The Greatest Oldies Music

Country Oldies Musics

George Strait – Christmas Cookies

George Strait - Christmas Cookies

About the Song

George Strait is no stranger to warming hearts with his smooth voice and timeless songs, and his holiday classic, “Christmas Cookies,” is a shining example of his ability to bring joy through music. This cheerful and lighthearted tune has become a staple of Christmas playlists, capturing the charm and warmth of holiday traditions.

Released as part of the 1999 compilation album A Country Christmas, “Christmas Cookies” highlights the simple joys of baking and sharing cookies during the festive season. The song’s playful lyrics celebrate the small but meaningful moments that make Christmas special—mixing dough, decorating treats, and, of course, sneaking a bite or two along the way! It’s a song that paints a vivid picture of home, love, and laughter, reminding listeners of the heartwarming essence of the holidays.

What sets this song apart is the humor and relatability embedded in its story. Strait sings about his affection for his partner’s cookies, not only because they taste great but also because of the love and care put into making them. It’s a gentle reminder of how food and family are intertwined in holiday traditions, sparking memories of kitchens filled with the scent of freshly baked goods and the sound of laughter.

George Strait’s velvety voice is perfectly suited to the song’s upbeat tempo and whimsical tone. His delivery feels personal, as if he’s sharing a favorite Christmas memory directly with you. It’s this connection to his audience that makes Strait one of the most beloved artists in country music history.

Whether you’re rolling out dough or simply relaxing by the fire, “Christmas Cookies” is a delightful soundtrack to your holiday season. Its cheerful melody and heartwarming message make it a must-listen, guaranteed to bring a smile to your face and a touch of nostalgia to your heart.Christmas Cookies — George Strait | Last.fm

Video 

Lyrics: Christmas Cookies

I sure do like those Christmas cookies, sugar
I sure do like those Christmas cookies, babe
The ones that look like Santa Claus
Christmas trees, and bells, and stars
I sure do like those Christmas cookies, babeNow, Christmas cookies are a special treat
The more she bakes, the more I eat
And sometimes I can’t get myself to stop
Sometimes she’ll wait till I’m asleep
And she’ll take the ones I didn’t eat
And put those little sprinkly things on top

I sure do like those Christmas cookies, sugar
I sure do like those Christmas cookies, babe
The ones that look like Santa Claus
Christmas trees, and bells, and stars
I sure do like those Christmas cookies, babe

Now, those sprinkly things just make things worse
Cause it makes them taste better than they did at first
And they’re absolutely impossible to resist
Some disappear to who knows where
But I make sure I get my share
And those kids just stand there waiting for the ones I miss

I sure do like those Christmas cookies, sugar
Sure do like those Christmas cookies, babe
She gets mad that they’re all gone
Before she gets the icing put on
Sure do like those Christmas cookies, babe

Now, there’s a benefit to all of this
That you might have overlooked or missed
So now let me tell you the best part of it all
Every time she sticks another batch in the oven
There’s fifteen minutes for some kissin’ an’ a’huggin’
That’s why I eat Christmas cookies ALL YEAR LONG

I sure do like those Christmas cookies, sugar
I sure do like those Christmas cookies, babe
The ones that look like Santa Claus
Christmas trees, and bells, and stars
I sure do like those Christmas cookies, babe
I sure do like those Christmas cookies, babe

Related Post

The first time Merle Haggard laid eyes on Johnny Cash perform, he wasn’t standing backstage or even dreaming of a singing career. He was simply an inmate locked inside San Quentin. Merle was barely into his twenties yet already carrying more trouble than most men twice his age. An arrest, a prison stint, a failed escape attempt, and a permanent cell followed until Johnny Cash walked through the gates to put on a show for the convicts. Sitting right among the inmates, Merle watched a man dressed in black stand under the lights and sing directly to prisoners as if their humanity still mattered. Years later, Haggard often credited that exact afternoon with pushing him toward turning his life around and taking music seriously. He eventually walked out of San Quentin forever, but those prison years never truly left him. They bled directly into tracks like “Branded Man,” “Sing Me Back Home,” and his signature anthem “Mama Tried,” which captured a mother doing everything humanly possible while her son kept picking the wrong road. Decades later, Merle mentioned the San Quentin concert to Cash, who joked right back that he didn’t remember seeing him on the bill. Merle looked at him and said, “I was in the audience.” That simple truth marked the dividing line between Merle Haggard and almost every other artist who sang about prison walls. He didn’t have to use his imagination to know what they felt like.

TAMMY WYNETTE AND PRODUCER BILLY SHERRILL FINISHED WRITING AND RECORDING “STAND BY YOUR MAN” IN JUST FIFTEEN MINUTES, CREATING ONE OF THE MOST ICONIC ANTHEMS IN COUNTRY MUSIC HISTORY. With less than an hour remaining in a CBS recording session on August 28, 1968, producer Billy Sherrill took Tammy Wynette upstairs to his office to finish a few unfinished lines. Hustling through the lyrics in less than twenty minutes, the pair rushed back down to the studio floor to track the song that would define Wynette’s legendary career. Enhanced by lush strings and a soaring vocal climax, “Stand by Your Man” exploded to No. 1 country, crossed over onto the pop charts, and sold over two million copies despite sparking a fierce national debate over its lyrics. Entering the Library of Congress National Recording Registry, the track remains a masterclass in how a brief spark of inspiration can leave an everlasting mark on Nashville.

GLEN CAMPBELL DISCOVERED “RHINESTONE COWBOY” WHILE HIS CAREER WAS FADING, TURNING A LONELY ROAD TRIP ANTHEM INTO THE SMASH HIT THAT REVIVED HIS LEGENDARY MAINSTREAM CAREER. By 1974, Glen Campbell’s commercial peak on television and country radio had slowed down significantly, leaving the once-ubiquitous star searching desperately for a comeback. While preparing for an Australian tour, he received a cassette tape of Larry Weiss’s “Rhinestone Cowboy” and played it repeatedly during long drives between venues, including a grueling 650-mile stretch from Sydney to Brisbane. Finding deep personal resonance in the lyrics about years of compromise and relentless hope, Campbell already knew every turn of the arrangement by the time he returned to the United States. Released by Capitol Records in 1975, the single exploded on the charts to become his very first pop No. 1, selling millions of copies and successfully kickstarting a brilliant second act that proved some stars shine brightest after the storm.

You Missed

Country

The first time Merle Haggard laid eyes on Johnny Cash perform, he wasn’t standing backstage or even dreaming of a singing career. He was simply an inmate locked inside San Quentin. Merle was barely into his twenties yet already carrying more trouble than most men twice his age. An arrest, a prison stint, a failed escape attempt, and a permanent cell followed until Johnny Cash walked through the gates to put on a show for the convicts. Sitting right among the inmates, Merle watched a man dressed in black stand under the lights and sing directly to prisoners as if their humanity still mattered. Years later, Haggard often credited that exact afternoon with pushing him toward turning his life around and taking music seriously. He eventually walked out of San Quentin forever, but those prison years never truly left him. They bled directly into tracks like “Branded Man,” “Sing Me Back Home,” and his signature anthem “Mama Tried,” which captured a mother doing everything humanly possible while her son kept picking the wrong road. Decades later, Merle mentioned the San Quentin concert to Cash, who joked right back that he didn’t remember seeing him on the bill. Merle looked at him and said, “I was in the audience.” That simple truth marked the dividing line between Merle Haggard and almost every other artist who sang about prison walls. He didn’t have to use his imagination to know what they felt like.

Country

TAMMY WYNETTE AND PRODUCER BILLY SHERRILL FINISHED WRITING AND RECORDING “STAND BY YOUR MAN” IN JUST FIFTEEN MINUTES, CREATING ONE OF THE MOST ICONIC ANTHEMS IN COUNTRY MUSIC HISTORY. With less than an hour remaining in a CBS recording session on August 28, 1968, producer Billy Sherrill took Tammy Wynette upstairs to his office to finish a few unfinished lines. Hustling through the lyrics in less than twenty minutes, the pair rushed back down to the studio floor to track the song that would define Wynette’s legendary career. Enhanced by lush strings and a soaring vocal climax, “Stand by Your Man” exploded to No. 1 country, crossed over onto the pop charts, and sold over two million copies despite sparking a fierce national debate over its lyrics. Entering the Library of Congress National Recording Registry, the track remains a masterclass in how a brief spark of inspiration can leave an everlasting mark on Nashville.

Oldies Musics

GLEN CAMPBELL DISCOVERED “RHINESTONE COWBOY” WHILE HIS CAREER WAS FADING, TURNING A LONELY ROAD TRIP ANTHEM INTO THE SMASH HIT THAT REVIVED HIS LEGENDARY MAINSTREAM CAREER. By 1974, Glen Campbell’s commercial peak on television and country radio had slowed down significantly, leaving the once-ubiquitous star searching desperately for a comeback. While preparing for an Australian tour, he received a cassette tape of Larry Weiss’s “Rhinestone Cowboy” and played it repeatedly during long drives between venues, including a grueling 650-mile stretch from Sydney to Brisbane. Finding deep personal resonance in the lyrics about years of compromise and relentless hope, Campbell already knew every turn of the arrangement by the time he returned to the United States. Released by Capitol Records in 1975, the single exploded on the charts to become his very first pop No. 1, selling millions of copies and successfully kickstarting a brilliant second act that proved some stars shine brightest after the storm.

Country

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.