About the Song

Released in 1967, “Ain’t No Mountain High Enough” is a timeless soul ballad that has captured the hearts of millions of listeners around the world. The song was a massive hit, reaching number one on the Billboard Hot 100 chart and becoming one of the most popular songs of the 1960s.

The song was written by Nickolas Ashford and Valerie Simpson, and it features the soulful vocals of Marvin Gaye and Tammi Terrell. The lyrics express the deep love and devotion between two people, declaring that no obstacle is too great to overcome for their love. The song’s powerful message of love and resilience has resonated with audiences for decades.

“Ain’t No Mountain High Enough” was a critical and commercial success, earning numerous awards and accolades. It was also a popular music video, which helped to promote the song even further.

The song has been covered by many artists over the years, and it remains a popular choice for weddings and other special occasions. It is a classic soul song that will continue to be enjoyed for many years to come.  

Here are some additional facts about “Ain’t No Mountain High Enough”:

  • It was the first single from Marvin Gaye and Tammi Terrell’s album “United”.
  • It was also included on Tammi Terrell’s posthumous album “Love, Tammi”.
  • The song was produced by Motown Records founder Berry Gordy.
  • It was recorded at Hitsville USA in Detroit, Michigan.
  • The song reached number one on the Billboard Hot 100 chart for four weeks.
  • It was also number one on the R&B chart for ten weeks.
  • The song was nominated for a Grammy Award for Best R&B Performance by a Duo or Group with Vocals in 1968.

Marvin Gaye & Tammi Terrell – Ain't No Mountain High Enough (1967) | Samuelsounds

Video

Lyrics: Ain’t No Mountain High Enough

Listen, baby
Ain’t no mountain high
Ain’t no valley low
Ain’t no river wide enough, babyIf you need me, call me
No matter where you are
No matter how far (don’t worry, baby)
Just call my name
I’ll be there in a hurry
You don’t have to worry
Cause baby thereAin’t no mountain high enough
Ain’t no valley low enough
Ain’t no river wide enough
To keep me from getting to you, babeRemember the day
I set you free
I told you you could always count on me, darling
From that day on, I made a vow
I’ll be there when you want me
Some way, some how
Cause baby thereAin’t no mountain high enough
Ain’t no valley low enough
Ain’t no river wide enough
To keep me from getting to you, babe

Oh no, darling

No wind, no rain
Nor winter’s cold
Can’t stop me baby

No no baby

Cause you are my goal

If you’re ever in trouble
I’ll be there on the double
Just send for me

Oh baby!

My love is alive
Way down in my heart
Although we are miles apart

If you ever need a helping hand
I’ll be there on the double
Just as fast as I can

Don’t you know that there…

Ain’t no mountain high enough
Ain’t no valley low enough
Ain’t no river wide enough
To keep me from getting to you babe

Don’t you know that there…

Ain’t no mountain high enough
Ain’t no valley low enough
Ain’t no river wide enough
Ain’t no mountain high enough
Ain’t no valley low enough

You Missed

Billy Joe Shaver first caught Waylon Jennings’ eye at Willie Nelson’s Dripping Springs Reunion back in 1972 while passing a guitar around backstage and picking “Willy the Wandering Gypsy and Me.” Waylon immediately stopped in his tracks, learned the chords on the spot, and promised to record the material. Instead of a quick cut, Shaver found himself stuck in Nashville for six months trying to collect on that promise while dealing with empty pockets and a songwriter dodging his calls. A sympathetic DJ eventually smuggled him right into one of Waylon’s studio dates. Still trying to brush him off, Waylon handed over a hundred-dollar bill with strict instructions to clear out. Shaver was broke enough to desperately need the cash, yet his pride won out. He fired the money right back with a harsh insult, prompting a furious Waylon to storm out into the hallway surrounded by a crowd. Shaver stood his ground and told him straight: listen to the songs, or catch a beating right there in front of God and everybody. Waylon finally sat down and listened. One track led to another until Jennings scrapped his own plans and built an entire record around Shaver’s writing. Released in 1973, Honky Tonk Heroes packed nine of Billy Joe’s compositions and turned into a crown jewel of the outlaw movement. The recording room stayed just as volatile, with Shaver loudly arguing over arrangement choices and accusing Waylon of altering his vision. Yet that exact friction gave the record its teeth. Waylon had just fought RCA for total creative freedom, and Billy Joe Shaver proved stubborn enough to demand that exact same respect for the words on the page.