John Prine - A Good Time Lyrics | Lyrics.com

About the Song

If there’s one song that beautifully captures the wit, wisdom, and warmhearted mischief of John Prine, it’s “When I Get to Heaven.” Released in 2018 on his final studio album, The Tree of Forgiveness, this song became a fitting farewell from a man who spent nearly five decades writing about life’s messiness with equal parts humor and heart. It’s not just a song—it’s a celebration of everything Prine stood for: love, laughter, family, and the belief that music could make even the hardest truths feel gentle.

“When I Get to Heaven” is Prine at his most playful, imagining the afterlife not as a solemn destination, but as a rollicking, joyful reunion. He opens the track by declaring he’ll “open up a nightclub called The Tree of Forgiveness,” where he’ll sip vodka and ginger ale and smoke a cigarette “nine miles long.” The imagery is vivid, absurd, and delightful—and yet, underneath the whimsy lies something deeply moving. Prine isn’t denying death; he’s dancing with it. His voice—raspy from surviving cancer but stronger in soul than ever—welcomes us into this imagined heaven where grief is replaced with glee, and regret is outshined by resilience.

The song’s spoken-word intro, complete with handclaps and background vocals from his family, gives it a down-home, front-porch feel. It’s like hearing a grandfather spin one last tall tale, winking all the while. But make no mistake—John Prine is doing more than joking around. When he sings about forgiving those who did him wrong and kissing the lips of a girl named Claudette, he’s sharing his final thoughts on what really matters: kindness, joy, forgiveness, and love.

What makes this song so touching for older listeners is how fearlessly it faces the end. Instead of tears or silence, “When I Get to Heaven” gives us laughter, music, and celebration. It reminds us that legacy isn’t built on grand gestures, but on small moments of humor, generosity, and humanity.

This track became all the more poignant after Prine’s death in 2020 due to COVID-19. In many ways, it now plays like a message he left behind—his voice echoing with life, love, and the hope that maybe, just maybe, heaven has a good jukebox.When John Prine Gets to Heaven – Garden & Gun

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Lyrics: When I Get to Heaven

When I get to heaven, I’m gonna shake God’s hand
Thank him for more blessings than one man can stand
Then I’m gonna get a guitar and start a rock-n-roll band
Check into a swell hotel, ain’t the afterlife grand?

And then I’m gonna get a cocktail: vodka and ginger ale
Yeah, I’m gonna smoke a cigarette that’s nine miles long
I’m gonna kiss that pretty girl on the tilt-a-whirl
‘Cause this old man is goin’ to town

Then as God as my witness, I’m gettin’ back into show business
I’m gonna open up a nightclub called “The Tree of Forgiveness”
And forgive everybody ever done me any harm
Well, I might even invite a few choice critics, those syph’litic parasitics
Buy ’em a pint of Smithwick’s and smother ’em with my charm

‘Cause then I’m gonna get a cocktail: vodka and ginger ale
Yeah I’m gonna smoke a cigarette that’s nine miles long
I’m gonna kiss that pretty girl on the tilt-a-whirl
Yeah this old man is goin’ to town

Yeah when I get to heaven, I’m gonna take that wristwatch off my arm
What are you gonna do with time after you’ve bought the farm?
And then I’m gonna go find my mom and dad, and good old brother Doug
Well I bet him and cousin Jackie are still cuttin’ up a rug
I wanna see all my mama’s sisters, ’cause that’s where all the love starts
I miss ’em all like crazy, bless their little hearts
And I always will remember these words my daddy said
He said, “Buddy, when you’re dead, you’re a dead pecker-head”
I hope to prove him wrong… that is, when I get to heaven

‘Cause I’m gonna have a cocktail: vodka and ginger ale
Yeah I’m gonna smoke a cigarette that’s nine miles long
I’m gonna kiss that pretty girl on the tilt-a-whirl
Yeah this old man is goin’ to town
Yeah this old man is goin’ to town

You Missed

“I CAN’T JUST LEAVE HER WITHOUT TELLING HER HOW IT IS,” RAY PRICE WHISPERED TO HIS ENGINEER IN THE STUDIO DARKNESS. He didn’t care about the chart positions or the industry accolades that had defined his career since the fifties. He needed the technology to capture a sincerity he had spent decades hiding behind the polish of the Ray Price Sound, ensuring the silence of his house wouldn’t be absolute. Ray Price and Janie Phillips shared a life defined by the rhythmic hum of the honky-tonk circuit and the quiet machinery of the music business. By 2012, however, the terminal weight of pancreatic cancer began to dictate the pace of their days. While the chemotherapy drained the vitality from his frame, Ray insisted on returning to the microphone. He chose a collection of love songs that felt like a long-overdue confession, building them out in a Nashville studio while keeping the project shielded from the one person who had been his professional and personal anchor for decades. Janie was kept at a distance, unaware that the distance was intentional. Ray was crafting a final, hidden correspondence. Each session at the microphone required a monumental effort, a man straining against his own biology to ensure the pitch remained true and the phrasing stayed sharp. He finished the work in October 2013, exhausted but satisfied, calling the record the finest thing he had ever managed to capture. He died in December, before the world ever heard a note. When the record eventually surfaced, Janie found herself standing in the spotlight she had spent forty-three years avoiding. She stepped into the radio stations and the silence of their home, carrying the voice of a man who had finally learned how to say what mattered most once he was no longer there to speak it himself.