Bill Haley: Rock Around the Clock – the world's first rock anthem | Music | The Guardian

About the Song

In the realm of music, there are songs that entertain, songs that inspire, and then there are songs that shatter barriers and redefine genres. Bill Haley & His Comets’ 1954 rendition of “Rock Around the Clock” falls squarely into the latter category. This electrifying single not only became an instantaneous hit, but it also served as the impetus for the rock and roll revolution, forever altering the landscape of popular music.

Prior to “Rock Around the Clock”, the music scene was dominated by genres like big band and pop. While these styles were certainly popular, they catered to a more established audience. Rock and roll, on the other hand, was raw, energetic, and rebellious. It spoke to a younger generation eager to break free from the constraints of the past.

Bill Haley & His Comets were the perfect vessel to deliver this new sound to the masses. With their driving guitar riffs, pounding drums, and Haley’s charismatic vocals, they injected a shot of adrenaline into the music world. “Rock Around the Clock” was the epitome of this energy, capturing the excitement, rebellion, and unbridled joy of rock and roll.

The song’s impact was immediate and undeniable. It topped the charts in both the United States and the United Kingdom, selling millions of copies and becoming an anthem for a generation. “Rock Around the Clock” also broke down racial barriers, as it was one of the first rock and roll songs to receive widespread airplay on pop radio stations.

More than just a hit song, “Rock Around the Clock” was a cultural phenomenon. It was featured in the 1955 film “Blackboard Jungle”, which helped to further popularize rock and roll among teenagers. The song has also been covered by countless artists over the years, each adding their own unique interpretation to the classic track.

“Rock Around the Clock”‘s legacy is undeniable. It is considered one of the most important songs of all time, and it has had a profound impact on the development of popular music. The song’s energy, excitement, and rebellious spirit continue to inspire generations of musicians and music lovers alike. Bill Haley & His Comets may have been the ones to rock around the clock back in 1954, but their impact continues to reverberate today, ensuring that this iconic song will forever be etched in the annals of music history.

On this day in history, April 12, 1954, Bill Haley records 'Rock Around the Clock,' rock's first No. 1 hit | Fox News

Video

Lyrics: Rock Around The Clock

One, two, tree o’clock, four o’clock rock
Five, six, seven o’clock, eight o’clock rock
Nine, ten, eleven o’clock, twelve o’clock rock
We’re gonna rock around the clock tonightPut your glad rags on, join me, hon
We’ll have some fun while the clock strikes one
We’re gonna rock around the clock tonight
We’re gonna rock, rock, rock ’till broad daylight
We’re gonna rock, gonna rock around the clock tonightWhen the clock strikes two or tree and four
If the band slows down we’ll yell for more
We’re gonna rock around the clock tonight
We’re gonna rock, rock, rock ’till broad daylight
We’re gonna rock gonna rock around the clock tonightWhen the chimes ring five, six and seven
We’ll be right in seventh heaven
We’re gonna rock around the clock tonight
We’re gonna rock, rock, rock, ’till broad daylight
We’re gonna rock, gonna rock, around the clock tonightWhen it’s eight, nine, ten, eleven too
I’ll be goin’ strong and so will you
We’re gonna rock around the clock tonight
We’re gonna rock, rock, rock, ’till broad daylight
We’re gonna rock, gonna rock, around the clock tonightWhen the clock strikes twelve, we’ll cool off then
Start a rockin’ round the clock again
We’re gonna rock around the clock tonight
We’re gonna rock, rock, rock, ’till broad daylight
We’re gonna rock, gonna rock, around the clock tonight

You Missed

BOB DYLAN AND JOHNNY CASH SHATTERED THE WALLS OF NASHVILLE WITHOUT FIRING A SINGLE SHOT. Columbia Studio A sat thick with the smell of stale coffee and cigarette smoke on a February morning in 1969. While the rock world was chasing ghosts in psychedelic haze, Bob Dylan stepped into the epicenter of American country music with a voice that sounded like it had been dragged across gravel. He wasn’t there to challenge the gatekeepers at the Opry; he was there to find the heartbeat of a sound he had loved from afar. Johnny Cash walked through the heavy studio doors, guitar in hand, and for two days, the rigid borders of genre simply dissolved into the air. They didn’t record some grand manifesto to change the industry. Instead, they sat on stools and tore through old folk standards and each other’s deep cuts, letting the microphones capture the loose, unvarnished truth of a collaboration that felt more like a porch gathering than a major label session. Carl Perkins added his own licks to the mix, blending the percussive snap of rock and roll with the lonesome ache of a country ballad. It was a deliberate, quiet rebellion that treated the traditions of both worlds as neighbors rather than strangers. When the tape stopped rolling, they walked away having proved that the lines drawn by radio programmers were mostly make-believe. The Ryman Auditorium stage eventually welcomed a new kind of guest, and the air in Nashville felt lighter, forever changed by two men who knew that music didn’t need permission to belong everywhere at once.