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‘Three Times a Lady’ – The Commodores

Introduction

The timeless classic, “Three Times a Lady”, performed by the iconic group Commodores, holds a special place in the hearts of music enthusiasts worldwide. This beautiful ballad is not only known for its melodic charm but also for the heartfelt emotions it conveys. In this article, we delve into the captivating story behind this song, the artist behind its creation, and some interesting facts that you may not know.10 Best Commodores Songs of All Time

Did You Know?

The Commodores – An American Success Story

The Commodores, an American funk and soul band formed in 1967, found fame during the 1970s and 1980s. Their diverse musical repertoire included hits such as “Brick House” and “Easy,” which solidified their presence in the music industry. Lionel Richie, one of the founding members, played a pivotal role in the band’s success, lending his soulful voice and songwriting talents to their most memorable tracks.

The Origin of “Three Times a Lady”

“Three Times a Lady” was released in 1978 as part of the album “Natural High.” Lionel Richie penned this heartfelt ballad, inspired by a simple phrase his father once told his mother: “I love you.” The song’s message is clear – a declaration of love and gratitude, expressing how one person can mean the world to another. This beautiful composition struck a chord with audiences, making it an enduring classic.

Chart-Topping Success

Upon its release, “Three Times a Lady” quickly climbed the charts, securing the number one spot on the Billboard Hot 100. Its universal theme of love resonated with listeners of all ages, making it a wedding anthem and a staple at romantic occasions. The song’s enduring popularity is a testament to its timeless appeal.

Awards and Honors

The Commodores’ “Three Times a Lady” earned critical acclaim and accolades. It won the prestigious American Music Award for Favorite Pop/Rock Single and was nominated for a Grammy Award. This recognition solidified the song’s status as a musical masterpiece.

A Legacy of Love

“Three Times a Lady” has continued to stand the test of time. Its message of deep, everlasting love is a reminder that true emotions know no boundaries. Whether you’re dancing to its tune at a wedding or humming it to your loved ones, this song’s legacy remains an integral part of our shared musical history.The Commodores Trademark Fight Decided in Florida Court | Billboard – Billboard

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Lyrics: Three Times A Lady

Thanks for the times
That you’ve given me
The memories are all in my mind
And now that we’ve come
To the end of our rainbow
There’s something
I must say out loud
You’re once, twice
Three times a lady
Yes you’re once twice
Three times a ladyAnd I love you
When we are together
The moments I cherish
With every beat of my heart
To touch you to hold you
To feel you to need you
There’s nothing to keep us apart
You’re once twice
Three times a lady
And I love you
I love you

 

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On the night of August 1, 1969, the lights dimmed inside the International Hotel in Las Vegas, and thousands waited for a man they had not seen on a concert stage in nearly eight years. During that time, Elvis Presley had become a Hollywood star, but many quietly wondered whether the performer who had once changed music forever could still command a live audience. Then he walked onto the stage, dressed in black, calm, confident, and carrying nothing but a microphone and the weight of enormous expectations. In an instant, every doubt disappeared.

There are moments in life that no amount of success can protect us from, and for Elvis Presley, one of those moments came in October 1973. It was the day Lisa Marie left Graceland to begin living with her mother after Elvis and Priscilla’s marriage had come to an end. The world saw the headlines of a famous divorce. Elvis felt something far more personal. He was watching the little girl who had become the center of his world walk away from the home they had shared.

On August 16, 1977, the world awoke to the devastating news that Elvis Presley had died. Newspapers reported the facts, television cameras gathered outside Graceland, and millions struggled to believe that the voice they had grown up with had fallen silent. Yet behind every headline was a far more human story. Elvis was not a man waiting for the end. He was preparing for another tour, thinking about future performances, and looking ahead to the next time he would stand before the people who had loved him all his life.

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On the night of August 1, 1969, the lights dimmed inside the International Hotel in Las Vegas, and thousands waited for a man they had not seen on a concert stage in nearly eight years. During that time, Elvis Presley had become a Hollywood star, but many quietly wondered whether the performer who had once changed music forever could still command a live audience. Then he walked onto the stage, dressed in black, calm, confident, and carrying nothing but a microphone and the weight of enormous expectations. In an instant, every doubt disappeared.

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There are moments in life that no amount of success can protect us from, and for Elvis Presley, one of those moments came in October 1973. It was the day Lisa Marie left Graceland to begin living with her mother after Elvis and Priscilla’s marriage had come to an end. The world saw the headlines of a famous divorce. Elvis felt something far more personal. He was watching the little girl who had become the center of his world walk away from the home they had shared.

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On August 16, 1977, the world awoke to the devastating news that Elvis Presley had died. Newspapers reported the facts, television cameras gathered outside Graceland, and millions struggled to believe that the voice they had grown up with had fallen silent. Yet behind every headline was a far more human story. Elvis was not a man waiting for the end. He was preparing for another tour, thinking about future performances, and looking ahead to the next time he would stand before the people who had loved him all his life.

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THE SONGS AREN’T HIS ANYMORE—THEY BELONG TO THE 60,000 PEOPLE WHO REFUSE TO LET THE MUSIC STOP. There is a powerful, heavy silence that sits at the center of every Randy Travis concert, but it is never empty. Since the 2013 stroke that claimed his ability to sing and nearly took his life, the performance has evolved into something far more intimate than a standard tour. It has become a conversation between a legend who can no longer speak his truths and a world that refuses to forget them. For two years and 54 cities, Randy Travis has walked onto stages not to perform, but to be witnessed. With his wife, Mary, beside him and his original band anchoring the sound, the shows feature James Dupré taking on the vocal heavy lifting—but the real singer in the room is the crowd. Every night, thousands of voices bridge the gap left by aphasia. They handle the verses of “Three Wooden Crosses” and “On the Other Hand,” turning arenas into something resembling a massive, tear-filled revival. When Randy mouths the lyrics alongside them, he isn’t just watching a show—he is reclaiming his own catalog through the lungs of the people who grew up listening to it. The climax of the night is always the same: the final song. As the music fades and the band holds steady, Randy Travis takes the microphone. The man who was silenced by a stroke delivers the only word he needs to bridge the distance between his past and his present. He says, “Amen.” People often wonder why he continues to tour, why he chooses the grueling pace of the road when he could rest in the quiet of his home. But when you see the room “come apart” in that final moment, the answer is clear: this isn’t a farewell tour. It’s a reciprocal healing. The fans show up to give him back the songs he gave them, and he shows up to remind them—and himself—that while the voice may have changed, the spirit remains exactly where it always was. He is calling the tour More Life, and he has earned every syllable of that title. He is living proof that a legacy isn’t built on the perfection of a vocal performance, but on the connection that survives long after the ability to sing has faded.