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Oldies Musics

‘Na Na Hey Hey Kiss Him Goodbye’ – Steam

What ever happened to the 1960′s band Steam after their hit song “Na Na Na Na Hey Hey Kiss Him Goodbye”? - Quora

About the Song 

In the realm of pop music, there are songs that fade into obscurity, their melodies and lyrics eventually lost to the passage of time. And then there are those rare, enduring anthems that transcend generations, becoming embedded in the collective consciousness long after their initial release. “Na Na Hey Hey Kiss Him Goodbye” by Steam is one such song, a cultural touchstone that has captivated audiences for over five decades.

Released in 1969, “Na Na Hey Hey Kiss Him Goodbye” took the world by storm, topping charts in the United States and Canada. Its infectious melody, simple yet effective lyrics, and catchy handclaps made it an instant hit, appealing to a wide range of listeners. The song’s popularity was further fueled by its use in various sporting events, becoming an enduring tradition at baseball games and other sporting gatherings.

Steam, the group credited with the song’s creation, was initially a studio project rather than a traditional band. The trio behind “Na Na Hey Hey Kiss Him Goodbye” consisted of songwriter and producer Paul Leka, lyricist Gary DeCarlo, and vocalist Dale Frashuer. Despite their relatively short-lived existence, Steam left an indelible mark on music history with this one iconic song.

The song’s enduring appeal lies in its simplicity and universality. The lyrics, though seemingly straightforward, capture the emotions of heartbreak and rejection with a raw honesty that resonates with listeners of all ages. The melody, with its repetitive “na na” refrain, is instantly recognizable and easy to sing along to, making it a perfect choice for group sing-alongs and festive gatherings.

“Na Na Hey Hey Kiss Him Goodbye” has transcended its pop culture status to become a cultural phenomenon. The song has been referenced in countless films, television shows, and other media, and its distinctive melody has been sampled by numerous artists across various genres. Its popularity has also extended internationally, becoming a favorite at sporting events and cultural celebrations around the world.

In conclusion, “Na Na Hey Hey Kiss Him Goodbye” stands as a testament to the power of pop music to transcend time and cultural boundaries. Its infectious melody, simple yet relatable lyrics, and universal themes have ensured its place in the pantheon of pop culture anthems, continuing to captivate audiences for generations to come.The numerous groups that pretended to be Steam, the 'Na Na Hey Hey Kiss Him Goodbye' band | Dangerous Minds

Video 

Lyrics: Na Na Hey Hey Kiss Him Goodbye

Na na na na, na na na na, hey hey, goodbye

He’ll never love you, the way that I love you
Cause if he did, no no, he wouldn’t make you cry
He might be thrillin’ baby but a-my love
(My love, my love)

So dog-gone willin’, so kiss him
(I wanna see you kiss him, wanna see you kiss him)
Go on and kiss him goodbye, now

Na na na na, hey hey, goodbye
Na na na na, na na na na, hey hey, goodbye

Listen to me now

He’s never near you to comfort and cheer you
When all those sad tears are fallin’ baby from your eyes
He might be thrillin’ baby but a-my love
(My love, my love)

So dog-gone willin’, so kiss him
(I wanna see you kiss him, I wanna see you kiss him)
Go on and kiss him goodbye, na na na na, na na na

Na na na na, hey hey, goodbye

Hey hey, goodbye
Na na na na, na na na na, hey hey, goodbye
Na na na na, na na na na, hey hey, goodbye
Na na na na, na na na na, hey hey, goodbye

Hey hey, goodbye
Na na na na, na na na na, hey hey, goodbye
Na na na na, na na na na, hey hey, goodbye
Na na na na, na na na na, hey hey, goodbye

Hey hey, goodbye
Na na na na, na na na na, hey hey, goodbye
Na na na na, na na na na, hey hey, goodbye
Na na na na, na na na na, hey hey, goodbye

I really love you girl
I really need you girl
I need to have you near me every day
C’mon girl

You know that’s true girl
I really need you girl
I can’t let you be with him
Well, all right
Give it to me one time

 

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HIS FATHER TOLD HIM TO PUT DOWN THE GUITAR. NASHVILLE FORGOT HIM. TWICE. HE CAME BACK IN A WHEELCHAIR AND STILL WOULDN’T SHUT UP. Vern Gosdin grew up hauling rocks and chopping cotton in Woodland, Alabama. His father tried music once, failed, and forbade his son from ever touching a guitar. Vern left home and never looked back — never saw his father again. He moved to California. Then Chicago. Then Nashville. Two record labels went bankrupt under him. Nobody called. Nobody came looking. So he quit, moved to Georgia, and sold glass for a living. But he kept a guitar in his truck. In the late ’70s, he crawled back to Nashville — older, broker, and angrier than every pretty boy on country radio. He didn’t sound trendy. He sounded like a man who’d been through hell and could prove it. Then he wrote “Chiseled in Stone” and beat every superstar in town for CMA Song of the Year. Tammy Wynette called him “the only singer who can hold a candle to George Jones.” In 1998, a stroke stole his voice. He kept writing from a wheelchair. 101 songs. Still fighting. They called him “The Voice.” Nashville called him too late. Does knowing how many times Vern Gosdin had to start over make “Chiseled in Stone” hit even harder now?

SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?

“YOU MAKE THE COFFEE, I’LL MAKE THE BED.” — GLEN CAMPBELL DIDN’T NEED A LOVE POEM. HE JUST NEEDED AN OKLAHOMA MORNING. In December 1971, Glen Campbell released “Oklahoma Sunday Morning.” It peaked at #15 on the country charts—not his biggest hit by a long shot. But something about this track stuck. It wasn’t about fame or tragedy; it was about coffee, making the bed, and packing a lunch. It was the kind of love that doesn’t make headlines. But the way Glen sang it, you realized he wasn’t just describing a routine. He was singing about the only place that truly felt like home. A kid from a sharecropper’s family of twelve in Delight, Arkansas—who went on to sell 45 million records—poured something deeply personal into this quiet track. Fifty years later, folks across Oklahoma still know every word. Some songs don’t need to reach #1. They just need to be true.

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SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?

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“YOU MAKE THE COFFEE, I’LL MAKE THE BED.” — GLEN CAMPBELL DIDN’T NEED A LOVE POEM. HE JUST NEEDED AN OKLAHOMA MORNING. In December 1971, Glen Campbell released “Oklahoma Sunday Morning.” It peaked at #15 on the country charts—not his biggest hit by a long shot. But something about this track stuck. It wasn’t about fame or tragedy; it was about coffee, making the bed, and packing a lunch. It was the kind of love that doesn’t make headlines. But the way Glen sang it, you realized he wasn’t just describing a routine. He was singing about the only place that truly felt like home. A kid from a sharecropper’s family of twelve in Delight, Arkansas—who went on to sell 45 million records—poured something deeply personal into this quiet track. Fifty years later, folks across Oklahoma still know every word. Some songs don’t need to reach #1. They just need to be true.