Introduction

Dive into the captivating sounds of Smokey Robinson & The Miracles with their timeless classic, “You’ve Really Got A Hold On Me.” This soulful ballad, released in 1962, encapsulates the profound impact of love and the irresistible grip it holds on the heart. Join us as we explore the enchanting melodies and the enduring legacy of Smokey Robinson & The Miracles.

Did You Know?

Recorded by Smokey Robinson & The Miracles, “You’ve Really Got A Hold On Me” emerged as a standout track in 1962, showcasing the group’s harmonious brilliance. The song, written by Smokey Robinson himself, became a signature piece for the Miracles and solidified their presence in the Motown era. Its soulful resonance and heartfelt lyrics contributed to the enduring appeal of this classic.

Smokey Robinson, born William Robinson Jr. on February 19, 1940, in Detroit, Michigan, not only served as the frontman for The Miracles but also played a pivotal role in shaping the Motown sound. His smooth tenor and poetic songwriting elevated the group to legendary status, and “You’ve Really Got A Hold On Me” remains a testament to their musical prowess.

Video

Lyrics: You’ve Really Got A Hold On Me 

I don’t like you
But I love you
Seems that I’m always
Thinking of you
Oh, oh, oh
You treat me badly
I love you madly
You’ve really got a hold on me
(You’ve really got a hold on me)
You’ve really got a hold on me
(You’ve really got a hold on me)
BabyI don’t want you
But I need you
Don’t want to kiss you
But I need to
Oh, oh, oh
You do me wrong now
My love is strong now
You’ve really got a hold on me
(You’ve really got a hold on me)
You’ve really got a hold on me
(You’ve really got a hold on me)
Baby

I love you and all I want you to do
Is just hold me, hold me, hold me, hold me
Tighter
Tighter

I want to leave you
Don’t want to stay here
Don’t want to spend
Another day here
Oh, oh, oh, I want to split now
I can’t quit now
You’ve really got a hold on me
(You’ve really got a hold on me)
You’ve really got a hold on me
(You’ve really got a hold on me)
Baby

I love you and all I want you to do
Is just hold me (please)
Hold me (squeeze)
Hold me, hold me

You’ve really got a hold on me
(You’ve really got a hold on me)
I said you’ve really got a hold on me
(I said you’ve really got a hold on me)
You know you’ve really got hold on me
(You know you’ve really got a hold on me)

 

You Missed

FACING CRITICS AND FORWARD OPERATING BASES, TOBY KEITH GAVE TWENTY YEARS OF HIS LIFE TO THE TROOPS WHO CALLED HIM FAMILY. The critics called him a warmonger. The soldiers called him family. Only one of them ever met him. Toby Keith didn’t have to go. He was already a superstar — private jets, sold-out arenas, number one hits. Instead, he got on military transport planes. Flew into Iraq. Afghanistan. Kuwait. Places where the stage was a flatbed truck and the audience carried rifles. Not once. Not for a photo op. 11 USO tours. Over 285 shows. Nearly 256,000 troops. More than any artist of his generation. He did it for his father — H.K. Covel, an Army veteran who lost his right eye in service, who raised his kids to respect the flag. When his dad died in 2001, six months before 9/11, Toby wrote “Courtesy of the Red, White and Blue” in 20 minutes. Critics tore him apart for it. Radio hosts called him angry. Hollywood called him worse. He never apologized. He just kept flying back. Soldiers remember him eating in the mess halls, not backstage. Playing acoustic sets on forward operating bases too dangerous for full crews. Coming back year after year, even when the cameras stopped following. Then came the diagnosis. Stomach cancer. He fought it quietly for two years — and still stood on stage in 2023, thin and unbroken, singing “Don’t Let the Old Man In.” He passed in February 2024. The Country Music Hall of Fame called his name that same year. He never wore the uniform. But ask any soldier who was there. Some people salute with their hand. Toby Keith saluted with 20 years of his life.