Jay and The Americans - This Magic Moment (HD/Lyrics)

About the Song

Jay and The Americans are a legendary American rock and roll band known for their string of hits in the 1960s, including “This Magic Moment”. Released in 1962, this song quickly became a timeless classic of love and romance, captivating audiences with its infectious melody and heartfelt lyrics.

The song’s title itself evokes a sense of magic and wonder, and the lyrics do not disappoint. “This Magic Moment” is a love song that captures the essence of falling in love, from the initial spark of attraction to the deep connection that grows over time. The song’s chorus, “And then I saw you, and there you were, The most beautiful girl I’d ever seen,” perfectly expresses the feeling of being swept off your feet by someone you love.

The music of “This Magic Moment” is equally enchanting. The upbeat tempo and catchy melody make it impossible to resist dancing or singing along. The harmonies of the vocal group add a touch of sweetness and sophistication, creating a truly unforgettable musical experience.

One of the most striking aspects of the song is its timeless quality. Despite being written over 60 years ago, “This Magic Moment” still resonates with audiences today. Its message of love and romance is as relevant now as it was when the song was first released.

What makes this song so enduring? Perhaps it’s the universal theme of love, the catchy melody, or the heartfelt lyrics. Whatever the reason, “This Magic Moment” continues to be one of the most beloved songs of all time.

In conclusion, “This Magic Moment” is a testament to the enduring power of music. It’s a song that has touched the hearts of millions and will continue to do so for generations to come. If you’re looking for a song that will make you feel good, look no further than this classic by Jay and The Americans.Jay Black, Jay and the Americans Singer, Dead at 82

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Lyrics: This Magic Moment

This magic moment
So different and so new
Was like any other
Until I kissed youAnd then it happened
It took me by surprise
I knew that you felt it too
By the look in your eyesSweeter than wine (sweeter than wine)
Softer than a summer night (softer than a summer night)
Everything I want, I have (everything, everything)
Whenever I hold you tightThis magic moment (this magic moment)
While your lips are close to mine
Will last forever
Forever till the end of time(This magic moment)
(This magic moment)Sweeter than wine (sweeter than wine)
Softer than a summer night (softer than a summer night)
Everything I want, I have (everything, everything)
Whenever I hold you tightThis magic moment (this magic moment)
While your lips are close to mine
Will last forever (this magic moment)
Forever till the end of time (magic)

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FIRST RECORD GEORGE JONES EVER CUT DIDN’T SOUND LIKE A LEGEND BEING BORN — IT SOUNDED LIKE A NERVOUS 22-YEAR-OLD IN A SMALL TEXAS HOUSE, TRYING TO SING OVER THE NOISE OF PASSING TRUCKS. The song was one he had written himself, and the title was almost too perfect: “No Money in This Deal.” It was not Nashville. It was not a polished studio. It was Jack Starnes’ home studio — small, rough, and so poorly soundproofed that trucks passing on the highway could ruin a take. George Jones later remembered egg crates nailed to the walls, and sometimes they had to stop recording because the outside noise came through. He was twenty-two years old, fresh out of the Marines, still trying to sound like Lefty Frizzell, Hank Williams, and every hero he had studied. At the time, it sounded like a young man’s joke. But looking back, the title feels almost prophetic. There really was no money in that room. No fame. No guarantee. No crowd waiting outside. Just a nervous young singer, a cheap recording setup, and a voice that had not yet learned it was going to break millions of hearts. And years later, George Jones would admit the strangest part about that first record: the voice that became one of country music’s greatest was still trying to sound like somebody else. But what George Jones later confessed about that first recording makes the whole story even more haunting — because before the world heard “the Possum,” George Jones was still hiding behind the voices of other men.

IN 1951, A 4-FOOT-10 GRAND OLE OPRY STAR WALKED ONTO A LOCAL PHOENIX TV SHOW, HEARD AN UNKNOWN ARIZONA SINGER, AND OPENED THE DOOR NASHVILLE HAD NOT YET SEEN. His name was Little Jimmy Dickens. He was 30, already an Opry favorite, riding the road as one of country music’s most recognizable little giants. The young man hosting the local show was Martin David Robinson — the Arizona singer who would soon be known to the world as Marty Robbins. He was 25, still far from Nashville, still trying to turn a desert-town dream into a life. Marty Robbins had built his world in Glendale, Arizona. A Navy veteran. A husband to Marizona. A morning radio voice. A man who had once sung in Phoenix clubs under another name so his mother would not know. Then came a 15-minute TV slot on KPHO-TV called Western Caravan. Marty Robbins sang. Marty Robbins wrote songs. Marty Robbins waited for a town that had never heard his name. Little Jimmy Dickens was passing through Phoenix when he appeared as a guest on Marty Robbins’ program. He sat down. He listened. And something in that voice stopped him. Little Jimmy Dickens did not hear a local singer trying to fill airtime. Little Jimmy Dickens heard a voice Nashville needed before Nashville knew it. Soon after, Little Jimmy Dickens helped Marty Robbins reach Columbia Records. That was the moment the door began to open. What did Little Jimmy Dickens hear in that unknown Arizona singer’s voice — before Columbia Records, before the Opry, before “El Paso,” and before the whole world finally heard it too?