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All My Ex’s Live In Texas – George Strait

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About the Song

George Strait, the undisputed “King of Country Music,” has given us countless hits over the years. One such gem that continues to resonate with fans is “All My Ex’s Live In Texas”. Released in 1987, this song quickly climbed the charts and became a staple of country radio, cementing its place as a classic in the genre.

The song’s premise is simple yet effective: a man reminiscing about his past relationships and realizing a rather amusing coincidence—all of his former partners seem to have relocated to the Lone Star State. It’s a lighthearted and humorous take on heartbreak, wrapped up in Strait’s signature smooth vocals and a melody that is both catchy and memorable.

“All My Ex’s Live In Texas” is a prime example of Strait’s ability to connect with his audience on a personal level. The lyrics, penned by Guy Clark and Jimmy Buffett, are relatable and witty, painting vivid pictures of the singer’s past loves. The song’s title itself is a clever play on words, instantly capturing the listener’s attention.

Musically, the track is a perfect blend of traditional country and contemporary pop, featuring a driving rhythm and a steel guitar solo that adds a touch of twang. The arrangement is simple yet effective, allowing Strait’s vocals to take center stage.

What makes this song so enduring? Perhaps it’s the universal theme of love lost and found. Many of us can relate to the experience of heartbreak and the desire to escape our past. Strait’s ability to tap into these emotions, while also providing a sense of humor, is what makes “All My Ex’s Live In Texas” a timeless classic.

Whether you’re a longtime fan of George Strait or new to country music, “All My Ex’s Live In Texas” is a must-listen. It’s a feel-good song that will have you tapping your feet and singing along in no time. So, grab a cold beer, kick back, and let George Strait take you on a musical journey through the heart of Texas.10 Best George Strait Songs of All Time - Singersroom.com

Video 

Lyrics: All My Ex’s Live In Texas 

All my ex’s live in Texas
And Texas is the place I’d dearly love to be
But all my ex’s live in Texas
And that’s why I hang my hat in TennesseeRosanna’s down in Texarkana
Wanted me to push her broom
Sweet Eileen’s in Abilene
She forgot I hung the moon
And Allison’s in Galveston
Somehow lost her sanity
And Dimples who now lives in Temple’s
Got the law looking for meAll my ex’s live in Texas
And Texas is the place I’d dearly love to be
But all my ex’s live in Texas
And that’s why I hang my hat in TennesseeI remember that old Frio River
Where I learned to swim
But it brings to mind another time
Where I wore my welcome thin
By transcendental meditation
I go there each night
But I always come back to myself
Long before daylight

All my ex’s live in Texas
And Texas is the place I’d dearly love to be
But all my ex’s live in Texas
And therefore I reside in Tennessee

Some folks think I’m hiding
It’s been rumored that I died
But I’m alive and well in Tennessee

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BACK IN 2002, THEY TRIED TO SILENCE TOBY KEITH FOR STANDING UP FOR AMERICA. TODAY, WITH ALL THE NOISE AND CONFUSION ON OUR STAGES, THAT HONEST PRIDE IS MISSED MORE THAN EVER. Memories come flooding back with just one old photo, a familiar guitar lick, or a song that takes you right back to better days. Twenty-four years ago, Toby Keith was pulled from an ABC Fourth of July special simply because he wouldn’t apologize or soften “Courtesy of the Red, White and Blue.” The song was angry and raw—born straight from the grief of a son who lost his father, and a country still hurting after September 11. Toby didn’t change a single word. He kept right on singing it for the working folks who understood every line. Now, as America gets ready for its 250th birthday, our stages have gotten tangled up in politics, public statements, and endless corporate noise. Some artists are stepping back; others are caught in the middle of things that have nothing to do with good music. That’s why missing Toby hurts a little more these days. Whether folks always agreed with his opinions or not, everybody knew where he stood. When Toby passed away in February 2024 after fighting stomach cancer at age 62, country music lost a giant. He didn’t treat love of country like a marketing trick—it was just who he was, plain and simple. We don’t need to turn his memory into a political argument. We just need to remember what real country music feels like. Some singers entertain a room for a night, but Toby Keith made folks stand a little taller. And right now, that quiet spot where his voice used to be is hard to ignore.

Country

WHILE THE WORLD MOURNED THE PASSING OF THE COAL MINER’S DAUGHTER, HER TWIN DAUGHTERS QUIETLY CARRIED FORTH A MUSICAL INHERITANCE FORGED IN TRUTH, BLOOD, AND UNBREAKABLE FAMILY TIES. Loretta Lynn spent decades scaling the absolute summit of country music, transforming raw domestic heartbreak and rural grit into immortal anthems. But away from the flashing marquee lights and the sprawling expanse of Hurricane Mills, her most profound creation was the family she anchored. When her twin daughters, Patsy and Peggy, stepped into the spotlight as The Lynns in the late 1990s, they didn’t ride their mother’s coattails or mimic her iconic delivery; instead, they forged their own path with sharp songwriting, distinct harmonies, and CMA Vocal Duo of the Year nominations that proved artistic independence ran deep in the bloodline. They understood better than anyone that the woman who commanded stadiums was first and foremost “Mom”—the steady heartbeat behind the chaos of a legendary life. As the years pressed on, that bond evolved into a deeply moving artistic partnership. When most legends would have faded into quiet retirement, Patsy stepped into the control room to co-produce her mother’s final, critically acclaimed albums, ensuring that Loretta’s voice remained fierce, uncompromised, and vital until the very end. When Loretta passed away peacefully at her Tennessee ranch in October 2022, country music lost an irreplaceable pioneer. Yet, the true legacy left behind wasn’t just a museum of gold records or a historic homestead; it was the quiet courage passed down to daughters who learned how to look life in the eye and tell the unvarnished truth in their own voices.

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