Introduction

“The Carpenters – Yesterday Once More” is a musical gem that transcends time, instantly whisking you away to an era of cherished memories. This iconic song, performed by the legendary sibling duo Karen and Richard Carpenter, has held a special place in the hearts of music enthusiasts since its release in 1973. Let’s delve into this timeless melody, its captivating story, and the remarkable artist behind it.A magical night at Hollywood Bowl honoring The Carpenters, Donna Summer and  Jean-Yves Thibaudet

Did You Know?

  • Karen Carpenter’s mesmerizing voice, often described as one of the purest in music history, is the centerpiece of “Yesterday Once More” Her vocal prowess and emotional depth left an indelible mark on the music industry.
  • Released as a single from The Carpenters’ album “Now & Then,” “Yesterday Once More” became an instant classic, peaking at number two on the Billboard Hot 100 chart.
  • The song’s nostalgic lyrics, penned by John Bettis and Richard Carpenter, beautifully capture the essence of longing for the good old days, making it relatable to audiences across generations.
  • Karen Carpenter’s untimely passing in 1983 was a profound loss to the music world, but her legacy lives on through songs like “Yesterday Once More,” which continue to inspire and uplift.Carpenters (the Band) Songs, Music, and History

Video

Lyrics: Yesterday Once More

When I was young
I’d listen to the radio
Waitin’ for my favorite songs
When they played I’d sing along
It made me smile

Those were such happy times
And not so long ago
How I wondered where they’d gone
But they’re back again
Just like a long lost friend
All the songs I loved so well

Every Sha-la-la-la
Every Wo-o-wo-o
Still shines
Every shing-a-ling-a-ling
That they’re startin’ to sing’s
So fine

When they get to the part
Where he’s breakin’ her heart
It can really make me cry
Just like before
It’s yesterday once more

Lookin’ back on how it was
In years gone by
And the good times that I had
Makes today seem rather sad
So much has changed

It was songs of love that
I would sing to then
And I’d memorize each word
Those old melodies
Still sound so good to me
As they melt the years away

Every Sha-la-la-la
Every Wo-o-wo-o
Still shines
Every shing-a-ling-a-ling
That they’re startin’ to sing’s
So fine

All my best memories
Come back clearly to me
Some can even make me cry
Just like before
It’s yesterday once more

Every Sha-la-la-la
Every Wo-o-wo-o
Still shines
Every shing-a-ling-a-ling
That they’re startin’ to sing’s
So fine

Every Sha-la-la-la
Every Wo-o-wo-o
Still shines
Every shing-a-ling-a-ling
That they’re startin’ to sing’s
So fine

You Missed

Toby Keith WAS KNOWN FOR HIS LOUD VOICE — BUT THE THINGS HE DID QUIETLY SAID EVEN MORE. For most people, Toby Keith was larger than life. The voice. The attitude. The songs that filled arenas and made him feel untouchable. But the people who were closest to him saw something different. Because behind that public image… there was a side of Toby that rarely needed a microphone. Success followed him everywhere. Hit songs. Sold-out shows. A career that spanned decades. But money was never the thing that defined him. What mattered more was what he chose to do with it. Long before most fans ever heard about it, Toby Keith had already started building something far from the spotlight — a place for children battling cancer, and for the families who refused to leave their side. He didn’t turn it into a headline. He didn’t make it part of the show. He just kept doing it. People who worked with him would later talk about the same pattern. Help given without being asked. Support offered without needing recognition. Moments that never made it onto a stage — but stayed with people for the rest of their lives. And maybe that’s the part many never fully saw. Because the man who could command a crowd with a single line… never needed one to prove who he really was. In the end, Toby Keith didn’t just leave behind songs that people remember. He left behind something quieter. Something harder to measure. A legacy built not just on what he sang — but on what he chose to give.