About the Song

Written and recorded by the legendary Marvin Gaye, “How Sweet It Is (To Be Loved by You)” is a timeless classic that has been enjoyed by generations of music lovers. Originally released in 1964, the song topped the Billboard Hot 100 chart and became Gaye’s first number-one single. It has since been covered by countless artists, including Michael Jackson, Aretha Franklin, and James Taylor.

The song is a beautiful expression of love and gratitude. Gaye’s soulful vocals and the upbeat Motown sound make it a joy to listen to. The lyrics are simple but powerful, and they speak to the universal experience of being in love.

The song begins with Gaye singing about how he had been searching for love for a long time. He had been through many disappointments, but he had never given up hope. Finally, he found the love of his life, and he is overjoyed.

The chorus of the song is a simple but powerful declaration of love. Gaye sings, “How sweet it is (to be loved by you)/How sweet it is (to be loved by you)/I needed the shelter of someone’s arms/And you came along.” These words express the pure joy and happiness that comes from being loved by someone special.

The rest of the song is filled with Gaye’s expressions of gratitude for his lover. He sings about how she has made his life better and how he can’t imagine his life without her. He also sings about how he will always love her.

“How Sweet It Is (To Be Loved by You)” is a beautiful and moving song that celebrates the power of love. It is a song that will continue to be enjoyed by generations to come.

Some other interesting facts about the song:

  • The song was written by the Motown songwriting team of Holland-Dozier-Holland.
  • It was produced by Brian Holland and Lamont Dozier.
  • The song was featured in the 1965 film “The T.A.M.I. Show.”
  • It was also featured in the 1994 film “Pulp Fiction.”
  • In 2004, “How Sweet It Is (To Be Loved by You)” was inducted into the Grammy Hall of Fame.

Video 

Lyrics: How Sweet It Is (To Be Loved By You)

How sweet it is to be loved by you
How sweet it is to be loved by youI needed the shelter of someone’s arms and there you were
I needed someone to understand my ups and downs
and there you were
With sweet love and devotion
deeply touching my emotion
I want to stop and thank you baby
I just want to stop and thank you babyHow sweet it is to be loved by you
How sweet it is to be loved by you

I close my eyes at night,
wondering where would I be without you in my life
Everything I did was just a bore,
everywhere I went it seems I’d been there before
But you brightened up for me all of my days
With a love so sweet in so many ways
I want to stop and thank you baby
I want to stop and thank you baby

How sweet it is to be loved by you
How sweet it is to be loved by you

You were better to me than I’ve been to myself
For me, there’s you and there ain’t nobody else
I want to stop and thank you baby
I just want to stop and thank you baby

[Repeat and fade:]
How sweet it is to be loved by you
How sweet it is to be loved by you

You Missed

HE WAS 70, STRUGGLING TO STAND, AND THE INDUSTRY HAD ALREADY WRITTEN HIM OFF — UNTIL HE COVERED A TRACK BY A ROCK STAR HALF HIS AGE AND BROKE THE WORLD’S HEART. By 2002, Johnny Cash was a man surviving on memories. He had outlived most of his peers. His record label of nearly three decades had abandoned him. His health was a wreckage of diabetes, pneumonia, and failing nerves. There were moments in the recording booth when his producer, Rick Rubin, could hear the literal sound of a voice breaking. Then Rubin presented him with a raw, industrial rock song about the depths of depression and self-harm. Cash made one simple change — replacing a profane lyric with “crown of thorns” — and transformed a young man’s angst into his own final testament. The music video was shot inside his shuttered museum in Nashville, a place crumbling under the weight of dust and silence. June Carter was there, looking at him with an expression of profound, tragic realization. She would be gone in three months. He would follow her just four months later. When the original songwriter finally saw the footage alone one morning, he broke down. He later admitted that the song no longer belonged to him. The video went on to win a Grammy and was hailed by critics as the greatest music video ever filmed. It has been streamed hundreds of millions of times since. But its true power isn’t in the numbers or the awards. It continues to haunt us two decades later because it is the sound of a man who has stopped running from the end — a man who sat down in the fading light and finally told the absolute truth.

NO ONE KNEW WHY TOBY KEITH KEPT VISITING THE OK KIDS KORRAL EVERY WEEK DURING HIS FINAL 2 YEARS — EVEN AS HIS OWN CANCER WAS TAKING OVER… UNTIL A NURSE FINALLY TOLD THE TRUTH In 2006, Toby Keith launched a foundation for children battling cancer, inspired by the loss of his lead guitarist’s 2-year-old daughter to a tumor in 2003. By 2014, he turned that vision into reality, opening the OK Kids Korral in Oklahoma City—a sanctuary where families of pediatric patients could stay for free. Then, in 2021, the world stopped when Toby was diagnosed with stomach cancer. Yet, instead of retreating into his own pain, Toby began appearing at the Korral every week. He wasn’t there to sign autographs or put on a show. He would simply stand in the quiet hallways, watching the children go about their days. Outsiders assumed he was inspecting the building. The staff figured he was there to lift spirits. But following Toby’s passing in February 2024, a veteran nurse finally shared what really happened. She had asked him why he pushed himself to come when he was so exhausted. Toby leaned heavily against the wall and whispered: “These kids showed me how to be a warrior long before I ever had to fight for my own life. I’m just here to pay my respects—while time still allows.” The world believed Toby Keith built the Korral to rescue those children. In reality, it was those children who were quietly holding him together at the end. What remained a secret until his very last visit—just 11 days before he slipped away—was how Toby stopped in front of a single name on the memorial wall: the little girl whose story began it all two decades earlier. He stood there in total silence, longer than anyone had ever seen him stay in one place.