The Greatest Oldies Music

Country

If a Man Answers – Toby Keith

About the Song

Toby Keith’s “If a Man Answers” is a country music song about a woman who is trying to call her ex-boyfriend. She knows that he has a new girlfriend, and she is hoping that he will answer the phone so that she can talk to him.

The song begins with the woman dialing the phone number. She is nervous and hesitant, and she takes a deep breath before she presses the call button. The phone rings several times, and then a man answers.

The woman is surprised to hear a man’s voice on the other end of the line. She asks if he is her ex-boyfriend, and he tells her that he is not. He is the new boyfriend of her ex-boyfriend’s girlfriend.

The woman is disappointed, but she is also relieved. She realizes that she does not want to talk to her ex-boyfriend after all. She hangs up the phone and tells herself that she is better off without him.

“If a Man Answers” is a song about heartbreak and loss. It is a song about the pain of letting go of someone you love. It is also a song about hope and resilience. The woman in the song realizes that she is strong enough to move on without her ex-boyfriend. She is ready to start a new chapter in her life.

The song is written in the first person, and it is sung from the perspective of the woman. The lyrics are simple and direct, and they convey the woman’s emotions in a raw and honest way. The song is set to a slow, country-style melody, and it features a simple acoustic guitar accompaniment.

“If a Man Answers” was released in 2003, and it was a Top 10 hit on the Billboard Hot Country Songs chart. The song was written by Toby Keith and Scotty Emerick, and it was produced by Keith and James Stroud.

Toby Keith is an American country music singer and songwriter. He has released 17 studio albums, and he has had 31 Top 10 hits on the Billboard Hot Country Songs chart. Keith is known for his his twangy vocals and his songs about small-town life.

“If a Man Answers” is a classic country music song. It is a song about heartbreak and loss, but it is also a song about hope and resilience. The song is well-written and well-performed, and it is sure to appeal to fans of country music.

Here are some additional details about the song:

  • The song was released as the second single from Keith’s album Unleashed.
  • The song reached number 7 on the Billboard Hot Country Songs chart and number 44 on the Billboard Hot 100 chart.
  • The song was nominated for a Grammy Award for Best Country Male Vocal Performance in 2004.
  • The song has been covered by a number of artists, including Trace Adkins, Jason Aldean, and Luke Bryan.

Video 

Lyrics: If A Man Answers

You said you need a little time
A little time to yourself
I’m staring down this telephone wonderin’
There might be someone elseIf a man answers when I call
I’ll just hang up I won’t say anything at all
If a man answers I know what I’ll do
I’ll lie here awake so I don’t dream about you
If a man answers this time of night
At least I’ll know somebody’s holding you tight
If a man answers I won’t call again
And I’ll know where I stand while I twist in the windOh baby I’m just missin’ you
I’m crazy still in love with you
I know my heart will break in two
If a man answers, if a man answersI just gotta tell you girl
Maybe somehow make you see
How much I want you to come back to me
But if a man answers you’ll never know
He’ll let you sleep while I let you goOh baby I’m just missin’ you
I’m crazy still in love with you
I know my heart will break in two
If a man answers, if a man answers

If a man answers you’ll never know
If a man answers I’ll let you go
If a man answers this time of night
If a man answers he’s holding you tight

If a man answers, if a man answers
If a man answers, if a man answers
If a man answers, oh if a man answers
If a man answers, if a man answers

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HIS FATHER TOLD HIM TO PUT DOWN THE GUITAR. NASHVILLE FORGOT HIM. TWICE. HE CAME BACK IN A WHEELCHAIR AND STILL WOULDN’T SHUT UP. Vern Gosdin grew up hauling rocks and chopping cotton in Woodland, Alabama. His father tried music once, failed, and forbade his son from ever touching a guitar. Vern left home and never looked back — never saw his father again. He moved to California. Then Chicago. Then Nashville. Two record labels went bankrupt under him. Nobody called. Nobody came looking. So he quit, moved to Georgia, and sold glass for a living. But he kept a guitar in his truck. In the late ’70s, he crawled back to Nashville — older, broker, and angrier than every pretty boy on country radio. He didn’t sound trendy. He sounded like a man who’d been through hell and could prove it. Then he wrote “Chiseled in Stone” and beat every superstar in town for CMA Song of the Year. Tammy Wynette called him “the only singer who can hold a candle to George Jones.” In 1998, a stroke stole his voice. He kept writing from a wheelchair. 101 songs. Still fighting. They called him “The Voice.” Nashville called him too late. Does knowing how many times Vern Gosdin had to start over make “Chiseled in Stone” hit even harder now?

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THEY LOOKED LIKE FOUR OUTLAWS WHO COULD OUTRUN TIME ITSELF. BUT WHEN YOU WATCH THE HIGHWAYMEN SING “BIG RIVER” TODAY, THE EMPTY MICROPHONES BREAK YOUR HEART. Onstage, Johnny Cash, Waylon Jennings, Kris Kristofferson, and Willie Nelson looked untouchable. Four weathered men, four different wounds, four voices that made country music sound dangerous, honest, and free. When they traded verses on Cash’s “Big River,” it wasn’t just another performance. It was four old brothers chasing the same song down the same river, each one carrying a piece of the road in his voice. Cash brought the thunder. Waylon brought the grit. Kris brought the broken-poet soul. Willie floated above it all with that calm, aching grace only he could carry. Back then, the stage lights made it easy to believe they would always be there. That was the beautiful lie of watching legends stand side by side. But time does what no outlaw ever could: it catches everyone. Today, Cash is gone. Waylon is gone. Kris has crossed the river too. Willie is the only one left, still playing, still standing, still carrying a brotherhood that can never fully gather again. That is why “Big River” feels different now. It is no longer just a song about chasing something you cannot hold. It feels like time itself moving past four men we were not ready to lose. The song remains. But three microphones are empty. Does “Big River” feel heavier now that Willie is the only one left to sing it?

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