Amazon.com: Time Of The Season (Electric Blue Vinyl): CDs & Vinyl

About the Song

The Zombies, a British rock band formed in the mid-1960s, were one of the pioneers of the British Invasion movement. Their 1968 hit “Time of the Season” is a timeless classic that continues to be loved by fans around the world.

The song’s lyrics are a reflection of the social and political changes that were taking place in the late 1960s. The lines “The time of the season, when love is free, And flowers grow for all to see,” speak to the growing movement for peace and equality, while the lines “Let the world go round, let the world go round, And let the world go round” express a sense of optimism and hope for the future.

The music of “Time of the Season” is equally timeless. The catchy melody and upbeat tempo make it a perfect song for dancing and singing along. The harmonies of the vocal group add a touch of sophistication and depth to the song, creating a truly unforgettable musical experience.

One of the most striking aspects of the song is its timeless quality. Despite being written over 50 years ago, “Time of the Season” still resonates with audiences today. Its message of hope and change is as relevant now as it was when the song was first released.

What makes this song so enduring? Perhaps it’s the universal theme of hope and change, the catchy melody, or the timeless lyrics. Whatever the reason, “Time of the Season” continues to be one of the most beloved songs of all time.

In conclusion, “Time of the Season” is a testament to the enduring power of music. It’s a song that has touched the hearts of millions and will continue to do so for generations to come. If you’re looking for a classic rock song that will never go out of style, “Time of the Season” is a must-listen.The Zombies' Colin Blunstone reveals story behind 'Time of the Season,' band's early financial woes

Video 

Lyrics: Time Of The Season

It’s the time of the season
When love runs high
In this time, give it to me easy
And let me try with pleasured hands(To take you in the sun to) Promised lands
(To show you every one)
It’s the time of the season for lovingWhat’s your name? (What’s your name?)
Who’s your daddy? (Who’s your daddy?)
(He rich) Is he rich like me?
Has he taken (Has he taken)
Any time (Any time)
(To show) To show you what you need to live?(Tell it to me slowly) Tell you what
(I really want to know)
It’s the time of the season for loving

What’s your name? (What’s your name?)
Who’s your daddy? (Who’s your daddy?)
(He rich) Is he rich like me?
Has he taken (Has he taken)
Any time (Any time)
(To show) To show you what you need to live?

(Tell it to me slowly) Tell you what
(I really want to know)
It’s the time of the season for loving

You Missed

BOUND BY A STORMY TIDE OF TOXIC LOYALTY AND DEEP DEVOTION, LORETTA LYNN TURNED HER HUSBAND’S GREATEST DEMONS INTO THE UNFLINCHING ANTHEMS OF WORKING-CLASS AMERICA. When fifteen-year-old Loretta Webb married twenty-one-year-old Oliver “Doolittle” Lynn in 1948, she stepped into a life that would test every ounce of her endurance. It was Doolittle who bought her a modest seventeen-dollar Sears guitar—the very instrument that unlocked her destiny—and pushed a terrified young mother onto stages to share her voice with the world. Without his initial push, the legendary Coal Miner’s Daughter might never have found her path. Yet their domestic reality was a far cry from a romanticized country ballad. Doolittle’s heavy drinking, infidelity, and volatile temper left deep emotional scars, but Loretta refused to break. Instead of retreating, she fought back, stayed for her six children, and funneled that raw, agonizing truth straight into her songwriting. Anthems like “Don’t Come Home A-Drinkin’” and “Fist City” ripped the gloss off conventional marriage, giving a public voice to millions of women suffering behind closed doors. She famously noted that every song she wrote carried a piece of her husband inside it. They crossed the milestone of forty-eight years together on January 10, 1996. As Doolittle’s health deteriorated months later, Loretta sang “Wouldn’t It Be Great” to him—the final song she performed for the man who shaped her life before he passed away on August 22, leaving them just 225 days short of their forty-ninth year. Though their union was a turbulent storm of fierce love and deep pain, Doolittle gave her the instrument, their trials gave her the truth, and Loretta forged both into an immortal musical legacy.

BROUGHT IN SOLELY TO SATISFY A RADIO SPONSOR’S ODD DEMAND, ELEVEN-YEAR-OLD ROSE MADDOX STEPPED UP TO THE MICROPHONE AND BECAME THE UNTAMED, ELECTRIFYING HEART OF AMERICA’S MOST COLORFUL HILLBILLY BAND. Rose Maddox didn’t enter country music through a polished Nashville doorway paved with industry blueprints. She arrived via the brutal reality of Depression-era migration, pulling her family away from backbreaking fieldwork in California’s Central Valley where music wasn’t glamour—it was the only way to breathe after a grueling day of picking fruit. In 1937, her brother Fred managed to secure a radio slot for the family in Modesto, hitting a sudden roadblock when the sponsor insisted on having a girl singer. Out of pure necessity rather than career design, eleven-year-old Rose stepped forward. The moment she opened her mouth, however, that simple sponsorship checkbox became the entire focal point. Her voice was bright, razor-sharp, and entirely fearless, sounding less like a child helping out her kin and more like someone kicking the front door off its hinges from the inside. Dubbing themselves “America’s Most Colorful Hillbilly Band,” the Maddox brothers and Rose delivered a high-octane cocktail of honky-tonk drive, boogie-woogie, gospel heat, and flashy road-show swagger. Dressed in loud, eye-catching suits, they played with a raw ferocity that West Coast country had never witnessed. Long before country music knew how to frame women who were funny, stylish, and fiercely commanding, Rose stood right at the front—refusing to ever be treated as mere stage decoration. After the family band’s legendary run dissolved, she forged a formidable solo path, diving deep into bluegrass and earning a well-deserved Grammy nomination for $35 and a Dream, an album title that tipped its hat to her family’s hardscrabble journey west. The young girl once thrown on stage to fill a sponsor’s quota ultimately became the gold standard of raw authenticity—proving to generations of future artists that country music has always possessed an unquenchable fire.