Tommy DeVito, a founding member of The Four Seasons, has died at 92 | CNN

About the Song

In the annals of doo-wop music, The Four Seasons’ “Sherry” stands as a timeless gem. Released in 1962, this infectious tune quickly climbed the charts, becoming the group’s first number-one hit and a defining moment in their illustrious career.

The song’s appeal lies in its simple yet catchy melody and heartfelt lyrics. The title track revolves around a young man’s infatuation with a girl named Sherry. His admiration for her is evident in lines like “Sherry baby, you’re the queen of my heart” and “Sherry baby, you’re the only one for me”. The song’s nostalgic undertones evoke a sense of youthful innocence and first love.

Frankie Valli’s lead vocals are a highlight of the track. His distinctive falsetto and emotive delivery perfectly capture the song’s romantic theme. The harmonies provided by the other members of the group, Nick Massi, Tommy DeVito, and Bob Gaudio, add depth and richness to the arrangement.

The song’s production is also noteworthy. The arrangement features a driving beat, lush strings, and a memorable saxophone solo. These elements combine to create a sound that is both nostalgic and modern, ensuring that “Sherry” remains relevant to listeners of all ages.

“Sherry” has become a beloved classic, often associated with the golden age of doo-wop. Its enduring popularity is a testament to the song’s timeless appeal and the talent of The Four Seasons. Whether you’re a longtime fan of the group or simply appreciate a well-crafted pop song, “Sherry” is sure to leave a lasting impression.

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Video

Lyrics: Sherry

Sherry, Sherry baby
Sherry, Sherry baby

Sherry baby (sherry baby) baby (Sherry baby)
Sherry can you come out tonight?
(Come, come, come out tonight)
Sherry baby (Sherry baby)
Sherry can you come out tonight?

(Why don’t you come out, come out)
Come out to my twist party
(Come out) Where the bright lights shine
(Come out) We’ll dance the night away
I’m gonna make you mine

Sherry baby (Sherry baby)
Sherry can you come out tonight
(Come come, come out tonight)
(Come come, come out tonight)
You’d better ask your mama (Sherry baby)
Tell her everything is alright

(Why don’t you come out, come out)
With your red dress on
(Come out) Mmm. you look so fine
(Ccome out) Move it nice and easy
Girl, you make me lose my mind

Sherry baby (sherry baby) baby (Sherry baby)
Sherry can you come out tonight?
(Come, come, come out tonight)
(Come, come, come out tonight)

Sherry, Sherry baby
(Come, come, come out tonight)
Sherry, Sherry baby
(Come, come, come out tonight)
Sherry

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Before he ever stepped up to center stage under his own name, Cal Smith spent years standing quietly in the shadows as a sideman, playing guitar behind country legend Ernest Tubb. Born Calvin Shofner in Oklahoma and raised in California, he paid his dues in clubs and on radio before joining the Texas Troubadours in the early 1960s, watching other stars soak up the applause while his own solo ambitions moved at a crawl. By 1972, Smith was well into his late thirties with little more than modest chart placings to show for his efforts. Everything flipped when fellow songwriter Bill Anderson handed him “The Lord Knows I’m Drinking,” a sharp track about a man taking heat from a churchgoer whose own hands weren’t exactly clean. The single struck a nerve, shooting straight to No. 1. The true lightning strike arrived soon after. In December 1973, Smith walked into Bradley’s Barn to lay down Don Wayne’s “Country Bumpkin.” Tracing an ordinary man’s journey through marriage, children, and the devastating loss of his wife, the song packed an entire lifetime into a few poignant verses and climbed to the top of the charts in 1974. The accolades poured in, sweeping Single Record and Song of the Year at the ACM Awards, alongside a CMA Song of the Year honor for the writing. Smith quickly proved he wasn’t a one-hit wonder by following up with another chart-topper, “It’s Time to Pay the Fiddler.” After more than a decade of holding down the rhythm section for everyone else, Cal Smith’s long-delayed moment in the sun finally arrived—forever stamping his voice onto one of the defining country anthems of the 1970s.