A Country Boy Can Survive (Box Set) - Album by Hank Williams, Jr. | Spotify

About the Song

In the annals of country music, Hank Williams Jr. stands tall as a maverick, his rebellious spirit and gritty vocals leaving an indelible mark on the genre. Among his vast repertoire of iconic tunes, “A Country Boy Can Survive” emerges as a standout anthem, a testament to his unwavering determination and his unwavering faith in the resilience of the country boy.

Released in 1982 as the lead single from his album The Pressure Is On, “A Country Boy Can Survive” quickly catapulted Williams Jr. to stardom, solidifying his status as a country music icon. The song resonated deeply with audiences across the country, striking a chord with those who embraced the values of self-reliance, hard work, and unwavering spirit.

At its core, “A Country Boy Can Survive” is a celebration of the rural lifestyle, a tribute to the hardworking men and women who call the countryside home. Williams Jr.’s gritty vocals convey a sense of defiance and determination, as he sings about the challenges faced by those who live off the land. The song’s lyrics paint a vivid picture of life in the countryside, highlighting the beauty of nature, the importance of family and community, and the resilience of the human spirit.

The song’s chorus, “And a country boy can survive,” serves as a rallying cry, a reminder that no matter what challenges life throws one’s way, the strength and resilience of the country boy will always prevail. Williams Jr.’s powerful delivery infuses the chorus with a sense of hope and optimism, inspiring listeners to embrace their roots and persevere in the face of adversity.

Musically, “A Country Boy Can Survive” is a blend of Southern rock and country music, showcasing Williams Jr.’s signature blend of raw energy and melodic sensibility. The guitar riffs are gritty and powerful, while the drums provide a driving beat that propels the song forward. The fiddle and steel guitar add a touch of traditional country music, creating a harmonious blend of old and new.

“A Country Boy Can Survive” has resonated with audiences far and wide, earning critical acclaim and enduring popularity. It has been covered by numerous artists, cementing its status as a timeless classic. The song’s enduring appeal lies in its universal themes of resilience, determination, and the unwavering spirit of the country boy.

In conclusion, “A Country Boy Can Survive” is a masterpiece of country music, a testament to Hank Williams Jr.’s artistry and his unwavering belief in the power of the human spirit. With its gritty vocals, powerful lyrics, and infectious melody, the song has resonated with audiences across generations, inspiring listeners to embrace their roots and persevere in the face of adversity. It’s a timeless anthem that celebrates the resilience of the country boy, a reminder that no matter what challenges life throws one’s way, the strength and spirit of the American heartland will always prevail.

Key Elements of “A Country Boy Can Survive”:

  • Theme: The song explores themes of resilience, determination, and the unwavering spirit of the country boy.
  • Lyrics: The lyrics paint a vivid picture of life in the countryside, highlighting the beauty of nature, the importance of family and community, and the resilience of the human spirit.
  • Melody: The melody is catchy and memorable, with a strong chorus that is easy to sing along to.
  • Instrumentation: The instrumentation is a blend of Southern rock and country music, featuring gritty guitar riffs, a driving drum beat, and traditional country instruments like the fiddle and steel guitar.
  • Vocals: Hank Williams Jr.’s vocals are raw and powerful, conveying a sense of defiance and determination.

Additional Notes:

  • “A Country Boy Can Survive” was released as the lead single from Hank Williams Jr.’s album The Pressure Is On in 1982.
  • The song was written by Williams Jr. himself, with production credits going to Jerry Kennedy and Tom Bullock.
  • The song peaked at No. 2 on the Billboard Hot Country Singles chart and spent 20 weeks on the chart.
  • “A Country Boy Can Survive” has been covered by numerous artists, including Alabama, Waylon Jennings, and George Strait.
  • The song was inducted into the Country Music Hall of Fame in 2008.

Nashville Songwriters Hall of Fame

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Lyrics: A Country Boy Can Survive

The preacher man says it’s the end of time
And the Mississippi River she’s a-goin’ dry
The interest is up and the Stock Market’s down
And you only get mugged if you go downtownI live back in the woods, you see
My woman and the kids, and the dogs, and me
I got a shotgun, a rifle, and a 4-wheel drive
And a country boy can survive
Country folks can surviveI can plow a field all day long
I can catch catfish from dusk ’til dawn
We make our own whiskey and our own smoke, too
Ain’t too many things these old boys can’t do
We grow good old tomatoes and homemade wine
And a country boy can survive
Country folks can survive

Because you can’t starve us out
And you can’t make us run
‘Cause we’re them old boys raised on shotgun
And we say “grace” and we say “Ma’am”
And if you ain’t into that we don’t give a damn

We came from the West Virginia coal mines
And the Rocky Mountains and the western skies
And we can skin a buck; we can run a trotline
And a country boy can survive
Country folks can survive

I had a good friend in New York City
He never called me by my name, just hillbilly
My grandpa taught me how to live off the land
And his taught him to be a businessman
He used to send me pictures of the Broadway nights
And I’d send him some homemade wine

But he was killed by a man with a switchblade knife
For 43 dollars my friend lost his life
I’d love to spit some beech nut in that dude’s eyes
And shoot him with my old .45
‘Cause a country boy can survive
Country folks can survive

‘Cause you can’t starve us out and you can’t make us run
‘Cause we’re them old boys raised on shotgun
And we say “grace” and we say “Ma’am”
And if you ain’t into that we don’t give a damn

We’re from North California and South Alabama
And little towns all around this land
And we can skin a buck; we can run a trotline
And a country boy can survive
Country folks can survive
Country boy can survive
Country folks can survive

You Missed

EVEN WHEN CANCER HAD SLOWED HIM DOWN AND FORCED HIM TO SIT, A TRUE WORKING-MAN’S HERO LIKE TOBY KEITH FOUND THE STRENGTH TO RISE UP ON HIS OWN TWO FEET ONE LAST TIME FOR THE SONG THAT STARTED IT ALL. Back in December 2023, Toby Keith stepped back onto a Vegas stage for three sold-out nights at Park MGM after fighting stomach cancer for over two years. He joked with the crowd that they were just “rehab shows.” But on that final night, December 14, his body was tired, and he had to sit down for almost the entire concert. Even so, when he opened his mouth, that familiar, strong voice was still right there, and his spirit hadn’t budged an inch. Then, near the end of the set, the band struck up the opening chords of “Should’ve Been a Cowboy.” That was the very song that blew the doors wide open back in 1993 and went on to become the most-played country tune of the entire decade. And right then, Toby stood up. Not fast, and certainly not easily—you could just tell every inch cost him something real. But he pulled himself up anyway. He stood tall and sang the song that launched a legend, right there on his feet one final time. Just thirty-eight days later, we lost him. He left behind twenty number-one hits, eighteen grueling USO tours playing for over a quarter-million soldiers in dusty war zones, and a legacy built on pure grit. But for everyone who was in that room, there’s one image that will never fade: a proud cowboy refusing to quit until the very end.

BACK IN 2002, THEY TRIED TO SILENCE TOBY KEITH FOR STANDING UP FOR AMERICA. TODAY, WITH ALL THE NOISE AND CONFUSION ON OUR STAGES, THAT HONEST PRIDE IS MISSED MORE THAN EVER. Memories come flooding back with just one old photo, a familiar guitar lick, or a song that takes you right back to better days. Twenty-four years ago, Toby Keith was pulled from an ABC Fourth of July special simply because he wouldn’t apologize or soften “Courtesy of the Red, White and Blue.” The song was angry and raw—born straight from the grief of a son who lost his father, and a country still hurting after September 11. Toby didn’t change a single word. He kept right on singing it for the working folks who understood every line. Now, as America gets ready for its 250th birthday, our stages have gotten tangled up in politics, public statements, and endless corporate noise. Some artists are stepping back; others are caught in the middle of things that have nothing to do with good music. That’s why missing Toby hurts a little more these days. Whether folks always agreed with his opinions or not, everybody knew where he stood. When Toby passed away in February 2024 after fighting stomach cancer at age 62, country music lost a giant. He didn’t treat love of country like a marketing trick—it was just who he was, plain and simple. We don’t need to turn his memory into a political argument. We just need to remember what real country music feels like. Some singers entertain a room for a night, but Toby Keith made folks stand a little taller. And right now, that quiet spot where his voice used to be is hard to ignore.

WHILE THE WORLD MOURNED THE PASSING OF THE COAL MINER’S DAUGHTER, HER TWIN DAUGHTERS QUIETLY CARRIED FORTH A MUSICAL INHERITANCE FORGED IN TRUTH, BLOOD, AND UNBREAKABLE FAMILY TIES. Loretta Lynn spent decades scaling the absolute summit of country music, transforming raw domestic heartbreak and rural grit into immortal anthems. But away from the flashing marquee lights and the sprawling expanse of Hurricane Mills, her most profound creation was the family she anchored. When her twin daughters, Patsy and Peggy, stepped into the spotlight as The Lynns in the late 1990s, they didn’t ride their mother’s coattails or mimic her iconic delivery; instead, they forged their own path with sharp songwriting, distinct harmonies, and CMA Vocal Duo of the Year nominations that proved artistic independence ran deep in the bloodline. They understood better than anyone that the woman who commanded stadiums was first and foremost “Mom”—the steady heartbeat behind the chaos of a legendary life. As the years pressed on, that bond evolved into a deeply moving artistic partnership. When most legends would have faded into quiet retirement, Patsy stepped into the control room to co-produce her mother’s final, critically acclaimed albums, ensuring that Loretta’s voice remained fierce, uncompromised, and vital until the very end. When Loretta passed away peacefully at her Tennessee ranch in October 2022, country music lost an irreplaceable pioneer. Yet, the true legacy left behind wasn’t just a museum of gold records or a historic homestead; it was the quiet courage passed down to daughters who learned how to look life in the eye and tell the unvarnished truth in their own voices.

WHILE AMERICA FELL IN LOVE WITH HIS GAP-TOOTHED GRIN AND HIGH-SPEED TRUCK DRIVING ON THE SILVER SCREEN, NASHVILLE’S ELITE GUITAR GODS LOOKED AT JERRY REED AND SAW AN ABSOLUTE MONSTER OF THE FRETBOARD. To millions of moviegoers, Jerry Reed was the charismatic, fast-talking “Snowman” who kept pace with Burt Reynolds and turned “East Bound and Down” into an immortal highway anthem. But behind the comedic swagger and cinematic car chases lived a restless musical genius whose hands could do things on a guitar that defied explanation. While Hollywood typecast him as the lovable sidekick, the industry’s absolute titans knew the truth. When Chet Atkins—the gold standard of Nashville fingerstyle—declared Jerry the greatest guitar player he had ever heard, it wasn’t mere industry flattery; it was an admission of awe from a master looking at a wizard. Jerry’s unique picking style was a masterclass in controlled chaos, allowing him to weave thumping bass lines, syncopated rhythm, and sharp melodies simultaneously as if three musicians were sharing the same instrument. When Elvis Presley needed that razor-sharp, driving rhythm for “Guitar Man,” producers didn’t even look for a substitute session player; they called Jerry directly because no one else on earth possessed his specific rhythmic DNA. He eventually stacked up Grammy Awards not for cracking wise in Hollywood blockbusters, but for weaponizing a six-string into a full orchestra, proving that while the world bought a ticket for his smile, the music world bowed down to his strings.