She not only made her mark as a performer but also as a songwriter, penning hits like “Bette Davis Eyes,” which became a massive success when Kim Carnes recorded it.
  • Chart-Topping Success: Upon its release in 1965, “What The World Needs Now” soared up the charts, reaching the top 10 on the Billboard Hot 100. The song’s universal message of love and unity struck a chord with listeners during a turbulent era.
  • Covered by Legends: Over the years, this song has been covered by various artists, including Dionne Warwick, Aretha Franklin, and even Burt Bacharach himself. Its enduring popularity is a testament to its timeless quality.
  • Cultural Impact: “What The World Needs Now” has been featured in numerous films, television shows, and commercials, further cementing its status as a classic that transcends generations.

Jackie De Shannon - Rotten Tomatoes

Video 

Lyrics: What The World Needs Now

What the world needs now is love sweet love
It’s the only thing that there’s just too little of
What the world needs now is love sweet love
No not just for some but for everyone

Lord we don’t need another mountain
There are mountains and hillsides enough to climb
There are oceans and rivers enough to cross
Enough to last ’til the end of time

What the world needs now is love sweet love
It’s the only thing that there’s just too little of
What the world needs now is love sweet love
No not just for some but for everyone

Lord, we don’t need another meadow
There are corn fields and wheat fields enough to grow
There are sunbeams and moonbeams enough to shine
Oh listen Lord, if you want to know

What the world needs now is love sweet love
It’s the only thing that there’s just too little of
What the world needs now is love sweet love
No not just for some but for everyone

What the world needs now is love sweet love
What the world needs now is love sweet love
What the world needs now is love sweet love

What the world needs now is love sweet love
What the world needs now is love sweet love

You Missed

“I JUST WANT TO SING IT THE WAY I ALWAYS HAVE.” That’s what Toby Keith said. No dramatic pause. No swelling music behind the statement. Just a simple sentence delivered the way he delivered everything else in his life — straight and unpolished. And somehow, that simplicity made the room feel heavier than any grand farewell ever could. This final night wasn’t built around spectacle. There were no fireworks designed to distract from reality, no desperate swing for nostalgia. What filled the air instead was something steadier — grit. The kind that comes from songs that rode shotgun through people’s hardest seasons, songs that were there when nothing else quite knew what to say. You could hear the difference in the pauses. See it in the way the audience didn’t rush to clap, as if they were afraid to interrupt something sacred. Every lyric landed slower, deeper, not because he sang it differently, but because time had added weight to every word. These weren’t just melodies anymore. They were years. Memories. Battles fought quietly. It didn’t feel like a goodbye wrapped in sorrow. It felt like a man standing exactly where he had always stood — not retreating, not reinventing himself to soften the moment. Just singing it straight. Letting the songs do the heavy lifting. Trusting them to say the things he never needed to spell out. And maybe that was the most Toby Keith thing of all. No grand exit. No final speech. Just the music — steady, honest, and strong enough to carry everything.