Tommy DeVito, a founding member of The Four Seasons, has died at 92 | CNN

About the Song

In the annals of doo-wop music, The Four Seasons’ “Sherry” stands as a timeless gem. Released in 1962, this infectious tune quickly climbed the charts, becoming the group’s first number-one hit and a defining moment in their illustrious career.

The song’s appeal lies in its simple yet catchy melody and heartfelt lyrics. The title track revolves around a young man’s infatuation with a girl named Sherry. His admiration for her is evident in lines like “Sherry baby, you’re the queen of my heart” and “Sherry baby, you’re the only one for me”. The song’s nostalgic undertones evoke a sense of youthful innocence and first love.

Frankie Valli’s lead vocals are a highlight of the track. His distinctive falsetto and emotive delivery perfectly capture the song’s romantic theme. The harmonies provided by the other members of the group, Nick Massi, Tommy DeVito, and Bob Gaudio, add depth and richness to the arrangement.

The song’s production is also noteworthy. The arrangement features a driving beat, lush strings, and a memorable saxophone solo. These elements combine to create a sound that is both nostalgic and modern, ensuring that “Sherry” remains relevant to listeners of all ages.

“Sherry” has become a beloved classic, often associated with the golden age of doo-wop. Its enduring popularity is a testament to the song’s timeless appeal and the talent of The Four Seasons. Whether you’re a longtime fan of the group or simply appreciate a well-crafted pop song, “Sherry” is sure to leave a lasting impression.

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Video

Lyrics: Sherry

Sherry, Sherry baby
Sherry, Sherry baby

Sherry baby (sherry baby) baby (Sherry baby)
Sherry can you come out tonight?
(Come, come, come out tonight)
Sherry baby (Sherry baby)
Sherry can you come out tonight?

(Why don’t you come out, come out)
Come out to my twist party
(Come out) Where the bright lights shine
(Come out) We’ll dance the night away
I’m gonna make you mine

Sherry baby (Sherry baby)
Sherry can you come out tonight
(Come come, come out tonight)
(Come come, come out tonight)
You’d better ask your mama (Sherry baby)
Tell her everything is alright

(Why don’t you come out, come out)
With your red dress on
(Come out) Mmm. you look so fine
(Ccome out) Move it nice and easy
Girl, you make me lose my mind

Sherry baby (sherry baby) baby (Sherry baby)
Sherry can you come out tonight?
(Come, come, come out tonight)
(Come, come, come out tonight)

Sherry, Sherry baby
(Come, come, come out tonight)
Sherry, Sherry baby
(Come, come, come out tonight)
Sherry

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MINNIE PEARL WALKED ONSTAGE AT THE GRAND OLE OPRY FOR 50 YEARS WITH A $1.98 PRICE TAG ON HER HAT — AND THEN ONE NIGHT, SHE JUST COULDN’T ANYMORE. Here’s something most people don’t think about with Minnie Pearl. That price tag hanging off her straw hat? It wasn’t random. Sarah Cannon — that was her real name — created it as a joke about a country girl too proud of her new hat to take the tag off. And audiences loved it so much that it became the most recognizable prop in country music history. For over fifty years, that tag meant Minnie was here, and everything was going to be fun. So imagine what it felt like when she couldn’t put the hat on anymore. In June 1991, Sarah had a massive stroke. She was 79. And just like that, the woman who hadn’t missed an Opry show in decades was gone from the stage. But here’s what gets me. She didn’t die in 1991. She lived another five years after that stroke, mostly out of the public eye, unable to perform, unable to be “Minnie” the way she’d always been. Her husband Henry Cannon took care of her at their Nashville home. Friends visited, but they said it was hard. The woman who made millions of people laugh couldn’t get through a full conversation some days. Roy Acuff, her old friend from the Opry, kept her dressing room exactly the way she left it. Nobody used it. The hat sat there. She passed on March 4, 1996. And what most people remember is the comedy. The “HOW-DEEE” catchphrase. The big goofy grin. What they don’t remember is that Sarah Cannon was also a serious fundraiser for cancer research. Centennial Medical Center in Nashville named their cancer center after her — not after Minnie, after Sarah. She raised millions and rarely talked about it publicly. There’s a story about the very last time Sarah tried to put on the hat at home, months after the stroke, and what her husband said to her in that moment — it’s the kind of detail that makes you see fifty years of comedy completely differently. Roy Acuff kept Minnie Pearl’s dressing room untouched for years after she left — was that loyalty to a friend, or was he holding a door open for someone he knew was never coming back?