About the Song

Written and recorded by the legendary Marvin Gaye, “How Sweet It Is (To Be Loved by You)” is a timeless classic that has been enjoyed by generations of music lovers. Originally released in 1964, the song topped the Billboard Hot 100 chart and became Gaye’s first number-one single. It has since been covered by countless artists, including Michael Jackson, Aretha Franklin, and James Taylor.

The song is a beautiful expression of love and gratitude. Gaye’s soulful vocals and the upbeat Motown sound make it a joy to listen to. The lyrics are simple but powerful, and they speak to the universal experience of being in love.

The song begins with Gaye singing about how he had been searching for love for a long time. He had been through many disappointments, but he had never given up hope. Finally, he found the love of his life, and he is overjoyed.

The chorus of the song is a simple but powerful declaration of love. Gaye sings, “How sweet it is (to be loved by you)/How sweet it is (to be loved by you)/I needed the shelter of someone’s arms/And you came along.” These words express the pure joy and happiness that comes from being loved by someone special.

The rest of the song is filled with Gaye’s expressions of gratitude for his lover. He sings about how she has made his life better and how he can’t imagine his life without her. He also sings about how he will always love her.

“How Sweet It Is (To Be Loved by You)” is a beautiful and moving song that celebrates the power of love. It is a song that will continue to be enjoyed by generations to come.

Some other interesting facts about the song:

  • The song was written by the Motown songwriting team of Holland-Dozier-Holland.
  • It was produced by Brian Holland and Lamont Dozier.
  • The song was featured in the 1965 film “The T.A.M.I. Show.”
  • It was also featured in the 1994 film “Pulp Fiction.”
  • In 2004, “How Sweet It Is (To Be Loved by You)” was inducted into the Grammy Hall of Fame.

Video 

Lyrics: How Sweet It Is (To Be Loved By You)

How sweet it is to be loved by you
How sweet it is to be loved by youI needed the shelter of someone’s arms and there you were
I needed someone to understand my ups and downs
and there you were
With sweet love and devotion
deeply touching my emotion
I want to stop and thank you baby
I just want to stop and thank you babyHow sweet it is to be loved by you
How sweet it is to be loved by you

I close my eyes at night,
wondering where would I be without you in my life
Everything I did was just a bore,
everywhere I went it seems I’d been there before
But you brightened up for me all of my days
With a love so sweet in so many ways
I want to stop and thank you baby
I want to stop and thank you baby

How sweet it is to be loved by you
How sweet it is to be loved by you

You were better to me than I’ve been to myself
For me, there’s you and there ain’t nobody else
I want to stop and thank you baby
I just want to stop and thank you baby

[Repeat and fade:]
How sweet it is to be loved by you
How sweet it is to be loved by you

You Missed

THE CHAOS STOPS. THE NOISE FADES. AND IN THE FINAL SECONDS, TOBY KEITH STEPS BACK INTO THE LIGHT. For most of the video for “Think As You Drunk,” Riley Green leans into the kind of high-octane, rowdy trouble that country music fans have been raising hell to for decades. He’s losing boots, stumbling through bars, and ending up in handcuffs—with his corgi, Carl, watching the whole mess with a look of pure, sober judgment. It’s the kind of reckless, fun-loving anthem that keeps the honky-tonks loud on a Friday night. But then, just as the dust settles, the mood completely shifts. As the track winds down, the familiar, unmistakable roar of Toby Keith’s voice cuts through, playing “As Good As I Once Was.” The camera stops following the chaos and lingers on a framed photo of Toby, center stage, holding a red Solo cup high in the air—a classic pose for the man who turned that cup into a national symbol. In that quiet moment, the jokes fall away. Riley Green doesn’t need a tearful monologue or a scripted tribute; he lets the music and the image do the heavy lifting. It is a masterful, respectful tip of the hat from one generation of country stars to the man who laid the blueprint for the modern drinking anthem. The tribute is more than just a nod in a video; it’s a commitment. A portion of the proceeds from the song is headed to the Toby Keith Foundation, directly supporting children fighting cancer and their families. While Carl the corgi might win the “funniest moment” award, Toby Keith gets the final word—a hauntingly perfect reminder of the legacy he left behind.

SHE STEPPED UP TO THE MICROPHONE TO SING A LOVE SONG WITH A MAN WHO WAS ALREADY GONE. When Lorrie Morgan walked into the studio to record “‘Til a Tear Becomes a Rose,” she wasn’t just performing a track for a Greatest Hits album. She was stepping into a haunting, high-stakes duet with her late husband, Keith Whitley, who had passed away just a year earlier. The technology was simple, but the emotional weight was crushing. Keith’s voice was already on the tape, preserved from an old demo he’d recorded with his friend Ricky Skaggs. There was no studio collaboration, no sharing a smile between takes, and no husband to hold once the final note faded. Lorrie had to stand in the silence, put on her headphones, and wait for Keith’s voice to come through—then harmonize with a ghost. When the song was released in 1990, it didn’t just climb the charts; it hit a nerve that few country songs ever reach. It felt raw, immediate, and painfully real. That fall, when the industry gathered for the CMA Awards, the song took home the trophy for Vocal Event of the Year. The two names—Lorrie Morgan and Keith Whitley—were etched together on the award, a cruel reminder of a partnership that had been tragically severed in its prime. While Lorrie stood alone to accept the honor, the recording remained a permanent monument to what they had been. It wasn’t just a song about sorrow or a performance about heartbreak; it was a widow using her own voice to reach across the silence and sing one last time with the man she couldn’t hold again. It stands today as a testament to the fact that while death can end a marriage, it can’t always silence the music that two people built together.

A PERFECT FINALE: ALAN JACKSON HANGS UP HIS HAT AND WELCOMES HIS FIFTH GRANDCHILD.For a man who built a career on songs that capture the milestones of life—the memories, the heartbreaks, and the quiet joys—the timing of Alan Jackson’s latest chapter feels like something written into a country standard.On June 27, 2026, Alan Jackson took the stage at Nashville’s Nissan Stadium for his final, massive farewell concert, “Last Call: One More for the Road – The Finale.” With over 50,000 fans in the stands and a roster of country’s biggest names joining him, the mood was one of celebration and reflection. During the show, Alan shared a sweet, prophetic moment with the crowd, pointing out his daughter Dani, who was heavily pregnant at the time. “We have three wonderful daughters and sons-in-law, and now we’ve got 4.75 grandchildren,” he joked. “One’s due any minute. She’s out there… I feel sad for her being here tonight, she’s about to go into labor with all this sound going on.” He wasn’t off by much. Twelve days after that final bow, the Jackson family grew once more. On July 9, 2026, Dani and her husband, Sam Carrington, welcomed Samuel Hudson Carrington—”Hudson”—the couple’s first child and Alan and Denise’s fifth grandchild. Alan shared the news on Instagram with a touching photo of himself and Denise cradling the newborn. It’s a milestone that brings a beautiful full-circle moment to the Jackson household. With all three of his daughters—Mattie, Ali, and Dani—having been pregnant at the same time, this “baby boom” has been the perfect way for Alan to transition from the spotlight of his touring career to the quiet, cherished life of a grandfather. For the man who spent decades singing “Remember When,” this is a new “remember when” in the making: one legendary farewell, one beautiful hello, and a retirement that couldn’t have been timed more perfectly.