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Little Richard – Good Golly, Miss Molly

About the Song

“Good Golly, Miss Molly” is a rock and roll anthem that helped to define the genre. Written by Richard Penniman and Richard Berry, the song was first released in 1956 by Little Richard and quickly became a hit, reaching number two on the Billboard Hot 100 chart.

The song’s lyrics are full of playful energy and sexual innuendo. Little Richard’s vocals are raw and energetic, conveying the excitement and exuberance of the music. The piano riff is iconic, and the rhythm section is driving and infectious.

“Good Golly, Miss Molly” is a timeless song that continues to resonate with audiences today. Its catchy melody and energetic performance have made it a classic of rock and roll. The song’s message of fun, excitement, and sexual liberation is as relevant now as it was when the song was first released.

In addition to its musical appeal, “Good Golly, Miss Molly” has also had a significant cultural impact. It was one of the first rock and roll songs to cross over from the African American community to the mainstream white audience. It helped to pave the way for other rock and roll pioneers, such as Elvis Presley and Jerry Lee Lewis.

“Good Golly, Miss Molly” is a classic song that has stood the test of time. It is a testament to the power of music to bring people together and to create a sense of joy and excitement. The song’s message of fun, energy, and sexual liberation continues to inspire people today.

Here are some additional points that you could include in your introduction:

  • The song’s historical context: “Good Golly, Miss Molly” was released in 1956, during the early days of rock and roll. It was one of the first hits by a black artist to reach a white audience.
  • The song’s themes: The song explores themes of love, desire, and sexual liberation. It also touches on themes of fun, excitement, and rebellion.
  • The song’s musical style: “Good Golly, Miss Molly” is a rock and roll song with a catchy melody and a driving beat. The piano riff is iconic, and the vocals are raw and energetic.
  • The song’s cultural impact: “Good Golly, Miss Molly” was a groundbreaking song that helped to define the sound of rock and roll. It also had a significant impact on popular culture, influencing other artists and inspiring countless fans.
  • The song’s legacy: “Good Golly, Miss Molly” remains a popular song today. It is often covered by other artists, and it is still played on radio stations around the world.

Video

Lyrics: Good Golly, Miss Molly

Good Golly Miss Molly, sure like to ball.
Good golly, Miss Molly, sure like to ball.
When you’re rockin’ and a rollin’ can’t hear your momma call.From the early early mornin’ till the early early night
You can see Miss Molly rockin’ at the house of blue lights.
Good golly, Miss Molly, sure like to ball.
When you’re rockin’ and a rollin’ can’t hear your momma call.Well, now momma, poppa told me: “Son, you better watch your step.”
If I knew my momma, poppa, have to watch my dad myself.Good golly, Miss Molly, sure like a ball.
When you’re rockin’ and a rollin’ can’t hear your momma call.I am going to the corner, gonna buy a diamond ring.
Would you pardon me if it’s a nineteen carat golden thing.
Good golly, Miss Molly, sure like a ball.
When you’re rockin’ and a rollin’ can’t hear your momma call.

Good golly, Miss Molly, sure like a ball.
Good golly, Miss Molly, sure like a ball.
When you’re rockin’ and a rollin’ can’t hear your momma call.

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SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?

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SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?

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“YOU MAKE THE COFFEE, I’LL MAKE THE BED.” — GLEN CAMPBELL DIDN’T NEED A LOVE POEM. HE JUST NEEDED AN OKLAHOMA MORNING. In December 1971, Glen Campbell released “Oklahoma Sunday Morning.” It peaked at #15 on the country charts—not his biggest hit by a long shot. But something about this track stuck. It wasn’t about fame or tragedy; it was about coffee, making the bed, and packing a lunch. It was the kind of love that doesn’t make headlines. But the way Glen sang it, you realized he wasn’t just describing a routine. He was singing about the only place that truly felt like home. A kid from a sharecropper’s family of twelve in Delight, Arkansas—who went on to sell 45 million records—poured something deeply personal into this quiet track. Fifty years later, folks across Oklahoma still know every word. Some songs don’t need to reach #1. They just need to be true.