Smokey Robinson & the Miracles | iHeart

About the Song

Smokey Robinson & The Miracles’ “Tears of a Clown” is a timeless soul classic that showcases the group’s impeccable harmonies and Robinson’s emotive vocals. Released in 1970, the song quickly became a hit, reaching number one on the Billboard Hot 100 chart.

The song’s title is evocative, suggesting a deep sense of sorrow and despair. Robinson sings about a man who is heartbroken and alone, unable to shake off the sadness that has consumed him. The lyrics are filled with poignant imagery and heartfelt expressions of grief.

Robinson’s vocals are a highlight of the song, conveying the pain and anguish of the protagonist. The harmonies between Robinson and the other members of The Miracles are impeccable, adding depth and richness to the song. The instrumentation is understated, allowing the vocals and lyrics to take center stage.

“Tears of a Clown” is a powerful and moving song that has stood the test of time. Its message of heartbreak and loneliness is as relevant today as it was when the song was first released. The song’s timeless melody and soulful vocals have made it a classic of soul music.

Here are some additional points that you could include in your introduction:

  • The song’s historical context: “Tears of a Clown” was released in 1970, during the peak of the Motown era. It was one of the group’s biggest hits.
  • The song’s themes: The song explores themes of heartbreak, loneliness, and despair. It also touches on themes of love, loss, and regret.
  • The song’s musical style: “Tears of a Clown” is a soul song with a catchy melody and a soulful beat. The arrangement is simple yet effective, and the production is high-quality.
  • The song’s cultural impact: “Tears of a Clown” was a groundbreaking song that helped to define the sound of soul music. It also had a significant impact on popular culture, influencing other artists and inspiring countless fans.
  • The song’s legacy: “Tears of a Clown” remains a popular song today. It is often covered by other artists, and it is still played on radio stations around the world.

SMOKEY ROBINSON & THE MIRACLES: GOING TO A GO-GO - Classic Motown

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Lyrics: Tears of a Clown

Oh yeah, yeah, yeah

Now if there’s a smile on my face
It’s only there trying to fool the public
But when it comes down to fooling you
Now honey, that’s quite a different subject

But don’t let my glad expression
Give you the wrong impression
Really, I’m sad
Oh, I’m sadder than sad
You’re gone and I’m hurtin’ so bad
Like a clown I pretend to be glad

Now there’s some sad things known to man
But ain’t too much sadder than
The tears of a clown
When there’s no one around

Oh yeah, baby

Now if I appear to be carefree
It’s only to camouflage my sadness
In order to shield my pride I’ve tried
To cover this hurt with a show of gladness

But don’t let my show convince you
That I’ve been happy since you
Decided to go
Oh, I need you so
I’m hurt and I want you to know
But for others I put on a show

Oh, there’s some sad things known to man
But there ain’t too much sadder than
The tears of a clown
When there’s no one around, oh yeah

Just like Pagliacci did
I try to keep my sadness hid
Smiling in the public eye
But in my lonely room I cry
The tears of a clown
When there’s no one around

Oh yeah, baby

Now if there’s a smile on my face
Don’t let my glad expression
Give you the wrong impression
Don’t let this smile I wear
Make you think that I don’t care
Really, I’m sad
Hurtin’ so bad

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.