Suzi Quatro ~ Singing With Angels ~ Baz ~ Elvis Tribute Song. - YouTube

About the Song

Suzi Quatro – Singing With Angels is a soulful and introspective track that marks a reflective moment in the career of this iconic rock musician. Known for her pioneering presence in the 1970s rock scene, Suzi Quatro has always had a knack for blending tough, rebellious energy with a deep emotional core, and “Singing With Angels” is no exception. Released in the later stages of her career, this song offers listeners a glimpse into a more vulnerable side of Quatro, one that contrasts with her usual bold, high-energy persona.

The track itself has a dreamy, ethereal quality, with lush instrumentation that creates a sense of calm and serenity. Quatro’s vocals are raw and evocative, carrying a sense of longing as she sings about the idea of connecting with something greater than herself, a theme that’s deeply spiritual and reflective. The metaphor of “singing with angels” suggests a desire for peace and transcendence, an escape from the turbulence of life into a place of solace and purity.

The instrumentation in “Singing With Angels” is rich and layered, with soft, sweeping melodies that complement Quatro’s powerful voice, enhancing the song’s emotional impact. The arrangement is subtly complex, building gradually to evoke the sense of a spiritual journey or personal revelation. It’s a song that captures the complexity of human emotion—the desire for something more, the yearning for connection, and the hope for peace.

What makes this song stand out in Suzi Quatro’s discography is the vulnerability it shows, as it departs from her usual hard-edged rock sound. Instead, it embraces a softer, more reflective tone, demonstrating her versatility as an artist. “Singing With Angels” is a beautiful reminder that beneath her tough exterior, Quatro is a gifted storyteller capable of conveying deep emotional truth. It’s a song that will resonate with anyone who has ever sought comfort or a sense of higher meaning amidst life’s struggles.Singing With Angels - song and lyrics by Suzi Quatro | Spotify

Video 

Lyrics: Singing With Angels

I heard your voice late last night
I heard you say are you lonesome tonight
I saw you crying in the chapel light
Love me tender and treat me nice

Lonely boy got the G.I. Blues
That’s allright mama’s watching over you
Wise men say if you don’t be cruel
You’ll get to heaven wearing blue suede shoes

[Chorus]
Singing with angels, safe in God’s promised land
Singing with angels, walking hand in hand
Singing with angels, it’s part of God’s master plan
There’s so many angels walking hand in hand
What a beautiful land

I got a woman she’s my happiness
Don’t leave me now in my loneliness
Heartbreak hotel I was counting on you
Thought I had a lot of living to do

The blue moon of Kentucky shines
Burning love makes suspicious minds
Mystery train heading for the light
Gracelands star burning bright

[Chorus]

[repeat x3]

Elvis has left the building

You Missed

SOME FRIENDSHIPS ARE WRITTEN IN SONGS… BUT ONLY A FEW BECOME FOREVER. There was something truly magical about the friendship between Kenny Rogers and Dolly Parton — a bond that went far beyond the stage, the spotlight, and the music. In country music history, few duos ever captured the beauty of genuine connection the way they did. Their voices blended perfectly, but it was their friendship, respect, and love for each other that made every performance unforgettable. In 2013, they gave the world one final reminder of that special bond with “You Can’t Make Old Friends.” Nearly three decades after “Islands in the Stream” became a timeless classic, Kenny and Dolly returned together to create a song that felt less like a performance and more like a heartfelt conversation between two lifelong friends. Now, that song carries an even deeper meaning. Kenny Rogers left us in 2020… and today, the world says goodbye to Dolly Parton — two extraordinary souls who brought warmth, comfort, and joy to millions through their music. They were more than country music legends. They were storytellers, dreamers, and reminders that the greatest treasures in life are the friendships we build along the way. You can create many songs. You can create many memories. But **you can’t make old friends.** Some friendships are too special to disappear. They live forever in the melodies, the memories, and the hearts of everyone who was lucky enough to witness them. Rest peacefully, Kenny. Rest peacefully, Dolly. Thank you for giving us a lifetime of music, love, and unforgettable moments. The harmony you created together will continue to play forever.

Before he ever stepped up to center stage under his own name, Cal Smith spent years standing quietly in the shadows as a sideman, playing guitar behind country legend Ernest Tubb. Born Calvin Shofner in Oklahoma and raised in California, he paid his dues in clubs and on radio before joining the Texas Troubadours in the early 1960s, watching other stars soak up the applause while his own solo ambitions moved at a crawl. By 1972, Smith was well into his late thirties with little more than modest chart placings to show for his efforts. Everything flipped when fellow songwriter Bill Anderson handed him “The Lord Knows I’m Drinking,” a sharp track about a man taking heat from a churchgoer whose own hands weren’t exactly clean. The single struck a nerve, shooting straight to No. 1. The true lightning strike arrived soon after. In December 1973, Smith walked into Bradley’s Barn to lay down Don Wayne’s “Country Bumpkin.” Tracing an ordinary man’s journey through marriage, children, and the devastating loss of his wife, the song packed an entire lifetime into a few poignant verses and climbed to the top of the charts in 1974. The accolades poured in, sweeping Single Record and Song of the Year at the ACM Awards, alongside a CMA Song of the Year honor for the writing. Smith quickly proved he wasn’t a one-hit wonder by following up with another chart-topper, “It’s Time to Pay the Fiddler.” After more than a decade of holding down the rhythm section for everyone else, Cal Smith’s long-delayed moment in the sun finally arrived—forever stamping his voice onto one of the defining country anthems of the 1970s.