The Greatest Oldies Music

Oldies Musics

‘Anyone Who Had A Heart’ (1964) by Dionne Warwick

The Holy Trinity – Dionne Warwick, Burt Bacharach and Hal David – The Vampire's Wife

About the Song

Dionne Warwick is an American singer, actress, and television host. She is one of the most successful and acclaimed singers of all time, with a career spanning over six decades. Warwick has won numerous awards, including six Grammy Awards and two Academy Awards. She is also a member of the Grammy Hall of Fame and the Songwriters Hall of Fame.

“Anyone Who Had a Heart” is one of Warwick’s signature songs. It was written by Burt Bacharach and Hal David, and it was released in 1963. The song is a classic example of Bacharach and David’s songwriting style, with its memorable melody and poignant lyrics. Warwick’s vocals on the song are simply stunning, and she perfectly captures the heartbreak and emotion of the lyrics.

The song was a commercial success, reaching number one on the Billboard Hot 100 chart. It has also been covered by many artists, including Cilla Black, Dusty Springfield, and Elvis Presley.

“Anyone Who Had a Heart” is a timeless classic that continues to be enjoyed by listeners of all ages. It is a song that is sure to touch your heart.

Here are some additional details about the song:

  • The song was recorded in New York City in 1963.
  • The song was produced by Burt Bacharach.
  • The song’s B-side was “The Love of a Boy”.
  • The song was a commercial success, reaching number one on the Billboard Hot 100 chart and number two on the UK Singles Chart.
  • The song has been covered by many artists, including Cilla Black, Dusty Springfield, and Elvis Presley.

Here are some interesting facts about the song:

  • The song was originally written for the musical Promises, Promises, but it was not used in the show.
  • The song was inspired by the death of Bacharach’s father.
  • The song has been used in many movies and television shows, including The Graduate, Forrest Gump, and The Sopranos.

Dionne Warwick – Wikipedia

Video

Lyrics: Anyone Who Had A Heart

Anyone who ever loved
Could look at me
And know that I love you
Anyone who ever dreamed
Could look at me
And know I dream of youKnowing I love you so
Anyone who had a heart
Would take me in his arms and love me, too
You couldn’t really have a heart
And hurt me like you hurt me
And be so untrue
What am I to do?Every time you go away
I always say
“This time it’s goodbye, dear”
Loving you the way I do
I take you back
Without you I’d die, dear

Knowing I love you so
Anyone who had a heart
Would take me in his arms and love me, too
You couldn’t really have a heart
And hurt me like you hurt me
And be so untrue
What am I to do?

Knowing I love you so
Anyone who had a heart
Would take me in his arms and love me, too
You couldn’t really have a heart
And hurt me like you hurt me
And be so untrue
Anyone who had a heart would love me, too
Anyone who had a heart
Would surely take me in his arms and always love me
Why won’t you?
Anyone who had a heart would love me, too, yeah
Anyone who had a heart
Would surely take me in his arms and always love me
Why won’t you, yeah
Anyone who had a heart would love me, too
Anyone who had a heart
Would surely take me in his arms and always love me

Related Post

On June 26, 1977, thousands of fans filled Market Square Arena in Indianapolis, believing they were about to enjoy another unforgettable Elvis Presley concert. No one inside the building knew they were witnessing the final performance of the King of Rock and Roll. As Elvis walked onto the stage, the crowd rose to its feet, cheering just as they had done for more than twenty years. For a few hours, nothing seemed different.

In the final years of his life, Elvis Presley carried a burden that few people truly understood. Behind the sold out concerts and cheering crowds was a man living with constant pain, failing health, and overwhelming exhaustion. Yet every time the curtain rose, he did everything he could to give his fans the performance they had been waiting for. No matter how difficult life became, Elvis never wanted the audience to leave disappointed.

In February 1977, many fans noticed that Elvis Presley looked very different from only a few days earlier. His face seemed thinner, his body had changed, and rumors quickly spread. Some people judged him without knowing the truth. What they were actually seeing was not a man who had stopped caring for himself, but someone whose body was struggling with serious health problems after years of pushing himself beyond his limits.

You Missed

Country

AN ACCIDENTAL BLOWN TRANSFORMER IN A NASHVILLE STUDIO CREATED A TORN, BROKEN BASS TONE THAT THE PLAYER HATED—AND ACCIDENTALLY LAUNCHED THE ENTIRE ERA OF ROCK GUITAR FUZZ.In 1961, session guitarist Grady Martin was setting up his six-string bass inside a small Nashville studio on Sixteenth Avenue. The engineer told him to wait so he could walk over to the control room and turn the level down first. But Grady tapped a single note anyway, and a transformer in the console blew out.When the bass came back through the speakers, it sounded thick, torn, and wrecked—like a brass horn forced through a broken radio. Grady hated it and wanted it gone. But the crew kept it, and that raw, buzzing distortion ended up right at the 1:25 mark of Marty Robbins’ “Don’t Worry.” The song became a massive smash, spending ten straight weeks at No. 1 on the country chart and climbing to No. 3 pop.Then things got weird. When they tried to recreate the sound, it was completely gone, refusing to return. One person in that room couldn’t let it go and spent the next year tracking down the ghost in the machine. By 1962, Gibson turned that accidental wreckage into the Maestro Fuzz-Tone, selling 5,000 wedge-shaped boxes. The next year they sold three. The year after that, zero. The pedals sat dead in warehouses until a young guitarist in London plugged into one in 1965—trying to fake a horn line—and changed the sound of rock and roll forever.

Country

DEFYING A GRIM MEDICAL DEADLINE THAT THREATENED TO SILENCE HER FOREVER, NAOMI JUDD BEAT THE ODDS TO STAND BESIDE HER DAUGHTER ONCE MORE UNDER THE BRIGHT LIGHTS OF A NEW ERA.In 1990, just as The Judds were reigning over the absolute summit of country music, Naomi received a devastating diagnosis: hepatitis C, contracted years earlier from an infected needle during her days as a nurse. Doctors delivered a frightening prognosis, warning her that she might have only three years left to live. With grueling treatments making touring physically impossible, the legendary mother-daughter duo brought an abrupt halt to their historic run, bidding an emotional farewell to fans on December 4, 1991.While Wynonna forged ahead into a celebrated solo career, Naomi retreated from the spotlight to fight for her life through years of exhausting therapies under the shadow of a ticking clock. Then, the tide finally turned. By 1998, tests confirmed the virus had gone into remission, shattering the timeline the medical world had drawn for her. On New Year’s Eve 1999, the ghosts of that grim prediction were left behind as The Judds reunited for a triumphant, full-scale concert in Phoenix. The woman who had once quietly prepared for the end found herself standing tall under the arena lights once again, sharing a stage with the daughter who had carried their shared dream forward—having officially outrun the deadline that tried to steal her story.

Country

BURDENED BY DECADES OF MISDIAGNOSED ILLNESS THAT ROBBED HIM OF HIS BRILLIANT MIND, KRIS KRISTOFFERSON STILL LEFT BEHIND AN IMMORTAL LYRICAL LEGACY. Kris Kristofferson didn’t just write country songs; he fundamentally rewrote what the genre’s lyrics could hold, transforming loneliness, shame, and desire into plainspoken truths with timeless anthems like “Me and Bobby McGee,” “Sunday Mornin’ Comin’ Down,” and “Help Me Make It Through the Night.” A Rhodes scholar turned Army captain and janitor at Columbia Records, he carried the grit of real life straight onto the page, creating art that sounded like someone finally telling the unvarnished truth. But long before his passing in 2024 at age eighty-eight, a cruel shadow began to fall over his towering intellect as words started slipping through his fingers. Doctors initially diagnosed him with Alzheimer’s disease, subjecting him to years of heavy medications and cognitive decline for a condition he may never have actually had. The man who had once captured the entire human experience in a few verses found himself writing the most heartbreaking lyric of his life: an unfinished song about an empty chair and a haunting realization that he might be the one missing. Then, in 2016, a vital medical breakthrough revealed a long-undetected case of Lyme disease. Following treatment, his wife Lisa shared that he suddenly snapped back—clear-eyed and luminous, even if the restoration couldn’t completely reverse the years already lost. Though he couldn’t reclaim every stolen memory, Kristofferson’s final chapter added a poignant, tragic depth to a life already defined by raw honesty. He left behind a catalog that changed American songwriting forever, anchored by the unforgettable image of a legendary poet wrestling with the ghost of a brilliant mind, and ultimately finding enough of himself to finish his final song before the curtain fell.

Country

STANDING FACE-TO-FACE OUTSIDE THE HALL OF FAME FOR THEIR FIRST REUNION IN DECADES, NAOMI AND WYNONNA JUDD SHARED A FLEETING, HEARTBREAKING FINAL MOMENT IN THE NASHVILLE WIND. On April 11, 2022, the spring wind whipped through downtown Nashville as Naomi and Wynonna Judd stepped outside the Country Music Hall of Fame. It marked their first awards show performance together in more than twenty years, with a soaring gospel choir in white robes standing behind them. Mid-song, caught in the sheer emotional weight of the moment, Wynonna turned to her mother and spoke the words aloud: “This is really happening.” Earlier that day, a camera crew had asked Naomi a simple question about which single song she wanted to be remembered for. Her response—”Love Can Build a Bridge”—would soon carry an unbearable, prophetic resonance. That exact night, the legendary mother-daughter duo announced a ten-show farewell tour, celebrating a catalog that had shaped generations of country music fans. But the Hall of Fame building looming right behind them was preparing an induction they would never experience together. Just nineteen days later, on April 30, Naomi passed away after a long battle with mental illness. The induction ceremony went forward the following day, transforming a celebration into a gathering of collective grief where Wynonna stood before the crowd with no speech prepared, having always assumed her mother would do the talking. “Though my heart is broken, I will continue to sing,” Wynonna vowed into the silence, stepping into a future stripped of the voice that had anchored her entire life. That reunion outside the Hall of Fame proved to be more than a triumphant return; it was a final, fragile bridge built across years of distance just in time. Through profound sorrow and timeless harmony, their closing anthem remains etched in music history as a testament to a bond that death could silence, but never truly break.