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ABBA – Mamma Mia

Introduction

“Mamma Mia” by ABBA is a timeless pop anthem that has captivated audiences around the world since its release in 1975. With its irresistible melody, catchy chorus, and infectious energy, the song embodies the essence of ABBA’s signature sound and has become one of their most iconic hits. Join us as we embark on a journey through the euphoric world of “Mamma Mia,” celebrating its enduring popularity and cultural significance.

Did You Know?

  • “Mamma Mia” was written by Benny Andersson, Björn Ulvaeus, and Stig Anderson, the members of ABBA, and was inspired by the Italian phrase “Mamma mia,” which translates to “My mother” or “Oh my!”
  • The song’s upbeat tempo and catchy hooks propelled it to the top of the charts in numerous countries, including the UK, where it reached No. 1.
  • “Mamma Mia” was later adapted into a successful stage musical and a blockbuster film, further solidifying its status as a pop culture phenomenon.
  • The song’s enduring appeal has led to its inclusion in various ABBA compilation albums, tribute shows, and jukebox musicals, ensuring that “Mamma Mia” continues to be enjoyed by audiences of all ages.

Video

Lyrics: Mamma Mia

I’ve been cheated by you since I don’t know when
So I made up my mind, it must come to an end
Look at me now, will I ever learn?
I don’t know how but I suddenly lose control
There’s a fire within my soul
Just one look and I can hear a bell ring
One more look and I forget everything, w-o-o-o-oh

Mamma mia, here I go again
My my, how can I resist you?
Mamma mia, does it show again?
My my, just how much I’ve missed you
Yes, I’ve been brokenhearted
Blue since the day we parted
Why, why did I ever let you go?
Mamma mia, now I really know
My my, I could never let you go

I’ve been angry and sad about things that you do
I can’t count all the times that I’ve told you we’re through
And when you go, when you slam the door
I think you know that you won’t be away too long
You know that I’m not that strong
Just one look and I can hear a bell ring
One more look and I forget everything, w-o-o-o-oh

Mamma mia, here I go again
My my, how can I resist you?
Mamma mia, does it show again?
My my, just how much I’ve missed you
Yes, I’ve been brokenhearted
Blue since the day we parted
Why, why did I ever let you go?
Mamma mia, even if I say
Bye bye, leave me now or never
mamma mia, it’s a game we play
Bye bye doesn’t mean forever

Mamma mia, here I go again
My my, how can I resist you?
Mamma mia, does it show again?
My my, just how much I’ve missed you
Yes, I’ve been brokenhearted
Blue since the day we parted
Why, why did I ever let you go
Mamma mia, now I really know
My my, I could never let you go

 

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HIS FATHER TOLD HIM TO PUT DOWN THE GUITAR. NASHVILLE FORGOT HIM. TWICE. HE CAME BACK IN A WHEELCHAIR AND STILL WOULDN’T SHUT UP. Vern Gosdin grew up hauling rocks and chopping cotton in Woodland, Alabama. His father tried music once, failed, and forbade his son from ever touching a guitar. Vern left home and never looked back — never saw his father again. He moved to California. Then Chicago. Then Nashville. Two record labels went bankrupt under him. Nobody called. Nobody came looking. So he quit, moved to Georgia, and sold glass for a living. But he kept a guitar in his truck. In the late ’70s, he crawled back to Nashville — older, broker, and angrier than every pretty boy on country radio. He didn’t sound trendy. He sounded like a man who’d been through hell and could prove it. Then he wrote “Chiseled in Stone” and beat every superstar in town for CMA Song of the Year. Tammy Wynette called him “the only singer who can hold a candle to George Jones.” In 1998, a stroke stole his voice. He kept writing from a wheelchair. 101 songs. Still fighting. They called him “The Voice.” Nashville called him too late. Does knowing how many times Vern Gosdin had to start over make “Chiseled in Stone” hit even harder now?

SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?

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SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?

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