Introduction

Enter the realm of spiritual introspection with “God’s Gonna Cut You Down” by Johnny Cash. This haunting ballad, released in 2006, serves as a solemn reminder of the consequences of wrongdoing and the promise of divine justice. Join us as we explore the timeless power and eternal truths of this iconic spiritual anthem.Cash 2002 | Johnny cash, Johnny and june, Johnny cash june carter

Did You Know?

1. Traditional Folk Song:

“God’s Gonna Cut You Down” is based on a traditional folk song that dates back to the early 20th century. Johnny Cash’s rendition of the song, released posthumously in 2006, brought new life to the timeless lyrics and introduced it to a new generation of listeners.

2. Biblical Themes:

The lyrics of “God’s Gonna Cut You Down” draw upon biblical imagery and themes of divine judgment and redemption. The song warns of the consequences of sinful behavior and the inevitability of facing God’s wrath, making it a sobering meditation on the nature of morality and salvation.

3. Posthumous Release:

Johnny Cash’s recording of “God’s Gonna Cut You Down” was released on his posthumous album, “American V: A Hundred Highways.” The song’s haunting melody and Cash’s gravelly voice lend it a sense of gravitas and authenticity, further enhancing its impact and resonance.

4. Legacy of Influence:

“God’s Gonna Cut You Down” has been covered by numerous artists across different genres, attesting to its enduring popularity and cultural significance. Its timeless message and haunting melody continue to captivate listeners, inspiring reflection and introspection across generations.

5. Spiritual Resonance:

Beyond its commercial success, “God’s Gonna Cut You Down” holds significant spiritual importance as a reminder of the universal principles of justice and redemption. Its solemn tone and powerful imagery evoke feelings of reverence and awe, inviting listeners to contemplate the mysteries of faith and morality.Johnny Cash lyrics to be collected in book for first time | Books | The  Guardian

Video

Lyrics: God’s Gonna Cut You Down

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you downGo tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ’em that God’s gonna cut ’em down
Tell ’em that God’s gonna cut ’em down

Well my goodness gracious let me tell you the news
My head’s been wet with the midnight dew
I’ve been down on bended knee talkin’ to the man from Galilee
He spoke to me in the voice so sweet
I thought I heard the shuffle of the angel’s feet
He called my name and my heart stood still
When he said, “John go do My will!”

Go tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ’em that God’s gonna cut ’em down
Tell ’em that God’s gonna cut ’em down

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down

Well you may throw your rock and hide your hand
Workin’ in the dark against your fellow man
But as sure as God made black and white
What’s done in the dark will be brought to the light

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down

Go tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ’em that God’s gonna cut you down
Tell ’em that God’s gonna cut you down
Tell ’em that God’s gonna cut you down

You Missed

“I CAN’T JUST LEAVE HER WITHOUT TELLING HER HOW IT IS,” RAY PRICE WHISPERED TO HIS ENGINEER IN THE STUDIO DARKNESS. He didn’t care about the chart positions or the industry accolades that had defined his career since the fifties. He needed the technology to capture a sincerity he had spent decades hiding behind the polish of the Ray Price Sound, ensuring the silence of his house wouldn’t be absolute. Ray Price and Janie Phillips shared a life defined by the rhythmic hum of the honky-tonk circuit and the quiet machinery of the music business. By 2012, however, the terminal weight of pancreatic cancer began to dictate the pace of their days. While the chemotherapy drained the vitality from his frame, Ray insisted on returning to the microphone. He chose a collection of love songs that felt like a long-overdue confession, building them out in a Nashville studio while keeping the project shielded from the one person who had been his professional and personal anchor for decades. Janie was kept at a distance, unaware that the distance was intentional. Ray was crafting a final, hidden correspondence. Each session at the microphone required a monumental effort, a man straining against his own biology to ensure the pitch remained true and the phrasing stayed sharp. He finished the work in October 2013, exhausted but satisfied, calling the record the finest thing he had ever managed to capture. He died in December, before the world ever heard a note. When the record eventually surfaced, Janie found herself standing in the spotlight she had spent forty-three years avoiding. She stepped into the radio stations and the silence of their home, carrying the voice of a man who had finally learned how to say what mattered most once he was no longer there to speak it himself.