Introduction

The Animals, an iconic British rock band, brought the world a timeless classic in 1964 with their rendition of “House Of The Rising Sun.” This haunting and soulful ballad has left an indelible mark on the music industry and continues to captivate listeners of all generations.The Animals: The British Invasion That Wasn't : NPR

Did You Know?

  • The song “House Of The Rising Sun” is a traditional folk ballad, and its origins can be traced back to the 16th century. It has been recorded by numerous artists over the years.
  • The Animals’ rendition is one of the most famous versions of the song. Their powerful arrangement, led by Eric Burdon’s soulful vocals, set it apart.
  • The song’s lyrics tell the story of a gambler’s life gone awry in New Orleans, making it a poignant tale of hardship and redemption.
  • “House Of The Rising Sun” was a groundbreaking track for its time, combining elements of rock, blues, and folk music.
  • The Animals’ rendition reached the top of the charts in the UK and the US, solidifying their status as music legends.

The Animals' Eric Burdon on being one of the first punks

Video

Lyrics: House Of The Rising Sun

There is a house in New Orleans
They call the Rising Sun
And it’s been the ruin of many a poor boy
And God, I know I’m oneMy mother was a tailor
She sewed my new blue jeans
My father was a gamblin’ man
Down in New OrleansNow the only thing a gambler needs
Is a suitcase and a trunk
And the only time he’s satisfied
Is when he’s all drunk

[Organ Solo]

Oh mother, tell your children
Not to do what I have done
Spend your lives in sin and misery
In the House of the Rising Sun

Well, I got one foot on the platform
The other foot on the train
I’m goin’ back to New Orleans
To wear that ball and chain

Well, there is a house in New Orleans
They call the Rising Sun
And it’s been the ruin of many a poor boy
And God, I know I’m one

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.