The Greatest Oldies Music

Oldies Musics

Elvis Presley – A Big Hunk O’ Love

Introduction

Elvis Presley’s musical legacy is etched in the annals of rock ‘n’ roll, and one of the standout tracks in his extensive repertoire is the electrifying “A Big Hunk O’ Love.” Released in 1959, this iconic song has left an indelible mark on music history, showcasing Presley’s charismatic voice and magnetic stage presence. In this article, we delve into the magic behind “A Big Hunk O’ Love,” exploring its origins, impact, and the fascinating story behind the King of Rock and Roll himself.Elvis Presley singles discography - Wikipedia

Did You Know?

Elvis Presley recorded “A Big Hunk O’ Love” on June 10, 1958, at RCA Studios in Nashville, Tennessee. The song was penned by Aaron Schroeder and Sid Wyche and later featured on the album “50,000,000 Elvis Fans Can’t Be Wrong: Elvis’ Gold Records, Volume 2.” Notably, the track soared to the top of the charts, claiming the number one spot on the Billboard Hot 100, and became one of Presley’s fastest-selling singles.

Did you know that Elvis Presley, often referred to as the “King of Rock and Roll,” revolutionized the music industry in the 1950s? With his fusion of various musical genres, including rockabilly, blues, and gospel, Presley became a cultural icon, influencing generations of musicians and leaving an indelible mark on popular music.Elvis Presley's Army buddy says they were 'blood brothers': 'Greatest laugh I ever heard'

Video

Lyrics: A Big Hunk O’ Love 

Hey baby, I ain’t askin’ much of you
No no no no no no no no baby, I ain’t askin’ much of you
Just a big-a big-a big-a hunk o’ love will doDon’t be a stingy little mama
You’re ’bout to starve me half to death
Now you can spare a kiss or two and
Still have plenty left, no no no
Baby, I ain’t askin’ much of you
Just a big-a big-a big-a hunk o’ love will do

(That’s right)

You’re just a natural-born beehive
Filled with honey to the top
But I ain’t greedy baby
All I want is all you got, no no no
Baby, I ain’t askin’ much of you
Just a big-a big-a big-a hunk o’ love will do

(That’s right)

I got a wishbone in my pocket
I got a rabbit foot around my wrist
You know I’d have every thing my lucky charms could bring
If you’d give me just one sweet kiss, no no no no no no no
Baby, I ain’t askin’ much of you
Just a big-a hunk-a hunk-a hunk-a love will do

(That’s right)

Just a big-a big-a big-a hunk o’ love will do

(That’s right)

Just a big-a big-a big-a hunk o’ love will do

(That’s right)

Just a big-a big-a big-a hunk o’ love will do

(That’s right)

 

Related Post

In the 1970s, one quiet regret followed Elvis Presley wherever he went. The world knew his voice, but he never truly saw the world. Offers came from Europe, from Asia, from places where fans had waited for years to hear him live. The numbers were extraordinary, millions of dollars, sold out arenas before tickets even existed. Yet every time the idea rose, it faded again. The answer was always the same. Not now. Not possible.

August 16, 1977 did not come with chaos or warning. It arrived quietly, and when Elvis Presley was gone at Graceland, the world felt a silence that was hard to explain. Life continued on the surface, radios played, people moved through their days, but something had shifted underneath it all. It felt as if a familiar presence had slipped away without saying goodbye.

On the morning of August 16, 1977, the world seemed to pause when Elvis Presley was gone. The news moved quickly, but understanding it did not. Radios fell quiet between songs, television voices lost their certainty, and millions sat with a feeling they could not quite name. For so long, Elvis had felt untouchable, larger than life. In that moment, he felt suddenly, painfully human.

You Missed

Oldies Musics

In the 1970s, one quiet regret followed Elvis Presley wherever he went. The world knew his voice, but he never truly saw the world. Offers came from Europe, from Asia, from places where fans had waited for years to hear him live. The numbers were extraordinary, millions of dollars, sold out arenas before tickets even existed. Yet every time the idea rose, it faded again. The answer was always the same. Not now. Not possible.

Oldies Musics

August 16, 1977 did not come with chaos or warning. It arrived quietly, and when Elvis Presley was gone at Graceland, the world felt a silence that was hard to explain. Life continued on the surface, radios played, people moved through their days, but something had shifted underneath it all. It felt as if a familiar presence had slipped away without saying goodbye.

Oldies Musics

On the morning of August 16, 1977, the world seemed to pause when Elvis Presley was gone. The news moved quickly, but understanding it did not. Radios fell quiet between songs, television voices lost their certainty, and millions sat with a feeling they could not quite name. For so long, Elvis had felt untouchable, larger than life. In that moment, he felt suddenly, painfully human.

Country

THE SONG THAT WASN’T A LYRIC—IT WAS A FINAL STAND AGAINST THE FERRYMAN. In 2017, Toby Keith asked Clint Eastwood a simple question on a golf course: “How do you keep doing it?” Clint, then 88 and still unbreakable, gave him a five-word answer that would eventually haunt Toby’s final days: “I don’t let the old man in.” Toby went home and turned that line into a masterpiece. When he recorded the demo, he had a rough cold. His voice was thin, weathered, and scraped at the edges. Clint heard it and said: “Don’t you dare fix it. That’s the sound of the truth.” Back then, the song was just about getting older. But in 2021, the world collapsed when Toby was diagnosed with stomach cancer. Suddenly, “Don’t Let the Old Man In” wasn’t just a song for a movie—it was a mirror. It was no longer about a conversation on a golf course; it was about a 6-foot-4 giant staring at his own disappearing frame and refusing to flinch. When Toby stood on that stage for his final shows in Las Vegas, he wasn’t just singing. He was holding the line. He sang that song with every ounce of breath he had left, looking death in the eye and telling it: “Not today.” Toby Keith died on February 5, 2024. But he didn’t let the “old man” win. He used Clint’s words to build a fortress around his soul, proving that while the body might fail, the spirit only bows when it’s damn well ready. Clint Eastwood gave him the line. Toby Keith gave it his life. And in the end, the song became the man.