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Oldies Musics

Johnny Cash – “God’s Gonna Cut You Down”

Introduction

Enter the realm of spiritual introspection with “God’s Gonna Cut You Down” by Johnny Cash. This haunting ballad, released in 2006, serves as a solemn reminder of the consequences of wrongdoing and the promise of divine justice. Join us as we explore the timeless power and eternal truths of this iconic spiritual anthem.Cash 2002 | Johnny cash, Johnny and june, Johnny cash june carter

Did You Know?

1. Traditional Folk Song:

“God’s Gonna Cut You Down” is based on a traditional folk song that dates back to the early 20th century. Johnny Cash’s rendition of the song, released posthumously in 2006, brought new life to the timeless lyrics and introduced it to a new generation of listeners.

2. Biblical Themes:

The lyrics of “God’s Gonna Cut You Down” draw upon biblical imagery and themes of divine judgment and redemption. The song warns of the consequences of sinful behavior and the inevitability of facing God’s wrath, making it a sobering meditation on the nature of morality and salvation.

3. Posthumous Release:

Johnny Cash’s recording of “God’s Gonna Cut You Down” was released on his posthumous album, “American V: A Hundred Highways.” The song’s haunting melody and Cash’s gravelly voice lend it a sense of gravitas and authenticity, further enhancing its impact and resonance.

4. Legacy of Influence:

“God’s Gonna Cut You Down” has been covered by numerous artists across different genres, attesting to its enduring popularity and cultural significance. Its timeless message and haunting melody continue to captivate listeners, inspiring reflection and introspection across generations.

5. Spiritual Resonance:

Beyond its commercial success, “God’s Gonna Cut You Down” holds significant spiritual importance as a reminder of the universal principles of justice and redemption. Its solemn tone and powerful imagery evoke feelings of reverence and awe, inviting listeners to contemplate the mysteries of faith and morality.Johnny Cash lyrics to be collected in book for first time | Books | The Guardian

Video

Lyrics: God’s Gonna Cut You Down

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you downGo tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ’em that God’s gonna cut ’em down
Tell ’em that God’s gonna cut ’em down

Well my goodness gracious let me tell you the news
My head’s been wet with the midnight dew
I’ve been down on bended knee talkin’ to the man from Galilee
He spoke to me in the voice so sweet
I thought I heard the shuffle of the angel’s feet
He called my name and my heart stood still
When he said, “John go do My will!”

Go tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ’em that God’s gonna cut ’em down
Tell ’em that God’s gonna cut ’em down

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down

Well you may throw your rock and hide your hand
Workin’ in the dark against your fellow man
But as sure as God made black and white
What’s done in the dark will be brought to the light

You can run on for a long time
Run on for a long time
Run on for a long time
Sooner or later God’ll cut you down
Sooner or later God’ll cut you down

Go tell that long tongue liar
Go and tell that midnight rider
Tell the rambler, the gambler, the back biter
Tell ’em that God’s gonna cut you down
Tell ’em that God’s gonna cut you down
Tell ’em that God’s gonna cut you down

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Oldies Musics

Tucked away in a private drawer, far from the polished sets of her television show, lay a bundle of 341 letters. These were not press clippings or scripts; they were brittle, handwritten testimonies from servicemen stationed in remote barracks, deep in war-torn tunnels, and across desolate battlefields. During the long years of the Second World War, as Hollywood presented a glossy, curated image of American life, Donna Reed spent her nights reading these letters and, more remarkably, personally answering them. This was the quiet, invisible work that defined her, long before the public labeled her the quintessential television mother. Behind the camera during her production years, Reed was a different person entirely. She was rarely seen holding a script for a scene; she was more likely to be found hunched over lighting diagrams or studying the intricacies of cinematography. She possessed an uncredited producer’s mind, constantly analyzing how the frame could better reflect the reality of the family she was trying to depict. The studio environment was frequently cold and high-pressured, but she moved through it with a meticulous attention to detail that frustrated those who wanted to treat her as merely another pretty face in the cast. These tactile remnants—the stacks of ink-stained paper and the forgotten notes on camera angles—tell the story of a woman who never truly fit the box Hollywood built for her. While the world remembers the steady, comforting image of a television home, she lived a life carved out of hard labor and deep empathy. She carried the weight of those soldiers’ stories and the technical burdens of the studio floor until her final days, forever balancing the fragility of her public image against the demanding, gritty reality of her actual life.