The Greatest Oldies Music

Oldies Musics

Smokey Robinson & The Miracles – You’ve Really Got A Hold On Me

Introduction

Dive into the captivating sounds of Smokey Robinson & The Miracles with their timeless classic, “You’ve Really Got A Hold On Me.” This soulful ballad, released in 1962, encapsulates the profound impact of love and the irresistible grip it holds on the heart. Join us as we explore the enchanting melodies and the enduring legacy of Smokey Robinson & The Miracles.

Did You Know?

Recorded by Smokey Robinson & The Miracles, “You’ve Really Got A Hold On Me” emerged as a standout track in 1962, showcasing the group’s harmonious brilliance. The song, written by Smokey Robinson himself, became a signature piece for the Miracles and solidified their presence in the Motown era. Its soulful resonance and heartfelt lyrics contributed to the enduring appeal of this classic.

Smokey Robinson, born William Robinson Jr. on February 19, 1940, in Detroit, Michigan, not only served as the frontman for The Miracles but also played a pivotal role in shaping the Motown sound. His smooth tenor and poetic songwriting elevated the group to legendary status, and “You’ve Really Got A Hold On Me” remains a testament to their musical prowess.

Video

Lyrics: You’ve Really Got A Hold On Me 

I don’t like you
But I love you
Seems that I’m always
Thinking of you
Oh, oh, oh
You treat me badly
I love you madly
You’ve really got a hold on me
(You’ve really got a hold on me)
You’ve really got a hold on me
(You’ve really got a hold on me)
BabyI don’t want you
But I need you
Don’t want to kiss you
But I need to
Oh, oh, oh
You do me wrong now
My love is strong now
You’ve really got a hold on me
(You’ve really got a hold on me)
You’ve really got a hold on me
(You’ve really got a hold on me)
Baby

I love you and all I want you to do
Is just hold me, hold me, hold me, hold me
Tighter
Tighter

I want to leave you
Don’t want to stay here
Don’t want to spend
Another day here
Oh, oh, oh, I want to split now
I can’t quit now
You’ve really got a hold on me
(You’ve really got a hold on me)
You’ve really got a hold on me
(You’ve really got a hold on me)
Baby

I love you and all I want you to do
Is just hold me (please)
Hold me (squeeze)
Hold me, hold me

You’ve really got a hold on me
(You’ve really got a hold on me)
I said you’ve really got a hold on me
(I said you’ve really got a hold on me)
You know you’ve really got hold on me
(You know you’ve really got a hold on me)

 

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Many people remember Elvis Presley for his looks, his stage presence, or the way he changed popular music forever. But if you ask musicians, vocal coaches, or anyone who has truly listened to his recordings, they often point to something even greater. His voice. Not because it was the loudest or the most technically perfect, but because it carried something that cannot be taught. Every time Elvis sang, you believed him. He never sounded as if he were performing a song. He sounded as if he were living it. That is a gift only a handful of singers have ever possessed.

There is one question that has followed Elvis Presley for nearly half a century. How could a man who brought so much joy to millions leave this world at only forty two? Every August, people ask it again, not because they expect a different answer, but because his loss still feels difficult to accept. Elvis seemed larger than life, yet behind the bright lights and standing ovations was a man who had been fighting battles no audience could see. His smile never told the whole story.

There was a time when Elvis Presley could walk onto any stage in the world and make thousands of people feel alive. But in the final years of his life, something quietly changed. Between 1976 and 1977, the noise around him never stopped, yet Elvis himself grew quieter. He spent more and more time inside Graceland, not because he no longer loved his fans, but because his body and his heart were growing tired. The mansion that once celebrated laughter and late night gatherings slowly became the place where he searched for peace.

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