Back Tracks: Adam Ant - The Second Disc

About the Song

If you grew up in the ’80s, there’s no doubt you’re familiar with the name Adam Ant. This flamboyant and charismatic singer-songwriter captured the hearts of millions with his unique blend of pop, punk, and new wave. One of his most iconic songs, “Goody Two Shoes”, became an anthem for a generation.

Released in [Year], “Goody Two Shoes” was an instant hit, topping the charts and becoming a cultural phenomenon. The song’s infectious melody, coupled with Ant’s energetic performance, created a irresistible combination. The lyrics, while seemingly simple, are filled with clever wordplay and social commentary. Ant’s alter ego, the “good boy gone bad,” resonated with young people who were eager to break free from societal expectations.

What truly sets “Goody Two Shoes” apart is its visual impact. The music video, with its striking imagery and Ant’s androgynous appearance, was groundbreaking for its time. It helped to solidify Ant’s status as a fashion icon and cultural touchstone.

Beyond its commercial success, “Goody Two Shoes” is a testament to Adam Ant’s artistic vision. The song’s blend of pop sensibilities and punk energy was ahead of its time and continues to influence musicians today.

So, whether you’re a longtime fan of Adam Ant or simply looking for a catchy pop tune, “Goody Two Shoes” is a must-listen. Its infectious energy, clever lyrics, and iconic music video make it a timeless classic.

Adam Ant Interview: Post-Punk Icon to Bring 'Friend or Foe' Back to U.S. in 2020 | Billboard – Billboard

Video 

Lyrics: Goody Two Shoes 

With the heartbreak open
So much you can’t hide
Put on a little makeup, makeup
Make sure they get your good side, good side
If the word’s unspoken
Gets stuck in your throat
Send a treasure token, token
Write it on a pound note, pound note

Goody two, goody two, goody goody two shoes
Goody two, goody two, goody goody two shoes
Don’t drink, don’t smoke, what do you do?
You don’t drink, don’t smoke, what do you do?
Subtle innuendos follow
There must be something inside

We don’t follow fashion
That’d be a joke
You know we’re going to set them, set them
So everyone can
take note, take note
When they saw you kneeling
Crying words that you mean
Opening their eyeballs, eyeballs
Pretending that you’re Al Green, Al
Green

Goody two, goody two, goody goody two shoes
Goody two, goody two, goody goody two shoes
Don’t drink, don’t smoke, what do you do?
You don’t drink, don’t smoke, what do you do?
Subtle innuendos follow
Must be something inside

No one’s gonna tell me
What’s wrong and what’s right
Or tell me who to eat with, sleep with
Or that I’ve won the big fight, big fight

Look out or they’ll tell you
You’re a “Superstar”
Two weeks and you’re an all-time legend
I think the games have gone much too far
If the word’s unspoken
Gets stuck in your throat
Send a treasure token, token
Write it on a pound note, pound note

Don’t drink, don’t smoke, what do you do?
You don’t drink, don’t smoke, what do you do?

Subtle innuendos follow:
Must be something inside, he’s hidin’
Don’t drink, don’t smoke, what do you do?
Ya don’t drink, don’t smoke, what do you do?
Subtle innuendos follow:
Must be something inside, he’s hidin’
Don’t drink, don’t smoke, what do you do?
Ya don’t drink, don’t smoke, what do you do?
Subtle innuendos follow:
Must be something inside, he’s hidin’
Don’t drink, don’t smoke, what do you do?
Ya don’t drink, don’t smoke, what do you do?
Subtle innuendos follow:
Must be something inside, he’s hidin’
Don’t drink, don’t smoke, what do you do?
Ya don’t drink, don’t smoke, what do you do?
Subtle innuendos follow:
Must be something inside

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.