BBC Two - The Kinks at the Rainbow

About the Song

Sunny Afternoon by The Kinks is a song that captures the essence of a carefree summer day. With its catchy melody and lighthearted lyrics, it’s no wonder that the song was a hit in 1966. But Sunny Afternoon is more than just a catchy tune; it’s also a significant song in the history of British rock music.

The Kinks were one of the first British Invasion bands to achieve success in the United States, and Sunny Afternoon was their biggest hit. The song’s success helped to pave the way for other British bands, such as the Rolling Stones and the Beatles, to conquer the American charts.

Sunny Afternoon is also notable for its innovative use of power chords and distorted guitars. These elements of the song’s sound would later be adopted by punk rock and heavy metal bands. In addition, Sunny Afternoon‘s lyrics are often credited with being the first to deal with social issues in a pop song. The song’s narrator sings about the drudgery of work and the longing for escape, themes that would later be explored by other British rock bands.

Sunny Afternoon is a classic song that has stood the test of time. It’s a song that is still enjoyed by people of all ages today. The song’s catchy melody, lighthearted lyrics, and innovative sound have made it a timeless classic.

Here are some additional details about the song and its significance:

  • Released: 1966
  • Genre: Rock
  • Written by: Ray Davies
  • Performed by: The Kinks
  • Chart positions:
    • #1 on the UK Singles Chart
    • #4 on the Billboard Hot 100

Sunny Afternoon was inducted into the Rock and Roll Hall of Fame in 1998. The song has been covered by many artists, including David Bowie, The Who, and Green Day.

The Band - The Kinks - The Kinks

Video

Lyrics: Sunny Afternoon

The tax man’s taken all my dough
And left me in my stately home
Lazing on a sunny afternoon
And I can’t sail my yacht
He’s taken everything I’ve got
All I’ve got’s this sunny afternoon

Save me, save me, save me from this squeeze
I got a big fat mama trying to break me
And I love to live so pleasantly
Live this life of luxury
Lazing on a sunny afternoon
In the summertime
In the summertime
In the summertime

My girlfriend’s run off with my car
And gone back to her ma and pa
Telling tales of drunkenness and cruelty
Now I’m sitting here
Sipping at my ice cold beer
Lazing on a sunny afternoon

Help me, help me, help me sail away
Well give me two good reasons why I oughta stay
‘Cause I love to live so pleasantly
Live this life of luxury
Lazing on a sunny afternoon
In the summertime
In the summertime
In the summertime

Ah, save me, save me, save me from this squeeze
I got a big fat mama trying to break me
And I love to live so pleasantly
Live this life of luxury
Lazing on a sunny afternoon
In the summertime
In the summertime
In the summertime
In the summertime
In the summertime
In the summertime

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.