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I’d Love You To Want Me – Lobo

About the SongLOBO "I'd Love You To Want Me" sheet music 1971 | eBay

“I’d Love You To Want Me” by Lobo is a beautifully emotive ballad that captures the essence of longing and unrequited love. Released in 1972 on his self-titled album, the song quickly became a hit, showcasing Lobo’s gentle vocals and heartfelt songwriting.

The lyrics express a deep yearning for mutual affection, with the narrator conveying his desire for the other person to feel the same way. Phrases like “I’d love you to want me” encapsulate the bittersweet nature of love, where hope intertwines with vulnerability. This sentiment resonates with anyone who has ever experienced the complexities of love and desire.

Musically, the song features a soft acoustic guitar melody accompanied by lush strings, creating an intimate and inviting atmosphere. Lobo’s soothing voice carries an emotional weight that draws listeners in, making them feel the sincerity behind each line. The simplicity of the arrangement allows the lyrics and melody to shine, creating a timeless quality that has kept the song relevant over the years.

Upon its release, “I’d Love You To Want Me” achieved significant commercial success, reaching the top of the charts and solidifying Lobo’s place in the pop music landscape of the early 1970s. Its enduring appeal can be attributed to its relatable themes of love and longing, which continue to resonate with audiences today.

The song has been covered by various artists and featured in numerous films and television shows, highlighting its lasting impact on popular culture. Whether played at a romantic gathering or enjoyed in solitude, “I’d Love You To Want Me” remains a classic that invites listeners to reflect on their own experiences with love and connection.

In summary, “I’d Love You To Want Me” is a poignant reminder of the beauty and heartache that often accompany love. Lobo’s heartfelt delivery and the song’s melodic charm ensure that it continues to touch hearts, making it a cherished classic in the world of soft rock.Picture background

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Lyrics: “I’d Love You To Want Me”

 

When I saw you standing there
I bout fell out my chair
And when you moved your mouth to speak
I felt the blood go to my feet.Now it took time for me to know
what you tried so not to show
Now something in my soul just cries
I see the want in your blue eyes.Baby, I’d love you to want me
The way that I want you
The way that it should be
Baby, you’d love me to want you
The way that I want to
If you’d only let it be.You told yourself years ago
You’d never let your feeling show
The obligation that you made
For the title that they gave.

 

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SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?

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SHE WAS A BRIDE AT FIFTEEN, A MOTHER AT SIXTEEN, AND THE FIRST WOMAN NASHVILLE EVER HAD TO CALL “ENTERTAINER OF THE YEAR” — THEN SHE NAMED HER BABY AFTER THE BEST FRIEND SHE’D JUST BURIED, AND THAT BABY SPENT A LIFETIME MAKING SURE NEITHER VOICE WAS FORGOTTEN. Loretta Lynn came out of Butcher Hollow, Kentucky, with nothing but a coal miner’s last name and a voice that could pin a grown man to his chair. Married before she could drive. Four children by twenty-two. Then she wrote songs that scared Nashville half to death — about cheating husbands, birth control pills, and women who’d had enough. Sixteen number-ones. Presidential Medal of Freedom. The whole world calling her the Coal Miner’s Daughter. In 1963, her best friend Patsy Cline died in a plane crash. The next year, Loretta gave birth to twins. She named one of them Patsy. That little girl grew up backstage, between tour buses and honky-tonks. She formed The Lynns with her twin sister Peggy. Earned CMA nominations. Then she did something quieter and heavier — she stepped behind the glass and co-produced her mother’s final albums alongside Johnny Cash’s son. Loretta died October 4, 2022. That first birthday without her, Patsy woke up reaching for a phone call that wasn’t coming — her mama singing “Happy Birthday,” the way she always had. Does knowing Loretta named her daughter after a ghost she never stopped grieving make “I Fall to Pieces” feel like it belongs to both of them now?

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“YOU MAKE THE COFFEE, I’LL MAKE THE BED.” — GLEN CAMPBELL DIDN’T NEED A LOVE POEM. HE JUST NEEDED AN OKLAHOMA MORNING. In December 1971, Glen Campbell released “Oklahoma Sunday Morning.” It peaked at #15 on the country charts—not his biggest hit by a long shot. But something about this track stuck. It wasn’t about fame or tragedy; it was about coffee, making the bed, and packing a lunch. It was the kind of love that doesn’t make headlines. But the way Glen sang it, you realized he wasn’t just describing a routine. He was singing about the only place that truly felt like home. A kid from a sharecropper’s family of twelve in Delight, Arkansas—who went on to sell 45 million records—poured something deeply personal into this quiet track. Fifty years later, folks across Oklahoma still know every word. Some songs don’t need to reach #1. They just need to be true.