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About the Song

Remember the days when a simple song could evoke feelings of joy and warmth? Betty Hutton and Perry Como, two of the most beloved stars of the golden age of radio and television, teamed up to give us one such timeless classic: “A Bushel And A Peck”. This delightful duet, with its upbeat tempo and catchy melody, is a pure delight from start to finish.

Released in 1950, “A Bushel And A Peck” quickly became a hit, capturing the hearts of listeners with its playful lyrics and infectious energy. The song’s title itself is a charmingly old-fashioned way of expressing a deep affection for someone. A “bushel and a peck” is a measurement of grain, but in this context, it symbolizes the overflowing love that the singers have for each other.

Hutton’s bright, bubbly personality shines through in her vocals, complementing Como’s smooth and velvety baritone perfectly. Their voices blend together seamlessly, creating a harmonious sound that is both nostalgic and endearing. The lyrics, filled with playful rhymes and vivid imagery, paint a picture of a loving relationship that is as sweet and simple as a summer day.

One of the most appealing aspects of “A Bushel And A Peck” is its timeless quality. Despite being written decades ago, the song’s message of love and happiness remains as relevant today as ever. The lyrics are filled with universal themes that resonate with people of all ages and backgrounds. Whether you’re a young couple just starting out or a seasoned romantic looking back on years of love, you’re sure to find something to appreciate in this classic tune.

The song’s enduring popularity can also be attributed to its cheerful and optimistic tone. In a world that can often feel overwhelming and chaotic, “A Bushel And A Peck” offers a much-needed escape. The upbeat tempo and catchy melody are guaranteed to lift your spirits and put a smile on your face.

In conclusion, “A Bushel And A Peck” is a true gem of the American songbook. Betty Hutton and Perry Como’s heartfelt performance, combined with the song’s timeless lyrics and infectious melody, make it a must-listen for anyone who appreciates classic pop music. So, sit back, relax, and let this delightful duet transport you to a simpler time.

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Lyrics: A Bushel And A Peck

(Doodle oodle ooh doo, doodle oodle ooh doo,
Doodle oodle ooh doo, doo!)What’cha doin’ hutton?
Doodlin’… can you doodle?
Can I doodle? – I can’t get it outta my noodle!How come?’Cause I love you a bushel an’ a peck,
A bushel an’ a peck and a hug around the neck (ouch!)
Hug around the neck and a barrel an’ a heap,
Barrel an’ a heap an’ I’m talkin’ in my sleep!
About you! (about me?) yes, about you!
My heart is leapin’, havin’ trouble sleepin’!
’cause I love you a bushel an’ a peck,
You bet your purdy neck I do!

(Doodle oodle ooh doo, doodle oodle ooh doo,
Doodle oodle ooh doo, doo!)

Do you like me perry? oh very, do you like me hutton?
Like a glutton! so, where’s your “como” button?
Oh! I love you a bushel an’ a peck (how much?)
A bushel an’ a peck though you make my heart a wreck!
Make my heart a wreck and you make my life a mess,
Make my life a mess, yes a mess of happiness!
About you! (about me?) yes, about you!

You’re gonna grieve me, if an’ you ever leave me!
’cause I love you a bushel an’ a peck,
You bet your purdy neck I do!

(Doodle oodle ooh doo, doodle oodle ooh doo,
Doodle oodle ooh doo, doo!)

Heh heh, it’s gettin’ kinda quiet around here!
Oh! we can fix that perry boy! let’s go!
I love you a bushel an’ a peck,
A bushel an’ a peck and it beats be all to heck,
Beats me all to heck how I’ll ever tend the farm
Ever tend the farm when I wanna keep my arms about you!
About you, the cows an’ chickens, let em go to the dickens
’cause I love you a bushel an’ a peck,
You bet your purdy neck I do!

(Doodle oodle ooh doo, doodle oodle ooh doo,
Doodle oodle ooh doo, doo!)

…it’s gettin’ kinda quiet again!

(Doodle oodle ooh doo, doodle oodle ooh doo,
Doodle oodle ooh doo, doo!)

…an octave lower please!

(Doodle oodle ooh doo, doodle oodle ooh doo,
Doodle oodle ooh doo, doo!)

You Missed

The argument in the studio lasted for days, with a producer demanding a funeral on record and a singer who was already living his own slow fade insisting the song was a commercial suicide. By 1980, the man they called No-Show Jones was more myth than musician. His life off-stage was a wreckage of cocaine and broken contracts, and his voice, though still legendary, seemed to be running out of places to hide. When producer Billy Sherrill brought him “He Stopped Loving Her Today,” Jones fought it. He hated the pacing, argued over the melody, and kept trying to turn the ballad into a slow-moving mimicry of a Kristofferson tune. He didn’t want to sing about a man who only finds peace in the grave, mostly because the darkness in the song felt too much like his own. Sherrill refused to back down. He kept the writers, Bobby Braddock and Curly Putman, in a loop of rewrites, demanding they push the funeral imagery further, dragging the listener through every ounce of the protagonist’s refusal to let go. In the studio, the atmosphere was thick with friction. Jones wasn’t just performing a character; he was wrestling with a mirror. It was a slow, agonizing process of bargaining that finally broke when Jones delivered a vocal that felt like a confession. The final take caught the exact moment where pain stops being a performance. The strings swelled, the steel guitar moaned in the background, and the reality of the record landed with a heavy, final quiet. It was not a polished hit; it was a scar captured on tape.